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Raymond B Waddington

Biographic Data

ID689750
NAMERaymond B Waddington
GIVEN NAMESRaymond B
FAMILY NAMEWaddington
SIGNATUREWADDINGTON R B
AFFILIATIONSUniversity of California, Davis
VERIFIEDNo
TOTAL WORKS53
TOTAL CITATIONS4
AUTHOR COUNT53
EDITOR COUNT0
FIRST PUBLICATION YEAR1967
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Aretino's Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art

    Raymond B Waddington, Raymond Waddington•BOOK•Aretino's Satyr•2016

  • Basta, Finito, No Mas, Th-Th-Th-That's All, Folks

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•2012

  • Le sorti intitolate giardino d'i pensieri. Ludica: Collana di storia del gioco 7

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•2010

  • Un giardino per le arti: “Francesco Marcolino da Forlì.” Emilia-Romagna Biblioteche Archivi 69

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•2010

  • Renaissance Medals. Vol. 1, Italy

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•2009

  • A History of the Sixteenth Century Journal and Conference

    Raymond B Waddington, Raymond Waddington et al.•ARTICLE•Sixteenth Century Journal•2009

    The Sixteenth Century Journal and the Sixteenth Century Studies Conference (SCSC; now the Sixteenth Century Society and Conference) both grew out of an October 1969 conference held on the campus of Concordia Seminary in St. Louis, Missouri. The Foundation for Reformation Research (later titled the Center for Reformation Research), housed near the Concordia campus, organized the conference to bring together younger and senior scholars with interes…

  • Ex marmore: Pasquini, pasquinisti, pasquinate nell'Europa moderna

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•2009

  • "Terzetti per Le "Sorti

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•2008

  • Pietro Aretino, religious writer

    Open Access•Raymond B Waddington•ARTICLE•Renaissance Studies•2006

    Although Pietro Aretino's vernacular biblical paraphrases and saints’ lives were popular and greatly admired in the sixteenth century, modern scholarship often has dismissed them as commercial potboilers. This study presents the case that Aretino was a serious reformer in religion and possibly a Nicodemite. It traces his long relationship with Antonio Brucioli, who was an important conduit of Protestant writings and whose reformist Bible translat…

  • Women, Death and Literature in Post-Reformation England

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•2004

  • Italian Medals c. 1530-1600 in British Public Collections

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•2004

  • Marriage in Early Modern Europe

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•2003

  • Early Modern Visual Culture: Representation, Race, and Empire in Renaissance England

    Open Access•Raymond B Waddington•ARTICLE•Renaissance Quarterly•2002

    Peter Erickson and Clark Hulse, eds., Early Modern Visual Culture: Representation, Race, and Empire in Renaissance England Philadelphia: University of Pennsylvania Press, 2000. viii + 133 illus. + 406 pp. 27.50 (pbk). ISBN: 0-8122-3559-2 (cl), ISBN: 0-8122-1734-9 (pbk). - Volume 55 Issue 1

  • Religion and Culture in Renaissance England

    Raymond B Waddington•ARTICLE•English Language Notes•2000

    Book Review| June 01 2000 Religion and Culture in Renaissance England Religion and Culture in Renaissance England. Edited by McEachern, Claire and Shuger, Debora. Cambridge: Cambridge University Press, 1997. Pp. xii + 292. $64.95. 0-521-58425-6. Raymond B. Waddington Raymond B. Waddington University of California, Davis Search for other works by this author on: This Site Google English Language Notes (2000) 37 (4): 81–83. https://doi.org/10.1215/…

  • Images of the Illustrious: The Numismatic Presence in the Renaissance

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•2000

    List of Illustrations Ch. 2 Copia et Varietas Rerum: The Abundance and Variety of Numismatic Imagery Ch. 3 Infinite Riches in a Little Room: Titian's Portrait of Jacopo Strada Ch. 4 Qui Sic Amat Alienas Imagines: Ancient Coins as Sources of Virtu in Renaissance Italy Ch. 5 Promiscue Omnia Mercantur: Nummomania Spreads to the North Ch. 6 Antiquarius Romanus: Andrea Fulvio and the Illustrium imagines Ch. 7 Dares: Who Was the Artist of the Illustriu…

