Peter E Bondanella
Biographic Data
| ID | 690083 |
|---|---|
| NAME | Peter E Bondanella |
| GIVEN NAMES | Peter E |
| FAMILY NAME | Bondanella |
| SIGNATURE | BONDANELLA P E |
| AFFILIATIONS | Indiana University |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1969 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 1 |
The Cambridge Companion to the Italian Novel
The Cambridge Companion to the Italian Novel provides a broad ranging introduction to the major trends in the development of the Italian novel from its early modern origin to the contemporary era. Contributions cover a wide range of topics including the theory of the novel in Italy, the historical novel, realism, modernism, postmodernism, neorealism, and film and the novel. The contributors are distinguished scholars from the United Kingdom, the …
Machiavelli and the Art of Renaissance History
Recensioni: Structure and Ideology in Boiardo's Orlando Innamorato
Stylistics and Dante's Lyric Poetry
Rabelais et l'Italie
Recensioni: Cortesia e Furore nel Rinascimento italiano
Castruccio Castracani: Machiavelli's Archetypal Prince
Recensioni: Discourses on Machiavelli
Two kinds of renaissance love: Spenser's ‘Astrophel’ and Ronsard's ‘Adonis’
The Style and Function of Machiavelli's Character Sketches
Corruption, Conflict and Power in the Works and Times of Niccolò Machiavelli; Machiavelli and the Art of Renaissance History
gram naturally leads to a consideration of problems which the writer encountered in en- deavouring to compose some semblance of an objective history of Florence, when the two most conspicuous spheres of influence at the time, the Church and the State, were securely in the hands of those who had commissioned the work.The panoramic view is expanded in the fourth chapter, to embrace the decade 1542- 1552.Mon.Plaissance here treats the genesis of the…
Corruption, Conflict and Power in the Works and Times of Niccolò Machiavelli; Machiavelli and the Art of Renaissance History
gram naturally leads to a consideration of problems which the writer encountered in en- deavouring to compose some semblance of an objective history of Florence, when the two most conspicuous spheres of influence at the time, the Church and the State, were securely in the hands of those who had commissioned the work.The panoramic view is expanded in the fourth chapter, to embrace the decade 1542- 1552.Mon.Plaissance here treats the genesis of the…
The Style and Function of Machiavelli's Character Sketches
Recensioni: Discourses on Machiavelli
Two kinds of renaissance love: Spenser's ‘Astrophel’ and Ronsard's ‘Adonis’
Castruccio Castracani: Machiavelli's Archetypal Prince
Rabelais et l'Italie
Recensioni: Cortesia e Furore nel Rinascimento italiano
Stylistics and Dante's Lyric Poetry
Recensioni: Structure and Ideology in Boiardo's Orlando Innamorato
Machiavelli and the Art of Renaissance History
The Cambridge Companion to the Italian Novel
The Cambridge Companion to the Italian Novel provides a broad ranging introduction to the major trends in the development of the Italian novel from its early modern origin to the contemporary era. Contributions cover a wide range of topics including the theory of the novel in Italy, the historical novel, realism, modernism, postmodernism, neorealism, and film and the novel. The contributors are distinguished scholars from the United Kingdom, the …
Art (9 works) · Renaissance and Early Modern Studies (8 works) · Art history (6 works) · History (5 works) · Literature (5 works) · Philosophy (4 works) · History (3 works) · Philosophy (3 works) · Renaissance Literature and Culture (3 works) · The Renaissance (3 works)