Martin N Ndlela
Biographic Data
| ID | 6873373 |
|---|---|
| NAME | Martin N Ndlela |
| GIVEN NAMES | Martin N |
| FAMILY NAME | Ndlela |
| SIGNATURE | NDLELA M N |
| AFFILIATIONS | University of Inland Norway |
| ORCID | 0000-0002-6283-6052 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Global Pandemics and Media Ethics
Media and the coronavirus pandemic in Africa
The coronavirus pandemic in Africa
Preview this article: The coronavirus pandemic in Africa: Crisis communication challenges, Page 1 of 1 /docserver/preview/fulltext/jams/13/2/jams.13.2.133-1.gif
Social Media and Elections in Africa, Volume 1
Social media, youth and everyday life in Kenya
With an increasing accessibility of smartphones and mobile Internet, social media are becoming an integral part of everyday life for young people in Kenya. The use of new social media tools like Facebook, Twitter and WhatsApp is quickly changing in the country. Previous research on new media, however, indicates socio-demographic differences in the access, appropriation and use of new technologies. This article aims at advancing our understanding …
Making sense and use of new media in Sub-Saharan Africa
TV formats in anglophone Africa
This article examines the television format business in anglophone Africa using a global value chains (GVCs) approach. Examining the format chain value structures and considering the different input and output activities in the global TV-format chain, this article identifies South African media industries as the most dominant players in anglophone Africa. Their dominance is manifested in the different stages of the value chain, from acquisition o…
Television across Boundaries
This article explores the localisation of the Big Brother Africa format in the sub-Saharan Africa. It examines the production structures that exist, and the main actors involved in the localisation. It also examines the central factors taken into consideration during the localisation process. The article argues that as the format passes through different stages in the production process, from idea conception to broadcasting, several inputs are pl…
Film Review
BITTER ROOTS: THE ENDS OF A KALAHARI MYTH (2010) 71 MINUTES, DIRECTED BY ADRIAN STRONG, DOCUMENTARY EDUCATIONAL RESOURCES
DVD Review
Africa Umoja. The Spirit of Togetherness DVD. Live at the Nelson Mandela Theatre, A Sting Music Production
Television across Boundaries
This article explores the localisation of the Big Brother Africa format in the sub-Saharan Africa. It examines the production structures that exist, and the main actors involved in the localisation. It also examines the central factors taken into consideration during the localisation process. The article argues that as the format passes through different stages in the production process, from idea conception to broadcasting, several inputs are pl…
TV formats in anglophone Africa
This article examines the television format business in anglophone Africa using a global value chains (GVCs) approach. Examining the format chain value structures and considering the different input and output activities in the global TV-format chain, this article identifies South African media industries as the most dominant players in anglophone Africa. Their dominance is manifested in the different stages of the value chain, from acquisition o…
DVD Review
Africa Umoja. The Spirit of Togetherness DVD. Live at the Nelson Mandela Theatre, A Sting Music Production
Film Review
BITTER ROOTS: THE ENDS OF A KALAHARI MYTH (2010) 71 MINUTES, DIRECTED BY ADRIAN STRONG, DOCUMENTARY EDUCATIONAL RESOURCES
Television across Boundaries
This article explores the localisation of the Big Brother Africa format in the sub-Saharan Africa. It examines the production structures that exist, and the main actors involved in the localisation. It also examines the central factors taken into consideration during the localisation process. The article argues that as the format passes through different stages in the production process, from idea conception to broadcasting, several inputs are pl…
Social media, youth and everyday life in Kenya
With an increasing accessibility of smartphones and mobile Internet, social media are becoming an integral part of everyday life for young people in Kenya. The use of new social media tools like Facebook, Twitter and WhatsApp is quickly changing in the country. Previous research on new media, however, indicates socio-demographic differences in the access, appropriation and use of new technologies. This article aims at advancing our understanding …
Making sense and use of new media in Sub-Saharan Africa
TV formats in anglophone Africa
This article examines the television format business in anglophone Africa using a global value chains (GVCs) approach. Examining the format chain value structures and considering the different input and output activities in the global TV-format chain, this article identifies South African media industries as the most dominant players in anglophone Africa. Their dominance is manifested in the different stages of the value chain, from acquisition o…
Social Media and Elections in Africa, Volume 1
The coronavirus pandemic in Africa
Preview this article: The coronavirus pandemic in Africa: Crisis communication challenges, Page 1 of 1 /docserver/preview/fulltext/jams/13/2/jams.13.2.133-1.gif
Global Pandemics and Media Ethics
Media and the coronavirus pandemic in Africa
Political science (9 works) · Sociology (6 works) · Law (4 works) · Computer Science (3 works) · Media studies (3 works) · Medicine (3 works) · Pandemic (3 works) · 2019-20 coronavirus outbreak (2 works) · Business (2 works) · Coronavirus (2 works)