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Robert S Dombroski

Biographic Data

ID688274
NAMERobert S Dombroski
GIVEN NAMESRobert S
FAMILY NAMEDombroski
SIGNATUREDOMBROSKI R S
AFFILIATIONSUniversity of Connecticut
VERIFIEDNo
TOTAL WORKS35
TOTAL CITATIONS1
AUTHOR COUNT35
EDITOR COUNT0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2001
H-INDEX1
  • The Cambridge Companion to Modern Italian Culture

    Open Access•John Dickie, Anna Cento Bull et al.•BOOK•The Cambridge companion to modern…•2001

    This collection of essays provides a comprehensive account of the culture of modern Italy. Contributions focus on a wide range of political, historical and cultural questions. The volume provides information and analysis on such topics as regionalism, the growth of a national language, social and political cultures, the role of intellectuals, the Church, the left, feminism, the separatist movements, organised crime, literature, art, design, fashi…

  • Timpanaro in Retrospect

    Robert S Dombroski•ARTICLE•Italica•2001

  • L'ombra lunga dell'autore. Indagine su una figura cancellata

    Robert S Dombroski, Carla Benedetti•ARTICLE•Italica•2000

  • Carlo Emilio Gadda: Contemporary Perspectives

    Albert Sbragia, Manuela Bertone et al.•ARTICLE•Italica•1999

  • Properties of Writing. Ideological Discourse in Modern Italian Fiction

    Angela M Jeannet, Robert S Dombroski•ARTICLE•South Atlantic Review•1996

  • Properties of Writing: Ideological Discourse in Modern Italian Fiction

    Rebecca West, Robert S Dombroski•ARTICLE•Italica•1996

    Manzoni - The Cultural Transformation of Narrative Verga - Science and Allegory in I Malavoglia D'Annunzio - Mythical Narratives Pirandeno - Epistemology and Pure Subjectivity Svevo - Contradiction and the Borders of Modernism Gadda - Travesties Pizzuto - The Subject of narrative Tomasi di Lampedusa/Visconti - Substances of Form Postmodern Rhetoric - Calvino's Le Citta Invisibili and Architecture

  • Gabriele D'Annunzio: The Dark Flame

    Robert S Dombroski, Paolo Valesio•ARTICLE•Modern Language Notes•1993

  • La critica letteraria in Italia dal dopoguerra a oggi

    Robert S Dombroski, Arcangelo Leone De Castris•ARTICLE•Modern Language Notes•1993

  • La sala rossa: "Biografia dei "Promessi sposi

    Robert S Dombroski, Luca Toschi•ARTICLE•Modern Language Notes•1991

  • Gramsci: La modernita compiuta

    Robert S Dombroski, Guido Mazzotta•ARTICLE•Italica•1991

  • Il paradigma inquieto: Pirandello e lo spazio comparativo della modernita

    Robert S Dombroski, Wladimir Krysinski•ARTICLE•Modern Language Notes•1990

  • Antonio Pizzuto and the Subject of Narrative

    Robert S Dombroski•ARTICLE•Italica•1990

  • D'Annunzio's mythical narratives

    Robert S Dombroski•ARTICLE•The Italianist•1990•References: 2

  • I promessi sposi: Progetto di societa e mito

    Robert S Dombroski, Guido Baldi•ARTICLE•Modern Language Notes•1989

  • Ideology, Hegemony, and Literature: Some Reflections on Gramsci

    Open Access•Robert S Dombroski•ARTICLE•Forum Italicum A Journal of…•1989

  • On Gramsci's Theater Criticism

    Robert S Dombroski•ARTICLE•boundary 2•1986•Cited by: 1

    Anyone who has read Antonio Gramsci's early writings on culture will agree that they reflect a range of interests truly uncommon among his Marxist contemporaries, one which has generated a rich and extensive series of observations and critical commentary on practically every topic included under the denomination culture, from problems of language and education to the more specific manifestations of literature and art. The present essay will focus…

  • Gertrude's Story: The Irony of Self-Discovery

    Open Access•Robert S Dombroski•ARTICLE•Forum Italicum A Journal of…•1985

  • Overcoming Oedipus: Self and Society in La cognizione del dolore

    Robert S Dombroski•ARTICLE•Modern Language Notes•1984

    stato un bimbo anch'io.... Forse valevo un pensiero buono ... una carezza no; era troppo condiscendere ... era troppo!1 The account the novel already has given us of Gonzalo's experience and action describes clearly his untenable position of entrapment in the life of his mother, the dynamics of which we now expect to see disclosed in the dream. Our anticipation is furthermore heightened by the ironic conflict of opinions on the dream's potential …

  • Il Novecento. Apparati ideologici, ceto intellettuale, sistemi formali nella letteratura contemporanea

    Robert S Dombroski, Romano Luperini•ARTICLE•Modern Language Notes•1983

  • La decima giornata del Decameron

    Robert S Dombroski, Giorgio Cavallini•ARTICLE•Italica•1983

  • Timpanaro's Materialism: An Introduction

    Robert S Dombroski•ARTICLE•Journal of the History of Ideas•1983

  • Cultura di Destra

    Robert S Dombroski, Furio Jesi•ARTICLE•Modern Language Notes•1982

  • Aspetti e figure della cultura ottocentesca

    Robert S Dombroski, Sebastiano Timpanaro•ARTICLE•Modern Language Notes•1982

  • Momenti della lettertura italiana degli anni trenta

    Robert S Dombroski, Giuliano Manacorda•ARTICLE•Modern Language Notes•1982

  • Critical Perspectives on the Decameron

    Victoria Kirkham, Robert S Dombroski et al.•ARTICLE•Italica•1980

Next
  • On Gramsci's Theater Criticism

    Robert S Dombroski•ARTICLE•boundary 2•1986•Cited by: 1

    Anyone who has read Antonio Gramsci's early writings on culture will agree that they reflect a range of interests truly uncommon among his Marxist contemporaries, one which has generated a rich and extensive series of observations and critical commentary on practically every topic included under the denomination culture, from problems of language and education to the more specific manifestations of literature and art. The present essay will focus…

