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Giancarlo Maiorino

Biographic Data

ID688995
NAMEGiancarlo Maiorino
GIVEN NAMESGiancarlo
FAMILY NAMEMaiorino
SIGNATUREMAIORINO G
AFFILIATIONSIndiana University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR1998
H-INDEX1
  • The Picaresque

    John C Parrack, Giancarlo Maiorino•ARTICLE•Hispanic Review•1998•Cited by: 1

  • Leonardo da Vinci

    Rudolf Arnheim, Giancarlo Maiorino•ARTICLE•Leonardo•1994

    This study is the first to consider the whole body of Leonardo's works with an eye to a comprehensive interpretation that combines both cultural history and the history of details. According to Maiorino, Leonardo's was a myth making mode of activity that had a Daedalian range and affected art and technology alike. As both artist and inventor, Leonardo did not separate reason from experience, empiricism from abstraction, an attitude Maiorino chara…

  • Why Mona Lisa Smiles and Other Tales by Vasari

    Open Access•Giancarlo Maiorino, Paul Barolsky•ARTICLE•Renaissance Quarterly•1994

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Portrait of Eccentricity

    James M Saslow, Giancarlo Maiorino•ARTICLE•Italica•1992

  • The Breaking of the Circle

    Giancarlo Maiorino•ARTICLE•Journal of the History of Ideas•1977

  • The Picaresque

    John C Parrack, Giancarlo Maiorino•ARTICLE•Hispanic Review•1998•Cited by: 1

  • The Breaking of the Circle

    Giancarlo Maiorino•ARTICLE•Journal of the History of Ideas•1977

  • The Portrait of Eccentricity

    James M Saslow, Giancarlo Maiorino•ARTICLE•Italica•1992

  • Leonardo da Vinci

    Rudolf Arnheim, Giancarlo Maiorino•ARTICLE•Leonardo•1994

    This study is the first to consider the whole body of Leonardo's works with an eye to a comprehensive interpretation that combines both cultural history and the history of details. According to Maiorino, Leonardo's was a myth making mode of activity that had a Daedalian range and affected art and technology alike. As both artist and inventor, Leonardo did not separate reason from experience, empiricism from abstraction, an attitude Maiorino chara…

  • Why Mona Lisa Smiles and Other Tales by Vasari

    Open Access•Giancarlo Maiorino, Paul Barolsky•ARTICLE•Renaissance Quarterly•1994

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Picaresque

    John C Parrack, Giancarlo Maiorino•ARTICLE•Hispanic Review•1998•Cited by: 1

Art (4 works) · Renaissance and Early Modern Studies (4 works) · Art history (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Psychology (2 works) · Abundance (ecology) (1 works) · Aesthetic Perception and Analysis (1 works) · Aesthetics (1 works)

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