Damian Lizun
Biographic Data
| ID | 6877497 |
|---|---|
| NAME | Damian Lizun |
| GIVEN NAMES | Damian |
| FAMILY NAME | Lizun |
| SIGNATURE | LIZUN D |
| AFFILIATIONS | National Heritage Board |
| ORCID | 0000-0001-8340-0701 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Hidden Narratives
This article examines the critical role of archival exploration in decoding the painting practice of a modern Singaporean artist Liu Kang (1911–2004). Given Liu Kang’s undocumented artistic process and the absence of preserved paint tubes or technical notes, the research methodology combined a wide range of primary and secondary archival records with previous analytical investigations of his paintings. By examining works from the National Gallery…
A Characterisation of the Protrusions on Liu Kang’s Boat scene (1974) from the National Gallery Singapore
This paper investigates the oil on canvas painting Boat scene (1974) by Liu Kang (1911–2004), belonging to the National Gallery Singapore (NGS). The focus is on disfiguring paint protrusions in a specific area and colour in the composition. Moreover, in search of the possible factors responsible for the creation of the protrusions, the structure and composition of the paint layers were determined. Three possible reasons were put forward to explai…
New Insight into Liu Kang’s Village Scene (1931)
This study examines the intriguing peculiarities of the surface paint layer found in the painting Village scene (1931) by renowned Singapore artist Liu Kang (1911–2004). The incorporation of non-invasive visible light (VIS) and near-infrared (NIR) photography techniques, combined with high-power digital microscopy, revealed unusual features on the surface paint layer. Flattened impastos, clusters of incrusted foreign paint unrelated to the existi…
Overview of Materials and Techniques of Paintings by Liu Kang Made between 1927 and 1999 from the National Gallery Singapore and Liu Family Collections
This article summarises the extensive research conducted in recent years on the paintings by Liu Kang (1911–2004), a renowned modern Singaporean artist. The investigation considered 97 paintings made between 1927 and 1999 from the National Gallery Singapore and Liu family collections. While detailed results of the analytical studies were presented in a series of publications, the scope of this article comprises an overview of the artist’s prefere…
Evolution of Liu Kang’s Palette and Painting Practice for the Execution of Female Nude Paintings
The comprehensive technical investigation of female nude paintings by the Singapore pioneer artist Liu Kang (1911–2004) provided the evidence for a discussion of the evolution of his palette of colours and his working process for expression in this genre, particularly the execution of female bodies. As the artist’s free expression in classical nude paintings was limited by the censorship imposed by the Singapore government, the investigated artwo…
Exploring Liu Kang’s Paris Practice (1929–1932)
This paper presents the results of an extensive study of 14 paintings by the pioneering Singapore artist Liu Kang (1911–2004). The paintings are from the National Gallery Singapore and Liu family collections. The aim of the study is to elucidate the painting technique and materials from the artist’s early oeuvre, Paris, spanning the period from 1929 to 1932. The artworks were studied with a wide array of non- and micro-invasive analytical techniq…
Exploring Liu Kang’s Paris Practice (1929–1932)
This paper presents the results of an extensive study of 14 paintings by the pioneering Singapore artist Liu Kang (1911–2004). The paintings are from the National Gallery Singapore and Liu family collections. The aim of the study is to elucidate the painting technique and materials from the artist’s early oeuvre, Paris, spanning the period from 1929 to 1932. The artworks were studied with a wide array of non- and micro-invasive analytical techniq…
Overview of Materials and Techniques of Paintings by Liu Kang Made between 1927 and 1999 from the National Gallery Singapore and Liu Family Collections
This article summarises the extensive research conducted in recent years on the paintings by Liu Kang (1911–2004), a renowned modern Singaporean artist. The investigation considered 97 paintings made between 1927 and 1999 from the National Gallery Singapore and Liu family collections. While detailed results of the analytical studies were presented in a series of publications, the scope of this article comprises an overview of the artist’s prefere…
Exploring Liu Kang’s Paris Practice (1929–1932)
This paper presents the results of an extensive study of 14 paintings by the pioneering Singapore artist Liu Kang (1911–2004). The paintings are from the National Gallery Singapore and Liu family collections. The aim of the study is to elucidate the painting technique and materials from the artist’s early oeuvre, Paris, spanning the period from 1929 to 1932. The artworks were studied with a wide array of non- and micro-invasive analytical techniq…
Evolution of Liu Kang’s Palette and Painting Practice for the Execution of Female Nude Paintings
The comprehensive technical investigation of female nude paintings by the Singapore pioneer artist Liu Kang (1911–2004) provided the evidence for a discussion of the evolution of his palette of colours and his working process for expression in this genre, particularly the execution of female bodies. As the artist’s free expression in classical nude paintings was limited by the censorship imposed by the Singapore government, the investigated artwo…
New Insight into Liu Kang’s Village Scene (1931)
This study examines the intriguing peculiarities of the surface paint layer found in the painting Village scene (1931) by renowned Singapore artist Liu Kang (1911–2004). The incorporation of non-invasive visible light (VIS) and near-infrared (NIR) photography techniques, combined with high-power digital microscopy, revealed unusual features on the surface paint layer. Flattened impastos, clusters of incrusted foreign paint unrelated to the existi…
Overview of Materials and Techniques of Paintings by Liu Kang Made between 1927 and 1999 from the National Gallery Singapore and Liu Family Collections
This article summarises the extensive research conducted in recent years on the paintings by Liu Kang (1911–2004), a renowned modern Singaporean artist. The investigation considered 97 paintings made between 1927 and 1999 from the National Gallery Singapore and Liu family collections. While detailed results of the analytical studies were presented in a series of publications, the scope of this article comprises an overview of the artist’s prefere…
A Characterisation of the Protrusions on Liu Kang’s Boat scene (1974) from the National Gallery Singapore
This paper investigates the oil on canvas painting Boat scene (1974) by Liu Kang (1911–2004), belonging to the National Gallery Singapore (NGS). The focus is on disfiguring paint protrusions in a specific area and colour in the composition. Moreover, in search of the possible factors responsible for the creation of the protrusions, the structure and composition of the paint layers were determined. Three possible reasons were put forward to explai…
Hidden Narratives
This article examines the critical role of archival exploration in decoding the painting practice of a modern Singaporean artist Liu Kang (1911–2004). Given Liu Kang’s undocumented artistic process and the absence of preserved paint tubes or technical notes, the research methodology combined a wide range of primary and secondary archival records with previous analytical investigations of his paintings. By examining works from the National Gallery…
Art (5 works) · Painting (5 works) · Conservation Techniques and Studies (4 works) · Cultural Heritage Materials Analysis (4 works) · Visual arts (4 works) · Art history (3 works) · Building materials and conservation (3 works) · Computer Science (3 works) · Chemistry (2 works) · Context (archaeology (2 works)