Aluminé Rosso
Biographic Data
| ID | 6872882 |
|---|---|
| NAME | Aluminé Rosso |
| GIVEN NAMES | Aluminé |
| FAMILY NAME | Rosso |
| SIGNATURE | ROSSO A |
| AFFILIATIONS | University of Liège |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Semiotics of Space in the Era of Computational Logic and Digital Practices
Semiotics of Space in the Era of Computational Logic and Digital Practices: A Contemporary Perspective aims to revisit the relationship between spatiality and meaning, examining it through the lens of computational logic and digital practices that characterize the current algorithmic era
Sémiotique de l’espace à l’ère de la logique computationnelle et des pratiques numériques
Curatorship and mobile applications
This article presents a semiotic analysis of the mobile applications employed by various European exhibition spaces, including the Rijksmuseum in Amsterdam, the History Museum in Vienna, the Louis Vuitton Foundation, and the Pompidou Centre in Paris, to examine how these digital tools participate in the configuration of the visitor experience. The study examines the design of these mobile applications, with a particular focus on the activities th…
From the mass media museum to the social media museum
Eliseo Verón has defined the museum as a mass medium whose discourse is materialized through the body of the visitors: their spatial appropriations manifest not only the gap between the spatial proposal and its reception but also the bonds they establish with the institutions. Applying to the museum the notion proposed by Verón to refer to the bond between media and audience, these bonds crystallize different types of visiting contracts. Nowadays…
No prominent works on this page.
From the mass media museum to the social media museum
Eliseo Verón has defined the museum as a mass medium whose discourse is materialized through the body of the visitors: their spatial appropriations manifest not only the gap between the spatial proposal and its reception but also the bonds they establish with the institutions. Applying to the museum the notion proposed by Verón to refer to the bond between media and audience, these bonds crystallize different types of visiting contracts. Nowadays…
Curatorship and mobile applications
This article presents a semiotic analysis of the mobile applications employed by various European exhibition spaces, including the Rijksmuseum in Amsterdam, the History Museum in Vienna, the Louis Vuitton Foundation, and the Pompidou Centre in Paris, to examine how these digital tools participate in the configuration of the visitor experience. The study examines the design of these mobile applications, with a particular focus on the activities th…
Semiotics of Space in the Era of Computational Logic and Digital Practices
Semiotics of Space in the Era of Computational Logic and Digital Practices: A Contemporary Perspective aims to revisit the relationship between spatiality and meaning, examining it through the lens of computational logic and digital practices that characterize the current algorithmic era
Sémiotique de l’espace à l’ère de la logique computationnelle et des pratiques numériques
Augmented Reality Applications (2 works) · Computer Science (2 works) · Museums and Cultural Heritage (2 works) · Advertising (1 work) · Art (1 work) · Business (1 work) · Context (archaeology (1 work) · Digital Games and Media (1 work) · Digital Humanities and Scholarship (1 work) · Geochemistry and Geologic Mapping (1 work)