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Mélanie Joseph-Vilain

Biographic Data

ID6890624
NAMEMélanie Joseph-Vilain
GIVEN NAMESMélanie
FAMILY NAMEJoseph-Vilain
SIGNATUREJOSEPH-VILAIN M
AFFILIATIONSUniversité de Bourgogne
ORCID0000-0002-3307-3789
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Power dynamics in speculative forms

    Open Access•Mélanie Joseph-Vilain, Indiana Lods et al.•ARTICLE•E-rea•2025

  • Andrea Thorpe, South African London. Writing the Metropolis after 1948

    Open Access•Mélanie Joseph-Vilain•ARTICLE•Miranda•2025

    International audience

  • Les genres littéraires en Afrique du Sud, des lieux de mémoire

    Open Access•Mélanie Joseph-Vilain•ARTICLE•ILCEA•2023

    Cet article s’appuie sur la notion de « lieu de mémoire », définie par Pierre Nora dans une série d’ouvrages portant sur l’histoire de France, pour analyser la façon dont certains genres littéraires (le roman policier, le « roman de la ferme ») permettent d’explorer le passé dans l’Afrique du Sud post-apartheid. L’objectif est de montrer que ces genres, marqués idéologiquement, permettent d’explorer la mémoire du pays, en particulier certains asp…

  • À propos de Damon Galgut

    Open Access•Mélanie Joseph-Vilain•ARTICLE•Études littéraires africaines•2022

    International audience

  • Post-Apartheid Gothic

    Mélanie Joseph-Vilain•BOOK•Post-Apartheid Gothic•2021

    Post-Apartheid Gothic: White South African Writers and Space analyzes the representation of space in recent works by South African writers. By combining analytical tools borrowed from Gothic studies with geocritical and postcolonial approaches, Mélanie Joseph-Vilain assesses the literary mechanisms utilized by Damon Galgut, Henrietta Rose-Innes, Lauren Beukes, Justin Carwright, and Lynn Freed to negotiate the complexities of post-apartheid identi…

  • Transatlantic Post-Apocalyptic Fiction

    Open Access•Mélanie Joseph-Vilain•ARTICLE•Commonwealth Essays and Studies•2021

    This article compares fictional representations of post-catastrophe worlds in dystopian novels by South African authors Frank Owen and Lauren Beukes, who have chosen to set their fictional representations of a bleak future in the United States of America. The article interrogates this choice and, more generally, the way in which South, North and Afterland articulate the global and the local in their imagined dystopias

  • The Coordinates of Identity

    Mélanie Joseph-Vilain•CHAPTER•Post-Apartheid Gothic•2021

No prominent works on this page.

  • Post-Apartheid Gothic

    Mélanie Joseph-Vilain•BOOK•Post-Apartheid Gothic•2021

    Post-Apartheid Gothic: White South African Writers and Space analyzes the representation of space in recent works by South African writers. By combining analytical tools borrowed from Gothic studies with geocritical and postcolonial approaches, Mélanie Joseph-Vilain assesses the literary mechanisms utilized by Damon Galgut, Henrietta Rose-Innes, Lauren Beukes, Justin Carwright, and Lynn Freed to negotiate the complexities of post-apartheid identi…

  • Transatlantic Post-Apocalyptic Fiction

    Open Access•Mélanie Joseph-Vilain•ARTICLE•Commonwealth Essays and Studies•2021

    This article compares fictional representations of post-catastrophe worlds in dystopian novels by South African authors Frank Owen and Lauren Beukes, who have chosen to set their fictional representations of a bleak future in the United States of America. The article interrogates this choice and, more generally, the way in which South, North and Afterland articulate the global and the local in their imagined dystopias

  • The Coordinates of Identity

    Mélanie Joseph-Vilain•CHAPTER•Post-Apartheid Gothic•2021

  • À propos de Damon Galgut

    Open Access•Mélanie Joseph-Vilain•ARTICLE•Études littéraires africaines•2022

    International audience

  • Les genres littéraires en Afrique du Sud, des lieux de mémoire

    Open Access•Mélanie Joseph-Vilain•ARTICLE•ILCEA•2023

    Cet article s’appuie sur la notion de « lieu de mémoire », définie par Pierre Nora dans une série d’ouvrages portant sur l’histoire de France, pour analyser la façon dont certains genres littéraires (le roman policier, le « roman de la ferme ») permettent d’explorer le passé dans l’Afrique du Sud post-apartheid. L’objectif est de montrer que ces genres, marqués idéologiquement, permettent d’explorer la mémoire du pays, en particulier certains asp…

  • Power dynamics in speculative forms

    Open Access•Mélanie Joseph-Vilain, Indiana Lods et al.•ARTICLE•E-rea•2025

  • Andrea Thorpe, South African London. Writing the Metropolis after 1948

    Open Access•Mélanie Joseph-Vilain•ARTICLE•Miranda•2025

    International audience

Art (5 works) · Art history (2 works) · History (2 works) · Aesthetics (1 works) · African history and culture studies (1 works) · Anthropological Studies and Insights (1 works) · Chaos, Complexity, and Education (1 works) · Contemporary Literature and Criticism (1 works) · Critical Realism in Sociology (1 works) · Decolonial Thought and Epistemologies (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae