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Christopher M S Johns

Biographic Data

ID687817
NAMEChristopher M S Johns
GIVEN NAMESChristopher M S
FAMILY NAMEJohns
SIGNATUREJOHNS C M S
AFFILIATIONSa University of Virginia , USA
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS1
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2004
H-INDEX1
  • Empress Josephine's collection of sculpture by Canova at Malmaison

    Christopher M S Johns•ARTICLE•Journal of the History of…•2004

  • Portraiture and the Making of Cultural Identity

    Open Access•Christopher M S Johns•ARTICLE•Art History•2004

    The study of national identity in eighteenth‐century visual culture sheds considerable light on the development of modern nationalism, ethnocentrism and contemporary identity politics. Pompeo Batoni's The Honourable Colonel William Gordon (1765–66) is placed within debates about Scotland and Scots cultural and national identity. What did it mean to be Scottish in eighteenth‐century Britain and how might cultural and national identity be visualize…

  • Portrait Mythology

    Christopher M S Johns•ARTICLE•Eighteenth-Century Studies•1994

    Portraits of significant individuals, the players of any given era, provide unique insight into a vital conjunction of history and art. Working from the assumption that people cared about the manner of their public presentation and that an image could be employed by a patron to serve a specific agenda, it stands to reason that much may be learned about the ideologies, the personal proclivities, and the historical circumstances that combined to en…

  • Papal Art and Cultural Politics

    John A Pinto, John Pinto et al.•ARTICLE•Eighteenth-Century Studies•1994

  • Reframing Art History

    Christopher M S Johns•ARTICLE•Eighteenth-Century Studies•1992

    Christopher M. S. Johns, Reframing Art History: Text and Context: Introduction to Section 2, Eighteenth-Century Studies, Vol. 25, No. 4, Special Issue: Art History: New Voices/New Visions (Summer, 1992), pp. 517-522

  • The Macchiaioli

    Christopher M S Johns, Norma Broude•ARTICLE•Italica•1990

  • The marble wilderness

    Christopher M S Johns•ARTICLE•History of European Ideas•1989

  • Papal Patronage and Cultural Bureaucracy in Eighteenth-Century Rome

    Christopher M S Johns•ARTICLE•Eighteenth-Century Studies•1988

    Christopher M. S. Johns, Papal Patronage and Cultural Bureaucracy in Eighteenth-Century Rome: Clement XI and the Accademia di San Luca, Eighteenth-Century Studies, Vol. 22, No. 1 (Autumn, 1988), pp. 1-23

  • Politics, Nationalism and Friendship in Van Dyck's 'Le Roi a la Ciasse

    Christopher M S Johns•ARTICLE•Zeitschrift für Kunstgeschichte•1988•Cited by: 1

  • Theater and Theory

    Christopher M S Johns•ARTICLE•Winterthur Portfolio•1983

  • Politics, Nationalism and Friendship in Van Dyck's 'Le Roi a la Ciasse

    Christopher M S Johns•ARTICLE•Zeitschrift für Kunstgeschichte•1988•Cited by: 1

  • Theater and Theory

    Christopher M S Johns•ARTICLE•Winterthur Portfolio•1983

  • Papal Patronage and Cultural Bureaucracy in Eighteenth-Century Rome

    Christopher M S Johns•ARTICLE•Eighteenth-Century Studies•1988

    Christopher M. S. Johns, Papal Patronage and Cultural Bureaucracy in Eighteenth-Century Rome: Clement XI and the Accademia di San Luca, Eighteenth-Century Studies, Vol. 22, No. 1 (Autumn, 1988), pp. 1-23

  • Politics, Nationalism and Friendship in Van Dyck's 'Le Roi a la Ciasse

    Christopher M S Johns•ARTICLE•Zeitschrift für Kunstgeschichte•1988•Cited by: 1

  • The marble wilderness

    Christopher M S Johns•ARTICLE•History of European Ideas•1989

  • The Macchiaioli

    Christopher M S Johns, Norma Broude•ARTICLE•Italica•1990

  • Reframing Art History

    Christopher M S Johns•ARTICLE•Eighteenth-Century Studies•1992

    Christopher M. S. Johns, Reframing Art History: Text and Context: Introduction to Section 2, Eighteenth-Century Studies, Vol. 25, No. 4, Special Issue: Art History: New Voices/New Visions (Summer, 1992), pp. 517-522

  • Portrait Mythology

    Christopher M S Johns•ARTICLE•Eighteenth-Century Studies•1994

    Portraits of significant individuals, the players of any given era, provide unique insight into a vital conjunction of history and art. Working from the assumption that people cared about the manner of their public presentation and that an image could be employed by a patron to serve a specific agenda, it stands to reason that much may be learned about the ideologies, the personal proclivities, and the historical circumstances that combined to en…

  • Papal Art and Cultural Politics

    John A Pinto, John Pinto et al.•ARTICLE•Eighteenth-Century Studies•1994

  • Empress Josephine's collection of sculpture by Canova at Malmaison

    Christopher M S Johns•ARTICLE•Journal of the History of…•2004

  • Portraiture and the Making of Cultural Identity

    Open Access•Christopher M S Johns•ARTICLE•Art History•2004

    The study of national identity in eighteenth‐century visual culture sheds considerable light on the development of modern nationalism, ethnocentrism and contemporary identity politics. Pompeo Batoni's The Honourable Colonel William Gordon (1765–66) is placed within debates about Scotland and Scots cultural and national identity. What did it mean to be Scottish in eighteenth‐century Britain and how might cultural and national identity be visualize…

Art (9 works) · Art history (6 works) · Historical Art and Culture Studies (6 works) · History (6 works) · Law (5 works) · Political science (5 works) · Politics (5 works) · Law (4 works) · History (3 works) · Literature (3 works)

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