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Wulan Dirgantoro

Biographic Data

ID6891508
NAMEWulan Dirgantoro
GIVEN NAMESWulan
FAMILY NAMEDirgantoro
SIGNATUREDIRGANTORO W
AFFILIATIONSThe University of Melbourne
ORCID0000-0003-4480-4898
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS3
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Feminisms and Contemporary Art in Indonesia

    Open Access•Wulan Dirgantoro, Wulandani Dirgantoro•BOOK•Feminisms and Contemporary Art in…•2025

    This series focuses on visual cultures that are produced, distributed and consumed in Asia and by Asian communities worldwide. Visual cultures have been implicated in creative policies of the state and in global cultural networks (such as the art world, film festivals and the Internet), particularly since the emergence of digital technologies. Asia is home to some of the major film, television and video industries in the world, while Asian contem…

  • Sanggar and Artist Collective in New Order Indonesia

    Wulan Dirgantoro, Kiki Rizky Soetisna Putri•ARTICLE•ARTMargins•2025

    This article introduces an essay by Indonesian art critic Sanento Yuliman (1941-1992) on the historical development of sanggar, from a space to study and learn artmaking to sanggar as a form of artist collective in Indonesia. Written at the height of the authoritarian New Order regime (1966-1998), Yuliman reflected on whether sanggar could serve as a framework for developing artistic practice beyond individual expression by situating them within …

  • Gender activism in Indonesia and the post-Reformasi era

    Dana Fahadi, Monika Winarnita et al.•ARTICLE•Melbourne Asia Review•2024

  • Udeido

    Open Access•Elly Kent, Wulan Dirgantoro et al.•ARTICLE•World Art•2024•References: 4

    In 2021, the Biennale Jogja turned its vision eastward. Among the artists chosen from eastern Indonesia and Oceania, the Udeido collective (artists and intellectuals from West Papua, now based in Yogyakarta) garnered a great deal of attention. Through their installations, the group repositioned deceased Papuan leaders within a local mythology that prophesises a redemptive saviour and a promised land (Koreri), fusing folk tales from West Papua’s B…

  • From silence to speech

    Wulan Dirgantoro•ARTICLE•World Art•2020•Cited by: 3•References: 4

    Despite the positive reception around Indonesian modern and contemporary art, some key issues remain sensitive to the Indonesian public and art world. One of the most prominent concerns is the anti-communist mass killings of 1965–1966. In the absence of public discussion of the 1965–1966 events, contemporary art functions as an insightful prism for understanding the traumatic effects of the killings and reveals the highly nuanced and sometimes co…

  • Feminisms and Contemporary Art in Indonesia

    Open Access•Wulan Dirgantoro, Wulandani Dirgantoro•BOOK•Feminisms and Contemporary Art in…•2017

    While Indonesian contemporary art is currently on the rise on the international art scene, there hasn't yet been an in-depth study of the works of Indonesian women artists and the feminist strategies they employ within the art world. This book fills that gap, presenting the first comprehensive study of feminisms and contemporary art in Indonesia; using feminist readings to analyse the works of Indonesian women artists historically and today; illu…

  • From silence to speech

    Wulan Dirgantoro•ARTICLE•World Art•2020•Cited by: 3•References: 4

    Despite the positive reception around Indonesian modern and contemporary art, some key issues remain sensitive to the Indonesian public and art world. One of the most prominent concerns is the anti-communist mass killings of 1965–1966. In the absence of public discussion of the 1965–1966 events, contemporary art functions as an insightful prism for understanding the traumatic effects of the killings and reveals the highly nuanced and sometimes co…

  • Feminisms and Contemporary Art in Indonesia

    Open Access•Wulan Dirgantoro, Wulandani Dirgantoro•BOOK•Feminisms and Contemporary Art in…•2017

    While Indonesian contemporary art is currently on the rise on the international art scene, there hasn't yet been an in-depth study of the works of Indonesian women artists and the feminist strategies they employ within the art world. This book fills that gap, presenting the first comprehensive study of feminisms and contemporary art in Indonesia; using feminist readings to analyse the works of Indonesian women artists historically and today; illu…

  • From silence to speech

    Wulan Dirgantoro•ARTICLE•World Art•2020•Cited by: 3•References: 4

    Despite the positive reception around Indonesian modern and contemporary art, some key issues remain sensitive to the Indonesian public and art world. One of the most prominent concerns is the anti-communist mass killings of 1965–1966. In the absence of public discussion of the 1965–1966 events, contemporary art functions as an insightful prism for understanding the traumatic effects of the killings and reveals the highly nuanced and sometimes co…

  • Gender activism in Indonesia and the post-Reformasi era

    Dana Fahadi, Monika Winarnita et al.•ARTICLE•Melbourne Asia Review•2024

  • Udeido

    Open Access•Elly Kent, Wulan Dirgantoro et al.•ARTICLE•World Art•2024•References: 4

    In 2021, the Biennale Jogja turned its vision eastward. Among the artists chosen from eastern Indonesia and Oceania, the Udeido collective (artists and intellectuals from West Papua, now based in Yogyakarta) garnered a great deal of attention. Through their installations, the group repositioned deceased Papuan leaders within a local mythology that prophesises a redemptive saviour and a promised land (Koreri), fusing folk tales from West Papua’s B…

  • Feminisms and Contemporary Art in Indonesia

    Open Access•Wulan Dirgantoro, Wulandani Dirgantoro•BOOK•Feminisms and Contemporary Art in…•2025

    This series focuses on visual cultures that are produced, distributed and consumed in Asia and by Asian communities worldwide. Visual cultures have been implicated in creative policies of the state and in global cultural networks (such as the art world, film festivals and the Internet), particularly since the emergence of digital technologies. Asia is home to some of the major film, television and video industries in the world, while Asian contem…

  • Sanggar and Artist Collective in New Order Indonesia

    Wulan Dirgantoro, Kiki Rizky Soetisna Putri•ARTICLE•ARTMargins•2025

    This article introduces an essay by Indonesian art critic Sanento Yuliman (1941-1992) on the historical development of sanggar, from a space to study and learn artmaking to sanggar as a form of artist collective in Indonesia. Written at the height of the authoritarian New Order regime (1966-1998), Yuliman reflected on whether sanggar could serve as a framework for developing artistic practice beyond individual expression by situating them within …

Asian Studies and History (5 works) · Art (4 works) · Indonesian (4 works) · Political science (4 works) · Sociology (4 works) · Art world (3 works) · Contemporary art (3 works) · Cultural and Artistic Studies (3 works) · Gender Studies (3 works) · Anthropology (2 works)

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