Salvador Jimenez Murguia
Biographic Data
| ID | 6893932 |
|---|---|
| NAME | Salvador Jimenez Murguia |
| GIVEN NAMES | Salvador Jimenez |
| FAMILY NAME | Murguia |
| SIGNATURE | MURGUÍA S J |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
The Encyclopedia of Racism in American Films
Winner, RUSA 2019 Outstanding References Source Winner and named a Library Journal Best Reference Book of the Year 2018 From D.W. Griffith’s Birth of a Nation in 1915 to the recent Get Out, audiences and critics alike have responded to racism in motion pictures for more than a century. Whether subtle or blatant, racially biased images and narratives erase minorities, perpetuate stereotypes, and keep alive practices of discrimination and marginali…
The Cursing Kit of Ushi no Koku Mairi
The practice of Ushi no Koku Mairi is a form of execration loosely associated with the premodern rituals of Onmyôdô, which is a form of esoteric cosmology incorporating Shinto, Buddhism and Taoism. Today, Ushi no Koku Mairi is a syncretic product of Japanese folklore, quasi-religious practice, and popular culture, whereby clients pay for a cursing kit equipped with several items and a manual designed to guide the client through the curse-casting …
No prominent works on this page.
The Cursing Kit of Ushi no Koku Mairi
The practice of Ushi no Koku Mairi is a form of execration loosely associated with the premodern rituals of Onmyôdô, which is a form of esoteric cosmology incorporating Shinto, Buddhism and Taoism. Today, Ushi no Koku Mairi is a syncretic product of Japanese folklore, quasi-religious practice, and popular culture, whereby clients pay for a cursing kit equipped with several items and a manual designed to guide the client through the curse-casting …
The Encyclopedia of Racism in American Films
Winner, RUSA 2019 Outstanding References Source Winner and named a Library Journal Best Reference Book of the Year 2018 From D.W. Griffith’s Birth of a Nation in 1915 to the recent Get Out, audiences and critics alike have responded to racism in motion pictures for more than a century. Whether subtle or blatant, racially biased images and narratives erase minorities, perpetuate stereotypes, and keep alive practices of discrimination and marginali…
History (2 works) · Sociology (2 works) · 24.32 history of film art (1 work) · Anthropology (1 work) · Archaeology (1 work) · Art (1 work) · Bibel (1 work) · Buddhism (1 work) · Chinese history and philosophy (1 work) · Cinema and Media Studies (1 work)