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Veronica Austen

Biographic Data

ID6879490
NAMEVeronica Austen
GIVEN NAMESVeronica
FAMILY NAMEAusten
SIGNATUREAUSTEN V
AFFILIATIONSSt. Jerome's University
ORCID0009-0002-0489-6986
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2025
H-INDEX1
  • The Edible I in Kim Fu’s For Today I Am a Boy

    Open Access•Veronica Austen•ARTICLE•Canada and Beyond A Journal of…•2025

    This article explores Kim Fu’s 2014 For Today I Am a Boy through the lens of critical eating studies. In this novel’s portrayal of Peter (see note 3), the trans woman protagonist, images of food and acts of eating (or the denial of these acts) are deployed as a meditation on the navigation of body, hence of self. This paper positions the act of eating as representing more than just a physical, biological process, but rather a placing of people in…

  • Ruptured Commons

    Anna Guttman, Veronica Austen•EDITOR•BOOK•Ruptured Commons•2024

  • Self-Consumption and Compromised Rebirth in Dabydeen’s “Turner”

    Open Access•Veronica Austen•ARTICLE•The Cambridge Journal of…•2016•Cited by: 1•References: 7

    This article, which focuses on David Dabydeen’s long poem “Turner” (1994), addresses acts of eating/excreting as reflections of power relations while also figuring cultural regeneration as a pursuit of nourishment. Through acts of consumption, the speaker of “Turner” seeks to forge a continuum whereby the past feeds the future and the future satiates the emptiness caused by colonialism and the slave trade. Nevertheless, in “Turner,” this emptines…

  • Self-Consumption and Compromised Rebirth in Dabydeen’s “Turner”

    Open Access•Veronica Austen•ARTICLE•The Cambridge Journal of…•2016•Cited by: 1•References: 7

    This article, which focuses on David Dabydeen’s long poem “Turner” (1994), addresses acts of eating/excreting as reflections of power relations while also figuring cultural regeneration as a pursuit of nourishment. Through acts of consumption, the speaker of “Turner” seeks to forge a continuum whereby the past feeds the future and the future satiates the emptiness caused by colonialism and the slave trade. Nevertheless, in “Turner,” this emptines…

  • Self-Consumption and Compromised Rebirth in Dabydeen’s “Turner”

    Open Access•Veronica Austen•ARTICLE•The Cambridge Journal of…•2016•Cited by: 1•References: 7

    This article, which focuses on David Dabydeen’s long poem “Turner” (1994), addresses acts of eating/excreting as reflections of power relations while also figuring cultural regeneration as a pursuit of nourishment. Through acts of consumption, the speaker of “Turner” seeks to forge a continuum whereby the past feeds the future and the future satiates the emptiness caused by colonialism and the slave trade. Nevertheless, in “Turner,” this emptines…

  • Ruptured Commons

    Anna Guttman, Veronica Austen•EDITOR•BOOK•Ruptured Commons•2024

  • The Edible I in Kim Fu’s For Today I Am a Boy

    Open Access•Veronica Austen•ARTICLE•Canada and Beyond A Journal of…•2025

    This article explores Kim Fu’s 2014 For Today I Am a Boy through the lens of critical eating studies. In this novel’s portrayal of Peter (see note 3), the trans woman protagonist, images of food and acts of eating (or the denial of these acts) are deployed as a meditation on the navigation of body, hence of self. This paper positions the act of eating as representing more than just a physical, biological process, but rather a placing of people in…

Art (2 works) · Aesthetics (1 work) · Anthropological Studies and Insights (1 work) · Asian Culture and Media Studies (1 work) · Cinema and Media Studies (1 work) · Conspicuous consumption (1 work) · Consumption (sociology (1 work) · Contemporary Cultural and Social Studies (1 work) · Ecocriticism and Environmental Literature (1 work) · Economics (1 work)

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