Benito Ortolani
Biographic Data
| ID | 689986 |
|---|---|
| NAME | Benito Ortolani |
| GIVEN NAMES | Benito |
| FAMILY NAME | Ortolani |
| SIGNATURE | ORTOLANI B |
| VERIFIED | No |
| TOTAL WORKS | 23 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 23 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1962 |
| LATEST PUBLICATION YEAR | 1996 |
| H-INDEX | 1 |
Zeami's Talks on Sarugaku: An Annotated Translation of the Sarugaku Dangi with an Introduction on Zeami Motokiyo
Origins Sarugaku and Dengaku in the 14th and early 15th centuries the life of Zeami the theoretical writings of Zeami the author Motoyoshi the Sarugaku Dangi
The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism
Preface to the Revised Edition Introduction Periods in Japanese History Ch. I. The Beginnings Jomon Period (-ca. 250 B.C.) Yayoi Period (ca. 250 B.C.-ca. 300 A.D.) Kofun Period (ca. 300 A.D.-710 A.D.) The Haniwa Kojiki and Nihongi (Eighth Century) Uzume's Trance Umisachi's Pantomime Utagaki Indigenous versus Imported Ch. II. Kagura The Word Kagura Use of the Name Kagura Division of Kagura Mikagura Satokagura Ch. III. Gigaku History Contents and S…
Six Circles, One Dewdrop: The Religio-Aesthetic World of Komparu Zenchiku
Il carteggio Luigi Pirandello-Marta Abba
The Japanese Theatre: From Shamanistic Ritual to Contemporary Plurality
The Dramatic Touch of Difference: Theatre, Own and Foreign
The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism
The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism
The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism
The Noh Theater; Principles and Perspectives
International Bibliography of the Theatre: 1982
Kabuki Encyclopedia: An English-Language Adaptation of Kabuki Jiten
Shamanism in the Origins of the Nō Theatre
The Love of Izayoi and Seishin: A Kabuki Play by Kawatake Mokuami
The Early Japanese Puppet Drama
Abstraktion und Intuition als Wege zur Wahrheit in Yoga und Zen
Das Kabukitheater, Kulturgeschichte der Anfange
The Ballad-Drama of Medieval Japan
The Year of Zeami's Birth, with a Translation of the Museki Isshi
A COMPARISON BETWEEN TWO recent centenaries reveals an interesting situation indicative of the Japanese scene in the field of theatrical and literary research. 1 i963 was dedicated to the 6ooth anniversary of Zeami's birth and i964 to the fourth Shakespearian centenary. The number and importance of theatrical performances and scholarly publications2 shows that both public and scholars in Japan are far more attracted to the great
Major Plays of Chikamatsu
Das Wakashu-Kabuki und das Yaro-Kabuki
Il Teatro Giapponese. Storia e antologia
Okuni-Kabuki und Onna-Kabuki
Okuni-Kabuki und Onna-Kabuki
Das Wakashu-Kabuki und das Yaro-Kabuki
Il Teatro Giapponese. Storia e antologia
Major Plays of Chikamatsu
Das Kabukitheater, Kulturgeschichte der Anfange
The Ballad-Drama of Medieval Japan
The Year of Zeami's Birth, with a Translation of the Museki Isshi
A COMPARISON BETWEEN TWO recent centenaries reveals an interesting situation indicative of the Japanese scene in the field of theatrical and literary research. 1 i963 was dedicated to the 6ooth anniversary of Zeami's birth and i964 to the fourth Shakespearian centenary. The number and importance of theatrical performances and scholarly publications2 shows that both public and scholars in Japan are far more attracted to the great
Abstraktion und Intuition als Wege zur Wahrheit in Yoga und Zen
The Love of Izayoi and Seishin: A Kabuki Play by Kawatake Mokuami
The Early Japanese Puppet Drama
Kabuki Encyclopedia: An English-Language Adaptation of Kabuki Jiten
Shamanism in the Origins of the Nō Theatre
International Bibliography of the Theatre: 1982
The Noh Theater; Principles and Perspectives
The Dramatic Touch of Difference: Theatre, Own and Foreign
The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism
The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism
The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism
The Japanese Theatre: From Shamanistic Ritual to Contemporary Plurality
Six Circles, One Dewdrop: The Religio-Aesthetic World of Komparu Zenchiku
Il carteggio Luigi Pirandello-Marta Abba
Zeami's Talks on Sarugaku: An Annotated Translation of the Sarugaku Dangi with an Introduction on Zeami Motokiyo
Origins Sarugaku and Dengaku in the 14th and early 15th centuries the life of Zeami the theoretical writings of Zeami the author Motoyoshi the Sarugaku Dangi
The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism
Preface to the Revised Edition Introduction Periods in Japanese History Ch. I. The Beginnings Jomon Period (-ca. 250 B.C.) Yayoi Period (ca. 250 B.C.-ca. 300 A.D.) Kofun Period (ca. 300 A.D.-710 A.D.) The Haniwa Kojiki and Nihongi (Eighth Century) Uzume's Trance Umisachi's Pantomime Utagaki Indigenous versus Imported Ch. II. Kagura The Word Kagura Use of the Name Kagura Division of Kagura Mikagura Satokagura Ch. III. Gigaku History Contents and S…
Art (20 works) · History (12 works) · Japanese History and Culture (10 works) · Theatre and Performance Studies (9 works) · Literature (8 works) · Aesthetics (7 works) · Philosophy (7 works) · Visual arts (7 works) · History (6 works) · Sociology (5 works)