Adam Whybray
Biographic Data
| ID | 6873619 |
|---|---|
| NAME | Adam Whybray |
| GIVEN NAMES | Adam |
| FAMILY NAME | Whybray |
| SIGNATURE | WHYBRAY A |
| AFFILIATIONS | University of Exeter |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Kate Egan and Jeffrey Andrew Weinstock, And Now for Something Completely Different
Objectifying Visual Language in Autobiographical Comics
Critiques of the objectification of female characters in comics have often focused upon depictions within the superhero genre (cf. Avery-Natale 2013; Cocca 2014; Nelson 2015). Such arguments adopt the framework of Laura Mulvey's ‘Male Gaze’ (1975) to assess the costuming, physical physique, and narrative role given to such characters. In one comment on similar controversies, Neil Cohn (2014) has argued for a greater emphasis upon the visual langu…
I'm Crushing Your Binaries!’ Drag in Monty Python and Kids in the Hall
Monty Python (1969–1974) and Kids in the Hall (1988–1994) are two male comedy sketch show troupes well known for performing as women. Through analysis of the performance styles present in Monty Python and Kids in the Hall sketches, we can observe a shift from a camp to a queer sensibility. Esther Newton's Mother Camp (1972) and Judith Butler's Gender Trouble (1990) were released, respectively, during the broadcast of each show and provide a criti…
No prominent works on this page.
I'm Crushing Your Binaries!’ Drag in Monty Python and Kids in the Hall
Monty Python (1969–1974) and Kids in the Hall (1988–1994) are two male comedy sketch show troupes well known for performing as women. Through analysis of the performance styles present in Monty Python and Kids in the Hall sketches, we can observe a shift from a camp to a queer sensibility. Esther Newton's Mother Camp (1972) and Judith Butler's Gender Trouble (1990) were released, respectively, during the broadcast of each show and provide a criti…
Kate Egan and Jeffrey Andrew Weinstock, And Now for Something Completely Different
Objectifying Visual Language in Autobiographical Comics
Critiques of the objectification of female characters in comics have often focused upon depictions within the superhero genre (cf. Avery-Natale 2013; Cocca 2014; Nelson 2015). Such arguments adopt the framework of Laura Mulvey's ‘Male Gaze’ (1975) to assess the costuming, physical physique, and narrative role given to such characters. In one comment on similar controversies, Neil Cohn (2014) has argued for a greater emphasis upon the visual langu…
Art (2 works) · Computer Science (2 works) · Literature (2 works) · Media, Gender, and Advertising (2 works) · Programming language (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Appeal (1 work) · Art history (1 work)