Keyu Yan
Biographic Data
| ID | 6891486 |
|---|---|
| NAME | Keyu Yan |
| GIVEN NAMES | Keyu |
| FAMILY NAME | Yan |
| SIGNATURE | YAN K |
| AFFILIATIONS | The Ohio State University |
| ORCID | 0000-0002-8315-0068 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Modernizing Sculpture
Much of the current scholarship on the art of China in the 1910s and 1920s focuses on artworks, art academies, and art groups that were associated either with traditional Chinese painting ( guohua 國畫 ) or with oil painting (youhua 油畫 ) . By contrast, other mediums such as sculpture have rarely been discussed by scholars of modern Chinese art. Similar to guohua , the association of which with lofty literati values and imperial eras was hotly debat…
Contested traditions
This study examines Gu Wenda’s mixed-media installation, Wisdom Comes from Tranquility (1986), as part of the aftermath of the Cultural Revolution (1966–1976) and the ‘culture fever’ of the 1980s; in this timeframe and Chinese art-historical framework the artwork exemplifies how seemingly innocuous traditions can, in fact, be politically charged. In Wisdom Comes from Tranquility, a pioneering Chinese installation that combined ink art and fiber a…
No prominent works on this page.
Modernizing Sculpture
Much of the current scholarship on the art of China in the 1910s and 1920s focuses on artworks, art academies, and art groups that were associated either with traditional Chinese painting ( guohua 國畫 ) or with oil painting (youhua 油畫 ) . By contrast, other mediums such as sculpture have rarely been discussed by scholars of modern Chinese art. Similar to guohua , the association of which with lofty literati values and imperial eras was hotly debat…
Contested traditions
This study examines Gu Wenda’s mixed-media installation, Wisdom Comes from Tranquility (1986), as part of the aftermath of the Cultural Revolution (1966–1976) and the ‘culture fever’ of the 1980s; in this timeframe and Chinese art-historical framework the artwork exemplifies how seemingly innocuous traditions can, in fact, be politically charged. In Wisdom Comes from Tranquility, a pioneering Chinese installation that combined ink art and fiber a…
Art (2 works) · China (2 works) · Chinese art (2 works) · Chinese history and philosophy (2 works) · Fine art (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · The arts (2 works)