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Christine Reynier

Biographic Data

ID6874617
NAMEChristine Reynier
GIVEN NAMESChristine
FAMILY NAMEReynier
SIGNATUREREYNIER C
AFFILIATIONSUniversité Paul-Valéry Montpellier
ORCID0000-0003-4237-5241
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS1
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Keywords CVE 100

    Open Access•Christine Reynier, Luc Bouvard•ARTICLE•Cahiers victoriens et édouardiens•2024

    AAcoustics of NonsenseArchiveBBilingual ImaginationBrontë (Charlotte)CCanonCarroll (Lewis)CatholicismColonial War ArtefactsColourCongruenceCultural ConstructionsDDécabase & DecadenceDecadent writersDegenerationDetective FictionDigital AgeEEarnestEliot (George)Empathy StudiesEmpireFFemale Detectivefin de siècleFrench TheatreGGreenIInterdisciplinarityIntermediality and TranslationIntersubjectivityInvisibilized LivesMMaterial CultureMelodiesMauve, M…

  • Modernist Non-fictional Narratives and Beyond (e-Rea 15.2, 2018)

    Open Access•Christine Reynier•ARTICLE•E-rea•2023

    A few years ago, I co-edited a first issue of e-Rea on modernist non-fictional prose. It came as the joint and somewhat indirect result of a long-term personal work on Virginia Woolf’s essays as well as a series of crucial academic encounters. While working on Virginia Woolf’s short stories (Reynier 2009), I had come to be interested in the way in which the author theorised the short story genre in her essays; this turned into an article some tim…

  • Rethinking Modernism with Sylvia Townsend Warner’s Lolly Willowes (1926)

    Christine Reynier•ARTICLE•Études anglaises•2023

  • Rethinking Modernism with Sylvia Townsend Warner’s Lolly Willowes (1926)

    Christine Reynier•ARTICLE•Études anglaises•2023

    Alors que le modernisme a été redéfini au fil des ans et a connu une expansion temporelle et spatiale, 1922 continue d’être cité comme l’ annus mirabilis du modernisme britannique. Cent ans plus tard, quelles sont les raisons de conserver cette date comme point de repère ? Une tendance récente dans les études modernistes a commencé à identifier une conscience écologique dans des œuvres modernistes jusqu’ici passées sous silence ou souvent contour…

  • The Women’s Land Army (1944)

    Open Access•Christine Reynier•ARTICLE•E-rea•2020

    Recently, there has been a resurgence of interest in Vita Sackville-West’s life, with the publication of a new biography by Matthew Dennison (Behind the Mask, 2014), about thirty years after Victoria Glendinning’s authoritative one, Vita (1983). Her love life and her skills as a gardener have been explored by critics such as Sarah Raven, Suzanne Raitt or Karyn Sproles. However, her fiction and her non-fiction remain underexplored by academic crit…

  • Introduction

    Open Access•Adrian Paterson, Christine Reynier•ARTICLE•E-rea•2020

    The present issue “Modernist Non-fictional Narratives of War and Peace (1914-1950)” continues the probe into modernist prose begun in a previous issue of E-rea “Modernist non-fictional narratives” (Paterson and Reynier). The focus has narrowed to examining British and Irish modernist writers’ non-fictional writings about war and peace. All kinds of essays, reviews, pamphlets, diaries, autofiction, reportage, letters, and so on, produced between t…

  • The Exceptional Grandeur of Small Objects

    Christine Reynier•ARTICLE•Polysèmes•2020

    Peu connu en France, Paul Scott a commencé à se faire un nom en Grande-Bretagne et dans d’autres pays comme le Canada, le Danemark et la Norvège où plusieurs expositions de ses œuvres ont été organisées depuis le début des années 1990. Son art, celui de la céramique, est un art humble. Paul Scott fait des tasses, des assiettes et des plats bleus et blancs en céramique émaillée, s’inspirant de motifs et de techniques décoratives traditionnels, les…

  • Short fiction as humble fiction

    Open Access•Christine Reynier•ARTICLE•Short Fiction in Theory and…•2020

    International audience

  • Beyond cinema

    Christine Reynier•ARTICLE•Short Fiction in Theory and…•2018•Cited by: 1•References: 1

    Among the short stories du Maurier wrote, ‘The Birds’ and ‘Don’t Look Now’ stand out. The first has famously been singled out by Alfred Hitchcock and the second by Nicolas Roeg for their respective film adaptations. The fate of these two short stories confirms Elizabeth Bowen’s statement according to which the short story, apart from being close to other literary genres, such as poetry and drama, developed alongside cinema. Although du Maurier ha…

  • Beyond cinema

    Christine Reynier•ARTICLE•Short Fiction in Theory and…•2018•Cited by: 1•References: 1

