Katherine Fama
Biographic Data
| ID | 6901394 |
|---|---|
| NAME | Katherine Fama |
| GIVEN NAMES | Katherine |
| FAMILY NAME | Fama |
| SIGNATURE | FAMA K |
| AFFILIATIONS | University College Dublin |
| ORCID | 0000-0002-7441-3639 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Singlehood and class crossings in Dorothy Richardson’s 1905 The Long Day
As a literary approach to singles studies, this essay proposes that scholars consider the ways in which reading desires shape our fields of research. In particular, it argues for the importance of the single texts we resist reading. The essay turns to Dorothy Richardson’s 1905 The Long Day: The Story of a New York Working Girl as Told by Herself to ask what problematic texts might offer the field. Richardson concealed her undercover journalism an…
Recycle. Print. Plant
In this commentary, Sarah Comyn and Katherine Fama creatively represent the community-engaged regreening of a Dublin neighbourhood using seeded recycled paper printed with images of local plants
Home Feeling in the Heart’
Writing on either side of the emotional watershed of the 1920s, Jane Addams and Anzia Yezierska documented and fictionalised the domestic institutional spaces of the American Progressive Era, from settlements to charity homes. Writing from the perspectives of settlement administrator and immigrant resident, each found emotions central to the era’s crossing of domestic and public spheres, professionalisation of charity and social work, and encount…
The Single Architecture of Contending Forces
Nineteenth-century African American communities claimed and defended an image of respectable black womanhood that was inseparable from images of marital home ownership and the sentimental marriage plot. This advocacy, however, left unmarried black women to face the disapproval of progressive reformers, the popular press, and their own communities. With the publication of Contending Forces in 1900, Pauline E. Hopkins entered this debate by portray…
The Single Architecture of Contending Forces
Nineteenth-century African American communities claimed and defended an image of respectable black womanhood that was inseparable from images of marital home ownership and the sentimental marriage plot. This advocacy, however, left unmarried black women to face the disapproval of progressive reformers, the popular press, and their own communities. With the publication of Contending Forces in 1900, Pauline E. Hopkins entered this debate by portray…
The Single Architecture of Contending Forces
Nineteenth-century African American communities claimed and defended an image of respectable black womanhood that was inseparable from images of marital home ownership and the sentimental marriage plot. This advocacy, however, left unmarried black women to face the disapproval of progressive reformers, the popular press, and their own communities. With the publication of Contending Forces in 1900, Pauline E. Hopkins entered this debate by portray…
Home Feeling in the Heart’
Writing on either side of the emotional watershed of the 1920s, Jane Addams and Anzia Yezierska documented and fictionalised the domestic institutional spaces of the American Progressive Era, from settlements to charity homes. Writing from the perspectives of settlement administrator and immigrant resident, each found emotions central to the era’s crossing of domestic and public spheres, professionalisation of charity and social work, and encount…
Recycle. Print. Plant
In this commentary, Sarah Comyn and Katherine Fama creatively represent the community-engaged regreening of a Dublin neighbourhood using seeded recycled paper printed with images of local plants
Singlehood and class crossings in Dorothy Richardson’s 1905 The Long Day
As a literary approach to singles studies, this essay proposes that scholars consider the ways in which reading desires shape our fields of research. In particular, it argues for the importance of the single texts we resist reading. The essay turns to Dorothy Richardson’s 1905 The Long Day: The Story of a New York Working Girl as Told by Herself to ask what problematic texts might offer the field. Richardson concealed her undercover journalism an…
Gender Studies (2 works) · Law (2 works) · Political science (2 works) · Portrait (2 works) · Sociology (2 works) · Architecture (1 work) · Art (1 work) · Art history (1 work) · Autobiographical and Biographical Writing (1 work) · Class (philosophy) (1 work)