  • Taking Positions: On the Erotic in Renaissance Culture

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•2000

  • The Journal and the Bobs

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1998

    Ce tres court article elabore par l'un des responsables actuels reprend l'histoire de ce journal. En 1972 il prit son titre actuel de Journal du XVIe siecle et etait publie deux fois par an par son fondateur Carl S. Meyer qui mourut cette meme annee. Les trois Bobs -Robert V. Schnucker, Robert A. Kolb, et Robert M. Kingdon - prirent alors la direction du journal pendant vingt et un ans. Ils creerent l'empire de publication qui comprenait le Journ…

  • Titian's Portraits through Aretino's Lens

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1996

  • Coins and Medals of the Reformation: A Select Bibliography

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1996

  • Designs on Posterity: Drawings for Medals

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1995

  • The Reformation and the Visual Arts: The Protestant Image Question in Western and Eastern Europe

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1994

  • Elizabeth I and the Order of the Garter

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1993

  • The Expense of Spirit: Love and Sexuality in English Renaissance Drama

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1993

    A public and highly popular literary form, English Renaissance drama affords a uniquely valuable index of the process of cultural transformation. The Expense of Spirit integrates feminist and historicist critical approaches to explore the dynamics of cultural conflict and change during a crucial period in the formation of modern sexual values. Comparing Elizabethan and Jacobean dramatic representations of love and sexuality with those in contempo…

  • The Rites of Knighthood: The Literature and Politics of Elizabethan Chivalry

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1992

  • Melodious Tears: The English Funeral Elegy from Spenser to Milton

    Open Access•Raymond B Waddington•ARTICLE•Renaissance Quarterly•1992

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  • The Iconography of Silence and Chapman's Hercules

    Raymond B Waddington•ARTICLE•Journal of the Warburg and…•1970•Cited by: 3

  • A Satirist's Impresa: The Medals of Pietro Aretino

    Open Access•Raymond B Waddington•ARTICLE•Renaissance Quarterly•1989•Cited by: 1•References: 1

    Characterized by Burckhardt as the father of modernjournalism, Pietro Aretino was the first vernacular writer to understand and exploit fully the resource of the printing press. But while some kinds of his writings anticipate now conventional varieties of journalism, such a label slights the more literary of his activities in drama, poetry, hagiography, and prose dialogue. The protean variety of Aretino's works made him both successor to Bembo as…

  • Prometheus and Hercules: The Dialectic of Bussy D'Ambois

    Raymond B Waddington•ARTICLE•ELH•1967

  • Chapman and Persius: The Epigraph to Ovids Banquet of Sence

    Raymond B Waddington•ARTICLE•The Review of English Studies•1968

    CHAPMAN AND PERSIUS: THE EPIGRAPH TO OVIDS BANQUET OF SENCE Get access RAYMOND B. WADDINGTON RAYMOND B. WADDINGTON Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, Volume XIX, Issue 74, May 1968, Pages 158–162, https://doi.org/10.1093/res/XIX.74.158 Published: 01 May 1968

  • The Mind’s Empire: Myth and Form in George Chapman’s Narrative Poems

    Raymond B Waddington, Lindsay A Mann•ARTICLE•Renaissance and Reformation•1969

    This book increases our understanding of Chapman's art.One wishes, though, that some substantial difficulties had been resolved.Professor Waddington begins by deploring "the preoccupation with style" which has "so drastically narrowed our perception of [Chapman's] poetry" (p. 2).He attacks this "pernicious consequence of the Eliot-Donne-metaphysical syndrome," and proposes to study the "large organizational principles, such as mode, genre, struct…

