Hui Yan Chew
Biographic Data
| ID | 6879342 |
|---|---|
| NAME | Hui Yan Chew |
| GIVEN NAMES | Hui Yan |
| FAMILY NAME | Chew |
| SIGNATURE | CHEW H Y |
| AFFILIATIONS | Aichi Shukutoku University |
| ORCID | 0000-0001-8892-2277 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Re-negotiating national identity in a global Sinophone space
Purpose This paper investigates Xiaohongshu (XHS) as a Sinophone digital enclave for Malaysian Chinese. It examines how users negotiate identity through strategic essentialism, analyzes the digital representation of Malaysian heritage, and explores cross-cultural interactions between Malaysian users and the Mainland Chinese “center.” Design/methodology/approach Adopting a qualitative-driven research design, this study utilizes digital content ana…
Debating ‘Chineseness’ and ‘national identity’ in the Sinophone Malaysian films The Journey (2014) and Ola Bola (2016)
Adopting the theoretical framework employed in Sinophone studies, this article focuses on Sinophone Malaysian filmmaker Chiu Keng Guan, whose films mark the revival of commercial Sinitic language filmmaking in Malaysia. Through textual analysis of Chiu’s two films The Journey (2014) and Ola Bola (2016), this article examines how the narratives and languages used in these Sinophone Malaysian films portray the place-based culture and experience of …
Debating ‘Chineseness’ and ‘national identity’ in the Sinophone Malaysian films The Journey (2014) and Ola Bola (2016)
Adopting the theoretical framework employed in Sinophone studies, this article focuses on Sinophone Malaysian filmmaker Chiu Keng Guan, whose films mark the revival of commercial Sinitic language filmmaking in Malaysia. Through textual analysis of Chiu’s two films The Journey (2014) and Ola Bola (2016), this article examines how the narratives and languages used in these Sinophone Malaysian films portray the place-based culture and experience of …
Debating ‘Chineseness’ and ‘national identity’ in the Sinophone Malaysian films The Journey (2014) and Ola Bola (2016)
Adopting the theoretical framework employed in Sinophone studies, this article focuses on Sinophone Malaysian filmmaker Chiu Keng Guan, whose films mark the revival of commercial Sinitic language filmmaking in Malaysia. Through textual analysis of Chiu’s two films The Journey (2014) and Ola Bola (2016), this article examines how the narratives and languages used in these Sinophone Malaysian films portray the place-based culture and experience of …
Re-negotiating national identity in a global Sinophone space
Purpose This paper investigates Xiaohongshu (XHS) as a Sinophone digital enclave for Malaysian Chinese. It examines how users negotiate identity through strategic essentialism, analyzes the digital representation of Malaysian heritage, and explores cross-cultural interactions between Malaysian users and the Mainland Chinese “center.” Design/methodology/approach Adopting a qualitative-driven research design, this study utilizes digital content ana…
Diaspora, migration, transnational identity (2 works) · Ethnic group (2 works) · Narrative (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Art (1 work) · Asian Culture and Media Studies (1 work) · China's Global Influence and Migration (1 work) · Computer Science (1 work) · Construct (python library (1 work)