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Magdalena Furmanik-Kowalska

Biographic Data

ID6891488
NAMEMagdalena Furmanik-Kowalska
GIVEN NAMESMagdalena
FAMILY NAMEFurmanik-Kowalska
SIGNATUREFURMANIK-KOWALSKA M
AFFILIATIONSWorld Academy of Art and Science
ORCID0000-0001-9506-0898
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Cultural Tradition or Kitsch? Buddhist Iconography in the Art of Contemporary East Asian Women Artists

    Open Access•Magdalena Furmanik-Kowalska•ARTICLE•Art of the Orient•2023

    ince 1997, a multimedia installation titled Nirvana by Japanese artist Mariko Mori (b.1967) has intrigued experts as well as art lovers.Dressed in a pink kimono of her own design, the artist embodies Buddha Amitabha wandering in the Pure Land.She is accompanied by six bodhistattvas associated more with images of aliens than the glowing beings known from traditional Buddhist iconography.The aesthetics of this work, moreover, are perfectly in line …

  • Culture Trouble

    Open Access•Magdalena Furmanik-Kowalska•ARTICLE•Art of the Orient•2021

    he aim of this article is to depict the transdisciplinary method of my authorship, developed while I was working on a dissertation in the field of the history of contemporary art. "Culture Trouble" is a paraphrase of the title of a book by Judith Butler. 1) She discusses the impact of gender on an individual's identity, while the aim of my research was to analyse the influence of native culture on the artwork of selected Chinese women

  • Social media art and/or interactive art? Exhibitionist

    Magdalena Furmanik-Kowalska•ARTICLE•World Art•2021•References: 2

    In December 2015, three artistic events of the Exhibitionist: PeeP Stream Series were held, initiated by Ye Funa (b. 1986) and Bei Ou (b. 1987). The artists and other participants took part in a performance, which was shown live online. The artists used social media and live streaming to make the work. Viewers were invited to post their comments about it and their statements became part of the artistic project. For the artists, their intent was t…

  • Disgust or fascination? Insects in works of contemporary East Asian artists

    Open Access•Magdalena Furmanik-Kowalska•ARTICLE•Art of the Orient•2020

No prominent works on this page.

  • Disgust or fascination? Insects in works of contemporary East Asian artists

    Open Access•Magdalena Furmanik-Kowalska•ARTICLE•Art of the Orient•2020

  • Culture Trouble

    Open Access•Magdalena Furmanik-Kowalska•ARTICLE•Art of the Orient•2021

    he aim of this article is to depict the transdisciplinary method of my authorship, developed while I was working on a dissertation in the field of the history of contemporary art. "Culture Trouble" is a paraphrase of the title of a book by Judith Butler. 1) She discusses the impact of gender on an individual's identity, while the aim of my research was to analyse the influence of native culture on the artwork of selected Chinese women

  • Social media art and/or interactive art? Exhibitionist

    Magdalena Furmanik-Kowalska•ARTICLE•World Art•2021•References: 2

    In December 2015, three artistic events of the Exhibitionist: PeeP Stream Series were held, initiated by Ye Funa (b. 1986) and Bei Ou (b. 1987). The artists and other participants took part in a performance, which was shown live online. The artists used social media and live streaming to make the work. Viewers were invited to post their comments about it and their statements became part of the artistic project. For the artists, their intent was t…

  • Cultural Tradition or Kitsch? Buddhist Iconography in the Art of Contemporary East Asian Women Artists

    Open Access•Magdalena Furmanik-Kowalska•ARTICLE•Art of the Orient•2023

    ince 1997, a multimedia installation titled Nirvana by Japanese artist Mariko Mori (b.1967) has intrigued experts as well as art lovers.Dressed in a pink kimono of her own design, the artist embodies Buddha Amitabha wandering in the Pure Land.She is accompanied by six bodhistattvas associated more with images of aliens than the glowing beings known from traditional Buddhist iconography.The aesthetics of this work, moreover, are perfectly in line …

Aesthetics (4 works) · Art (4 works) · Archaeology (3 works) · Art history (3 works) · History (3 works) · Sociology (3 works) · Visual arts (3 works) · Anthropology (2 works) · China (2 works) · Chinese history and philosophy (2 works)

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