Victoria Mitchell

Biographic Data

ID6903600
NAMEVictoria Mitchell
GIVEN NAMESVictoria
FAMILY NAMEMitchell
SIGNATUREMITCHELL V
AFFILIATIONSLoughborough University
ORCID0000-0003-1020-2426
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS5
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2026
H-INDEX1

  • Weaving

    Hector Manuel Meneses Lozano, Victoria Mitchell et al.BOOKWeaving2026

  • Woven Histories

    Victoria MitchellARTICLEWest 86th2025

  • CO2e (best) avoided? How people experience CO2e avoided on the Too Good To Go app

    Open AccessBrendan Lawson, Marianna J Coulentianos et al.ARTICLEBig Data & Society2025

    Carbon Dioxide Equivalent (CO2e) avoided is increasingly communicated to individuals through digital media. Too Good To Go – a food waste app – presents users with a personalised CO2e avoided figure. Each time they collect food from a supermarket, café or restaurant their number increases. How do users experience CO2e avoided on the app? We explore this question through a longitudinal research project with 10 households in Oxfordshire, involving …

  • Green IT Meaning in Energy Monitoring Practices

    Open AccessNadine Sandjo Tchatchoua, Nina Boulus-Rødje et al.ARTICLEComputer Supported Cooperative…2023

  • Judith Scott

    Victoria MitchellARTICLETEXTILE2021

    This paper considers a photograph by Leon A. Borensztein of the artist Judith Scott, taken in the Creative Growth Arts Center in California in 1997. It explores notions of affect and the mobilization of feeling on the part of the artist and artwork, photographer and viewer, with consideration of the way in which textile associations are central to the affective passage of transmission and encounter. A textile-skin interface between the haptic and…

  • Householders as designers? Generating future energy services with United Kingdom home occupiers

    Open AccessStuart Cockbill, Victoria Mitchell et al.ARTICLEEnergy Research & Social Science2020Cited by: 5References: 4

  • Second International Carpet Festival , Georgia, June 28 – July 2, 2017

    Pennina Barnett, Victoria MitchellARTICLETEXTILE2018

  • The Andean Science of Weaving

    Victoria MitchellARTICLETEXTILE2016

  • Stitching with Metonymy

    Victoria MitchellARTICLETEXTILE2013

  • Textiles

    Victoria MitchellARTICLETEXTILE2011

  • Staging Material, Performing Culture

    Katherine Nolan, Victoria MitchellARTICLETEXTILE2010

    Through the auspices of the international biennial, contemporary practices in textiles have reached a maturity of critical reference. Drawing on anthropological theory (Alfred Gell) and contemporary critical theory from art and performance (Amelia Jones), this article supports and frames a relationship between exchange, conversation, and enactment as manifested through textile practice in the context of Textile 07: Kaunas Textile Art Biennial.Key…

  • Textile 07

    Victoria Mitchell, Katherine NolanARTICLETEXTILE2009

  • Drawing Threads from Sight to Site

    Victoria MitchellARTICLETEXTILE2006

    This paper considers relationships between textile and architecture. More specifically, it considers ways in which thread, beginning as a line drawn out as matter through the action of spinning, serves as a medium through which sight and space is measured, drawn and “framed'. In this process, thread serves as a sight/site line, mediating visual experience by creating a fine scaffolding of apparent and material structure. The effect is a meta-arch…

  • Mary Schoeser, World Textiles

    Victoria MitchellARTICLETEXTILE2004

    (2004). Mary Schoeser, World Textiles: A Concise History. TEXTILE: Vol. 2, No. 1, pp. 108-111