  • The Meaning of Gadda's War Diary

    Robert S Dombroski, Robert Dombroski•ARTICLE•Italica•1970

    In his essays on and art,' Carlo Emilio Gadda stresses the importance of cognition and experience in determining the writer's choice of and style. According to him, literary technique is the product of a common adoption of language and, therefore, of a history already consolidated. 2 Words, the matter and instruments of expression, exist as neutral entities, apart from the author, in a more or less objective state. The writer's technique is thus …

  • Some Observations on the Revision of Quer Pasticciaccio

    Robert S Dombroski•ARTICLE•Modern Language Notes•1971

  • Oriani's Vortice as a Political Metaphor

    Open Access•Robert S Dombroski•ARTICLE•Forum Italicum A Journal of…•1972

  • Accessioni gaddiane

    Robert S Dombroski, Enrico Flores•ARTICLE•Modern Language Notes•1976

  • The Seicento as Strategy: Providence" and the "Bourgeois" in I Promessi Sposi

    Robert S Dombroski•ARTICLE•Modern Language Notes•1976

  • Introduzione allo studio di Carlo E. Gadda

    Louis Kibler, Robert S Dombroski•ARTICLE•Italica•1977

  • Recensioni: Selected Poetry of Andrea Zanzotto

    Open Access•Robert S Dombroski•ARTICLE•Forum Italicum A Journal of…•1978

  • Lettura Dialettica Dei Quaderni Di Serafino Gubbio

    Open Access•Robert S Dombroski•ARTICLE•Forum Italicum A Journal of…•1978

  • Il poeta travestito: Otto scritti su Svevo

    Robert S Dombroski, Eduardo Saccone•ARTICLE•Modern Language Notes•1979

  • La sintassi del desiderio: Struttura e forme del romanzo sveviano

    Robert S Dombroski, Teresa De Lauretis•ARTICLE•Modern Language Notes•1979

  • Critical Perspectives on the Decameron

    Victoria Kirkham, Robert S Dombroski et al.•ARTICLE•Italica•1980

  • Cultura di Destra

    Robert S Dombroski, Furio Jesi•ARTICLE•Modern Language Notes•1982

  • Aspetti e figure della cultura ottocentesca

    Robert S Dombroski, Sebastiano Timpanaro•ARTICLE•Modern Language Notes•1982

  • Momenti della lettertura italiana degli anni trenta

    Robert S Dombroski, Giuliano Manacorda•ARTICLE•Modern Language Notes•1982

  • Il Novecento. Apparati ideologici, ceto intellettuale, sistemi formali nella letteratura contemporanea

    Robert S Dombroski, Romano Luperini•ARTICLE•Modern Language Notes•1983

  • La decima giornata del Decameron

    Robert S Dombroski, Giorgio Cavallini•ARTICLE•Italica•1983

  • Timpanaro's Materialism: An Introduction

    Robert S Dombroski•ARTICLE•Journal of the History of Ideas•1983

  • Overcoming Oedipus: Self and Society in La cognizione del dolore

    Robert S Dombroski•ARTICLE•Modern Language Notes•1984

    stato un bimbo anch'io.... Forse valevo un pensiero buono ... una carezza no; era troppo condiscendere ... era troppo!1 The account the novel already has given us of Gonzalo's experience and action describes clearly his untenable position of entrapment in the life of his mother, the dynamics of which we now expect to see disclosed in the dream. Our anticipation is furthermore heightened by the ironic conflict of opinions on the dream's potential …

  • Gertrude's Story: The Irony of Self-Discovery

    Open Access•Robert S Dombroski•ARTICLE•Forum Italicum A Journal of…•1985

  • On Gramsci's Theater Criticism

    Robert S Dombroski•ARTICLE•boundary 2•1986•Cited by: 1

    Anyone who has read Antonio Gramsci's early writings on culture will agree that they reflect a range of interests truly uncommon among his Marxist contemporaries, one which has generated a rich and extensive series of observations and critical commentary on practically every topic included under the denomination culture, from problems of language and education to the more specific manifestations of literature and art. The present essay will focus…

  • I promessi sposi: Progetto di societa e mito

    Robert S Dombroski, Guido Baldi•ARTICLE•Modern Language Notes•1989

  • Ideology, Hegemony, and Literature: Some Reflections on Gramsci

    Open Access•Robert S Dombroski•ARTICLE•Forum Italicum A Journal of…•1989

  • Il paradigma inquieto: Pirandello e lo spazio comparativo della modernita

    Robert S Dombroski, Wladimir Krysinski•ARTICLE•Modern Language Notes•1990

  • Antonio Pizzuto and the Subject of Narrative

    Robert S Dombroski•ARTICLE•Italica•1990

  • D'Annunzio's mythical narratives

    Robert S Dombroski•ARTICLE•The Italianist•1990•References: 2

Art (25 works) · Italian Literature and Culture (15 works) · Philosophy (12 works) · Literature (10 works) · History (8 works) · Linguistic Studies and Language Acquisition (8 works) · Humanities (7 works) · Italian Fascism and Post-war Society (7 works) · Sociology (6 works) · Aesthetics (5 works)

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