Tabin Latif Raouf
Biographic Data
| ID | 6897362 |
|---|---|
| NAME | Tabin Latif Raouf |
| GIVEN NAMES | Tabin Latif |
| FAMILY NAME | Raouf |
| SIGNATURE | RAOUF T L |
| AFFILIATIONS | Sulaimani Polytechnic University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Nobody’s Listening
Immersive virtual reality (VR) offers promising approaches for engaging with difficult heritage and human rights issues, potentially fostering deeper emotional connections than traditional media. This paper presents a mixed-methods evaluation of Nobody’s Listening, a VR experience documenting the Yazidi genocide in Iraq (2014–2017). Employing a historical empathy framework, the study analyses pre- and post-experience surveys, interviews, and obse…
Gender Inequalities and the Effects of Feminine Artworks on Public Spaces
Feminist street art aims to transform patriarchal spaces into places of gendered resistance by asserting a feminist presence in the city. Considering this, as well as women’s social life, their struggle against lingering forces of patriarchy, and relating features of inequality (domestic violence), there was a feminist installation artwork by the young Kurdish artist Tara Abdulla that shook the city of Sulaimani in Iraqi Kurdistan on 26 October 2…
Gender Inequalities and the Effects of Feminine Artworks on Public Spaces
Feminist street art aims to transform patriarchal spaces into places of gendered resistance by asserting a feminist presence in the city. Considering this, as well as women’s social life, their struggle against lingering forces of patriarchy, and relating features of inequality (domestic violence), there was a feminist installation artwork by the young Kurdish artist Tara Abdulla that shook the city of Sulaimani in Iraqi Kurdistan on 26 October 2…
Gender Inequalities and the Effects of Feminine Artworks on Public Spaces
Feminist street art aims to transform patriarchal spaces into places of gendered resistance by asserting a feminist presence in the city. Considering this, as well as women’s social life, their struggle against lingering forces of patriarchy, and relating features of inequality (domestic violence), there was a feminist installation artwork by the young Kurdish artist Tara Abdulla that shook the city of Sulaimani in Iraqi Kurdistan on 26 October 2…
Nobody’s Listening
Immersive virtual reality (VR) offers promising approaches for engaging with difficult heritage and human rights issues, potentially fostering deeper emotional connections than traditional media. This paper presents a mixed-methods evaluation of Nobody’s Listening, a VR experience documenting the Yazidi genocide in Iraq (2014–2017). Employing a historical empathy framework, the study analyses pre- and post-experience surveys, interviews, and obse…
Art Therapy and Mental Health (1 works) · Cultural heritage (1 works) · Cultural Heritage Management and Preservation (1 works) · Diverse Musicological Studies (1 works) · Empathy (1 works) · Feminism (1 works) · Gender Studies (1 works) · Gender Studies (1 works) · Genocide (1 works) · Human rights (1 works)