Carla Lunghi
Biographic Data
| ID | 6879413 |
|---|---|
| NAME | Carla Lunghi |
| GIVEN NAMES | Carla |
| FAMILY NAME | Lunghi |
| SIGNATURE | LUNGHI C |
| AFFILIATIONS | Università Cattolica del Sacro Cuore |
| ORCID | 0000-0002-5930-6317 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
From Sustainable to Responsible Fashion
In recent decades, the fashion industry has attracted mounting attention due to its considerable social, environmental, and cultural impacts. A substantial corpus of academic research has examined these issues, employing terms such as “ethical,” “sustainable,” and “responsible fashion” to describe models that transcend a solely profit-driven logic. These labels, however, are not inherently fixed in meaning and are subject to continuous evolution …
Eccentric fashions
Very particular forms of cultural production are presented in this article which explores three Italian brands: Sartoria San Vittore, I Gatti Galeotti and Made in carcere. These brands come from cooperatives working in San Vittore jail in Milan, and Lecce’s and Trani’s jails, and they are located in a very particular position within the Italian fashion system. Within such experiences, creative fashion work seems to develop not only as aesthetic r…
No prominent works on this page.
Eccentric fashions
Very particular forms of cultural production are presented in this article which explores three Italian brands: Sartoria San Vittore, I Gatti Galeotti and Made in carcere. These brands come from cooperatives working in San Vittore jail in Milan, and Lecce’s and Trani’s jails, and they are located in a very particular position within the Italian fashion system. Within such experiences, creative fashion work seems to develop not only as aesthetic r…
From Sustainable to Responsible Fashion
In recent decades, the fashion industry has attracted mounting attention due to its considerable social, environmental, and cultural impacts. A substantial corpus of academic research has examined these issues, employing terms such as “ethical,” “sustainable,” and “responsible fashion” to describe models that transcend a solely profit-driven logic. These labels, however, are not inherently fixed in meaning and are subject to continuous evolution …
Fashion and Cultural Textiles (2 works) · Aesthetics (1 work) · Art (1 work) · Beauty (1 work) · Business (1 work) · Clothing (1 work) · Crafts, Textile, and Design (1 work) · Creativity (1 work) · Criminology (1 work) · Cultural Industries and Urban Development (1 work)