  • The Rhetoric of Renaissance Poetry: From Wyatt to Milton

    Thomas O Sloan, Raymond B Waddington et al.•ARTICLE•Renaissance and Reformation•1969

    ten new essays that the editors believe mark a stage in the study of rhetoric and Renaissance poems. They claim that their subject has undergone "a standard evolutionary process-first primary exploration, then consolidation and refinement, and finally reaction, reform, and exploration of new directions" (p. 1). Th' editors also claim that their authors "are united in their belief that the understanding of Renaissance poetry requires painstaking a…

  • The Iconography of Silence and Chapman's Hercules

    Raymond B Waddington•ARTICLE•Journal of the Warburg and…•1970•Cited by: 3

  • Blind Gods: Fortune, Justice, and Cupid in the Merchant of Venice

    Raymond B Waddington•ARTICLE•ELH•1977

  • The Ash Wednesday Supper

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1978

  • Infinite Jest: Wit and Humor in Italian Renaissance Art

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1979

  • Milton Turned Upside Down

    Raymond B Waddington•ARTICLE•The Journal of Modern History•1979

  • The Occult Philosophy in the Elizabethan Age

    Open Access•Raymond B Waddington•ARTICLE•Renaissance Quarterly•1980

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  • The Age of Milton: Backgrounds to Seventeenth-Century Literature

    G H Blackburn, Glen Blackburn et al.•ARTICLE•The History Teacher•1981

  • The Comic Matrix of Shakespeare's Tragedies: Romeo and Juliet, Hamlet, Othello, and King Lear

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1981

  • Shakespeare's Sonnets

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1983

  • Ficino in English

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1983

  • Poetics of the Holy: A Reading of Paradise Lost

    Open Access•Raymond B Waddington•ARTICLE•Renaissance Quarterly•1983

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  • Milton's Eve

    Open Access•Raymond B Waddington•ARTICLE•Renaissance Quarterly•1984

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  • English Reformation Literature: The Tudor Origins of the Protestant Tradition . John N. King

    Raymond B Waddington•ARTICLE•The Journal of Modern History•1984

  • Light from the Porch: Stoicism and English Renaissance Literature

    Open Access•Raymond B Waddington•ARTICLE•Renaissance Quarterly•1985

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  • The Letters of Marsilio Ficino

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1986

  • Renaissance Minds and Their Fictions: Cusanus, Sidney, Shakespeare

    Open Access•Raymond B Waddington•ARTICLE•Renaissance Quarterly•1986

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  • The Platonism of Marsilio Ficino: A Study of His Phaedrus Commentary. Its Sources and Genesis

    Raymond B Waddington, Michael J Allen et al.•ARTICLE•Italica•1986

  • The Unfortunate Fall: Theodicy and the Moral Imagination of Andrew Marvell. John Klause

    Raymond B Waddington•ARTICLE•The Journal of Religion•1986

  • The Metaphysics of Love: Studies in Renaissance Love Poetry from Dante to Milton

    Raymond B Waddington•ARTICLE•Sixteenth Century Journal•1987

  • Iconoclasm and Poetry in the English Reformation: Down Went Dagon

    Open Access•Raymond B Waddington•ARTICLE•Renaissance Quarterly•1987

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  • A Satirist's Impresa: The Medals of Pietro Aretino

    Open Access•Raymond B Waddington•ARTICLE•Renaissance Quarterly•1989•Cited by: 1•References: 1

    Characterized by Burckhardt as the father of modernjournalism, Pietro Aretino was the first vernacular writer to understand and exploit fully the resource of the printing press. But while some kinds of his writings anticipate now conventional varieties of journalism, such a label slights the more literary of his activities in drama, poetry, hagiography, and prose dialogue. The protean variety of Aretino's works made him both successor to Bembo as…

Art (42 works) · History (26 works) · Art history (25 works) · History (22 works) · Literature (19 works) · Philosophy (16 works) · Reformation and Early Modern Christianity (14 works) · Renaissance and Early Modern Studies (14 works) · Philosophy (13 works) · Classics (12 works)

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