    Among the short stories du Maurier wrote, ‘The Birds’ and ‘Don’t Look Now’ stand out. The first has famously been singled out by Alfred Hitchcock and the second by Nicolas Roeg for their respective film adaptations. The fate of these two short stories confirms Elizabeth Bowen’s statement according to which the short story, apart from being close to other literary genres, such as poetry and drama, developed alongside cinema. Although du Maurier ha…

  • Beyond cinema

    Christine Reynier•ARTICLE•Short Fiction in Theory and…•2018•Cited by: 1•References: 1

    Among the short stories du Maurier wrote, ‘The Birds’ and ‘Don’t Look Now’ stand out. The first has famously been singled out by Alfred Hitchcock and the second by Nicolas Roeg for their respective film adaptations. The fate of these two short stories confirms Elizabeth Bowen’s statement according to which the short story, apart from being close to other literary genres, such as poetry and drama, developed alongside cinema. Although du Maurier ha…

  • The Women’s Land Army (1944)

    Open Access•Christine Reynier•ARTICLE•E-rea•2020

    Recently, there has been a resurgence of interest in Vita Sackville-West’s life, with the publication of a new biography by Matthew Dennison (Behind the Mask, 2014), about thirty years after Victoria Glendinning’s authoritative one, Vita (1983). Her love life and her skills as a gardener have been explored by critics such as Sarah Raven, Suzanne Raitt or Karyn Sproles. However, her fiction and her non-fiction remain underexplored by academic crit…

  • Introduction

    Open Access•Adrian Paterson, Christine Reynier•ARTICLE•E-rea•2020

    The present issue “Modernist Non-fictional Narratives of War and Peace (1914-1950)” continues the probe into modernist prose begun in a previous issue of E-rea “Modernist non-fictional narratives” (Paterson and Reynier). The focus has narrowed to examining British and Irish modernist writers’ non-fictional writings about war and peace. All kinds of essays, reviews, pamphlets, diaries, autofiction, reportage, letters, and so on, produced between t…

  • The Exceptional Grandeur of Small Objects

    Christine Reynier•ARTICLE•Polysèmes•2020

    Peu connu en France, Paul Scott a commencé à se faire un nom en Grande-Bretagne et dans d’autres pays comme le Canada, le Danemark et la Norvège où plusieurs expositions de ses œuvres ont été organisées depuis le début des années 1990. Son art, celui de la céramique, est un art humble. Paul Scott fait des tasses, des assiettes et des plats bleus et blancs en céramique émaillée, s’inspirant de motifs et de techniques décoratives traditionnels, les…

  • Short fiction as humble fiction

    Open Access•Christine Reynier•ARTICLE•Short Fiction in Theory and…•2020

    International audience

  • Modernist Non-fictional Narratives and Beyond (e-Rea 15.2, 2018)

    Open Access•Christine Reynier•ARTICLE•E-rea•2023

    A few years ago, I co-edited a first issue of e-Rea on modernist non-fictional prose. It came as the joint and somewhat indirect result of a long-term personal work on Virginia Woolf’s essays as well as a series of crucial academic encounters. While working on Virginia Woolf’s short stories (Reynier 2009), I had come to be interested in the way in which the author theorised the short story genre in her essays; this turned into an article some tim…

  • Rethinking Modernism with Sylvia Townsend Warner’s Lolly Willowes (1926)

    Christine Reynier•ARTICLE•Études anglaises•2023

  • Rethinking Modernism with Sylvia Townsend Warner’s Lolly Willowes (1926)

    Christine Reynier•ARTICLE•Études anglaises•2023

    Alors que le modernisme a été redéfini au fil des ans et a connu une expansion temporelle et spatiale, 1922 continue d’être cité comme l’ annus mirabilis du modernisme britannique. Cent ans plus tard, quelles sont les raisons de conserver cette date comme point de repère ? Une tendance récente dans les études modernistes a commencé à identifier une conscience écologique dans des œuvres modernistes jusqu’ici passées sous silence ou souvent contour…

  • Keywords CVE 100

    Open Access•Christine Reynier, Luc Bouvard•ARTICLE•Cahiers victoriens et édouardiens•2024

    AAcoustics of NonsenseArchiveBBilingual ImaginationBrontë (Charlotte)CCanonCarroll (Lewis)CatholicismColonial War ArtefactsColourCongruenceCultural ConstructionsDDécabase & DecadenceDecadent writersDegenerationDetective FictionDigital AgeEEarnestEliot (George)Empathy StudiesEmpireFFemale Detectivefin de siècleFrench TheatreGGreenIInterdisciplinarityIntermediality and TranslationIntersubjectivityInvisibilized LivesMMaterial CultureMelodiesMauve, M…

Art (7 works) · Literature (5 works) · Art history (3 works) · Humanities (3 works) · Narrative (3 works) · Aesthetics (2 works) · American and British Literature Analysis (2 works) · Modernism (music) (2 works) · Modernist Literature and Criticism (2 works) · Narrative Theory and Analysis (2 works)

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