Marinos Koutsomichalis
Biographic Data
| ID | 6879237 |
|---|---|
| NAME | Marinos Koutsomichalis |
| GIVEN NAMES | Marinos |
| FAMILY NAME | Koutsomichalis |
| SIGNATURE | KOUTSOMICHALIS M |
| AFFILIATIONS | Cyprus University of Technology |
| ORCID | 0000-0002-3876-9064 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Make, learn, exhibit and share with others
This article scrutinises an endeavour staging together hardware prototyping, co-design and exhibition-of/performance-with DIY artefacts. Inhibition pivots on a neural network controlled headset capable of electroencephalography and algorithmic audio composition. This technology is detailed and the particular ways in which it affords a multi-faceted doing-it-with-others are elaborated upon. Technological and artistic implications are discussed vis…
Tactics against Antiquity
This essay outlines an empirical endeavour pivoting on the contemporaneity of the ruins of ancient Messene (Greece) by means of an eclectic method and in a situated artistic context. Drawing inspiration from the “peripatetic” tradition, the project concerns a technologically mediated soundwalk through the ruins which foregrounds Messene (a) as a place that is practised sociopolitically in the present as a way to generate cultural and historical c…
From Music to Big Music
Following a series of technological breakthroughs and the proliferation of new, cloud-based media, listening in the 21st century has become dynamic, fragmented, interactive and distributed. Contemporary audiences are typically expected to traverse (big) music databases and, employing several overlapping interfaces, to resynthesize, rather than to merely access, content. On this construal, new ways of both experiencing and thinking about music hav…
No prominent works on this page.
From Music to Big Music
Following a series of technological breakthroughs and the proliferation of new, cloud-based media, listening in the 21st century has become dynamic, fragmented, interactive and distributed. Contemporary audiences are typically expected to traverse (big) music databases and, employing several overlapping interfaces, to resynthesize, rather than to merely access, content. On this construal, new ways of both experiencing and thinking about music hav…
Tactics against Antiquity
This essay outlines an empirical endeavour pivoting on the contemporaneity of the ruins of ancient Messene (Greece) by means of an eclectic method and in a situated artistic context. Drawing inspiration from the “peripatetic” tradition, the project concerns a technologically mediated soundwalk through the ruins which foregrounds Messene (a) as a place that is practised sociopolitically in the present as a way to generate cultural and historical c…
Make, learn, exhibit and share with others
This article scrutinises an endeavour staging together hardware prototyping, co-design and exhibition-of/performance-with DIY artefacts. Inhibition pivots on a neural network controlled headset capable of electroencephalography and algorithmic audio composition. This technology is detailed and the particular ways in which it affords a multi-faceted doing-it-with-others are elaborated upon. Technological and artistic implications are discussed vis…
Aesthetics (2 works) · Archaeology (2 works) · Art (2 works) · Computer Science (2 works) · Epistemology (2 works) · History (2 works) · Sociology (2 works) · Visual arts (2 works) · Active listening (1 work) · Big data (1 work)