Teresa Kurkiewicz
Biographic Data
| ID | 6877498 |
|---|---|
| NAME | Teresa Kurkiewicz |
| GIVEN NAMES | Teresa |
| FAMILY NAME | Kurkiewicz |
| SIGNATURE | KURKIEWICZ T |
| AFFILIATIONS | Nicolaus Copernicus University |
| ORCID | 0000-0002-4570-4226 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
A Characterisation of the Protrusions on Liu Kang’s Boat scene (1974) from the National Gallery Singapore
This paper investigates the oil on canvas painting Boat scene (1974) by Liu Kang (1911–2004), belonging to the National Gallery Singapore (NGS). The focus is on disfiguring paint protrusions in a specific area and colour in the composition. Moreover, in search of the possible factors responsible for the creation of the protrusions, the structure and composition of the paint layers were determined. Three possible reasons were put forward to explai…
Evolution of Liu Kang’s Palette and Painting Practice for the Execution of Female Nude Paintings
The comprehensive technical investigation of female nude paintings by the Singapore pioneer artist Liu Kang (1911–2004) provided the evidence for a discussion of the evolution of his palette of colours and his working process for expression in this genre, particularly the execution of female bodies. As the artist’s free expression in classical nude paintings was limited by the censorship imposed by the Singapore government, the investigated artwo…
Exploring Liu Kang’s Paris Practice (1929–1932)
This paper presents the results of an extensive study of 14 paintings by the pioneering Singapore artist Liu Kang (1911–2004). The paintings are from the National Gallery Singapore and Liu family collections. The aim of the study is to elucidate the painting technique and materials from the artist’s early oeuvre, Paris, spanning the period from 1929 to 1932. The artworks were studied with a wide array of non- and micro-invasive analytical techniq…
Exploring Liu Kang’s Paris Practice (1929–1932)
This paper presents the results of an extensive study of 14 paintings by the pioneering Singapore artist Liu Kang (1911–2004). The paintings are from the National Gallery Singapore and Liu family collections. The aim of the study is to elucidate the painting technique and materials from the artist’s early oeuvre, Paris, spanning the period from 1929 to 1932. The artworks were studied with a wide array of non- and micro-invasive analytical techniq…
Exploring Liu Kang’s Paris Practice (1929–1932)
This paper presents the results of an extensive study of 14 paintings by the pioneering Singapore artist Liu Kang (1911–2004). The paintings are from the National Gallery Singapore and Liu family collections. The aim of the study is to elucidate the painting technique and materials from the artist’s early oeuvre, Paris, spanning the period from 1929 to 1932. The artworks were studied with a wide array of non- and micro-invasive analytical techniq…
Evolution of Liu Kang’s Palette and Painting Practice for the Execution of Female Nude Paintings
The comprehensive technical investigation of female nude paintings by the Singapore pioneer artist Liu Kang (1911–2004) provided the evidence for a discussion of the evolution of his palette of colours and his working process for expression in this genre, particularly the execution of female bodies. As the artist’s free expression in classical nude paintings was limited by the censorship imposed by the Singapore government, the investigated artwo…
A Characterisation of the Protrusions on Liu Kang’s Boat scene (1974) from the National Gallery Singapore
This paper investigates the oil on canvas painting Boat scene (1974) by Liu Kang (1911–2004), belonging to the National Gallery Singapore (NGS). The focus is on disfiguring paint protrusions in a specific area and colour in the composition. Moreover, in search of the possible factors responsible for the creation of the protrusions, the structure and composition of the paint layers were determined. Three possible reasons were put forward to explai…
Art (3 works) · Art history (2 works) · Chemistry (2 works) · Conservation Techniques and Studies (2 works) · Cultural Heritage Materials Analysis (2 works) · Painting (2 works) · Palette (painting (2 works) · Visual arts (2 works) · Building materials and conservation (1 work) · Censorship (1 work)