Gian Maria Annovi
Biographic Data
| ID | 690655 |
|---|---|
| NAME | Gian Maria Annovi |
| GIVEN NAMES | Gian Maria |
| FAMILY NAME | Annovi |
| SIGNATURE | ANNOVI G M |
| AFFILIATIONS | University of Southern California |
| ORCID | 0000-0003-0569-3187 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Dirty encounters
One of the last works by celebrated New York artist David Wojnarowicz is a black-and-white photograph of the artist’s face buried in the dirt. The photograph was staged in 1991, less than one year before the artist died of AIDS. Until now, Wojnarowicz’s photograph has been interpreted as the image of a burial, a reference to the artist’s impending death. This article compares Wojnarowicz’s photo to one of the last scenes of Pier Paolo Pasolini’s …
Dialectical Counterpoints
This article discusses the relationship between two seminal figures of the 1960s Italian experimental art scene: composer Luigi Nono and neo-avant-garde poet Nanni Balestrini. In particular, it focuses on their collaboration, in 1968, on Contrappunto dialettico alla mente (Dialectical Counterpoint for the Mind), a composition for two-channel magnetic tape based on Adriano Banchieri's 1608 madrigal Contrappunto bestiale alla mente (Bestial Counter…
Fictions of Youth
Anna Maria Ortese
Italian Post-Neorealist Cinema
Dialectical Counterpoints
This article discusses the relationship between two seminal figures of the 1960s Italian experimental art scene: composer Luigi Nono and neo-avant-garde poet Nanni Balestrini. In particular, it focuses on their collaboration, in 1968, on Contrappunto dialettico alla mente (Dialectical Counterpoint for the Mind), a composition for two-channel magnetic tape based on Adriano Banchieri's 1608 madrigal Contrappunto bestiale alla mente (Bestial Counter…
Italian Post-Neorealist Cinema
Anna Maria Ortese
Fictions of Youth
Dirty encounters
One of the last works by celebrated New York artist David Wojnarowicz is a black-and-white photograph of the artist’s face buried in the dirt. The photograph was staged in 1991, less than one year before the artist died of AIDS. Until now, Wojnarowicz’s photograph has been interpreted as the image of a burial, a reference to the artist’s impending death. This article compares Wojnarowicz’s photo to one of the last scenes of Pier Paolo Pasolini’s …
Dialectical Counterpoints
This article discusses the relationship between two seminal figures of the 1960s Italian experimental art scene: composer Luigi Nono and neo-avant-garde poet Nanni Balestrini. In particular, it focuses on their collaboration, in 1968, on Contrappunto dialettico alla mente (Dialectical Counterpoint for the Mind), a composition for two-channel magnetic tape based on Adriano Banchieri's 1608 madrigal Contrappunto bestiale alla mente (Bestial Counter…
Art (5 works) · Italian Fascism and Post-war Society (3 works) · Art history (2 works) · History (2 works) · Italian Literature and Culture (2 works) · Sociology (2 works) · Archaeology (1 work) · Art, Politics, and Modernism (1 work) · Cinema and Media Studies (1 work) · Composition (language) (1 work)