Ellen Rosand

Biographic Data

ID689418
NAMEEllen Rosand
GIVEN NAMESEllen
FAMILY NAMERosand
SIGNATUREROSAND E
AFFILIATIONSRutgers Sexual and Reproductive Health and Rights
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS1
WORKS AS AUTHOR15
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2008
H-INDEX1

  • Three Last Things

    Patricia Howard, Ellen RosandARTICLEThe Musical Times2008

  • Commentary

    Ellen RosandARTICLEThe Journal of Interdisciplinary…2005

    Seventeenth-century Venice was the ideal center for the development of opera because of certain special conditions: regular demand from a broad and depend able audience of citizens and travelers alike, dependable financial backing from the many competing patrician families who constructed and operated theaters, a flourishing publishing industry that provided publicity, and a tradition in which the arts were designed specifically to enhance the se…

  • Minato, Count Nicolò (opera)

    Ellen Rosand, Herbert SeifertCHAPTERThe new Grove dictionary of music…2002

  • Editing (opera)

    Ellen Rosand, Stanley Sadie et al.CHAPTERThe new Grove dictionary of music…2002

  • Opera (i)

    Howard Mayer Brown, Ellen Rosand et al.CHAPTERThe new Grove dictionary of music…2001

  • Lamento

    Ellen RosandCHAPTERThe new Grove dictionary of music…2001

  • Strozzi, Barbara

    Ellen Rosand, Beth L GlixonCHAPTERThe new Grove dictionary of music…2001

  • Early opera, 1600–90

    Ellen RosandCHAPTERThe new Grove dictionary of music…2001

  • Opera in Seventeenth-Century Venice. The Creation of a Genre

    Sylvie Mamy, Ellen RosandARTICLERevue de musicologie1995

    Ellen Rosand shows how opera, born of courtly entertainment, took root in the special social and economic environment of seventeenth-century Venice and there developed the stylistic and aesthetic characteristics we recognize as opera today. With ninety-one music examples, most of them complete pieces nowhere else in print, and enlivened by twenty-eight illustrations, this landmark study will be essential for all students of opera, amateur and pro…

  • Opera in Seventeenth-Century Venice

    Salvatore Bruno, Ellen RosandARTICLEItalica1993

  • Opera in Seventeenth-Century Venice

    William J Bouwsma, Ellen RosandARTICLEThe Journal of Interdisciplinary…1992

  • Early Italian Opera

    Ellen Rosand, John WhenhamARTICLEThe Musical Times1987

  • "Seneca and the Interpretation of "L'Incoronazione di Poppea

    Ellen RosandARTICLEJournal of the American…1985

  • Giovanni Gabrieli and the Music of the Venetian High Renaissance

    Open AccessEllen RosandARTICLERenaissance Quarterly1981

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  • Music in the Myth of Venice

    Open AccessEllen RosandARTICLERenaissance Quarterly1977Cited by: 1References: 1

    Historians have long been fascinated by the ‘myth of Venice’: the phenomenon of a single state acquiring and sustaining a reputation, often at obvious variance with reality, that would serve not only the propaganda goals of the state itself but even as an influential political model for others. Although there are several aspects to this myth, they all focus on the perfection of the Venetian Republic, its uniqueness and virtù. The official epithet…