Rastko Buljančević
Biographic Data
| ID | 6907916 |
|---|---|
| NAME | Rastko Buljančević |
| GIVEN NAMES | Rastko |
| FAMILY NAME | Buljančević |
| SIGNATURE | BULJANČEVIĆ R |
| AFFILIATIONS | University of Novi Sad |
| ORCID | 0000-0001-6247-8163 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Musical echoes of a trauma
This article examines how music in the film Pan?s Labyrinth [El laberinto del fauno] conceptually generates opposing phantasms. Reflecting the trauma of early Francoism, specifically the Spanish Civil War, the soundtrack oscillates between the disquieting chronological reality and the fascinating yet terrifying fairytale world. A special space is devoted to the musical redistribution of the sensible, mirroring the strong affective, aesthetic, ema…
Neo-liberal Transgressions in the Contemporary Film Industry
The aim of this paper is to examine what I call “dehumanised musical bodies” in the psychological horror films The Perfection and Nocturne. These multi-deficient neo-liberal bodies are exposed to the stereotypical, strikingly negative image of the sophisticated world of art. Particular attention is paid to the provocative treatment of classical music, focusing on the non-normative institutional practices and ethical reconfiguration of their repre…
Between tradition and subversion. Treatment of folklorised musical references in the early feature films of Pedro Almodóvar
The subject of this paper is the unconventional and highly subversive treatment of musical material of folkloric origin in the films of Pedro Almod?var: Pepi, Luci, Bom and Other Girls on the Heap (Pepi, Luci, Bom y otras chicas del mont?n, 1980) and Labyrinth of Passion (Laberinto de pasiones, 1982). These films are representative examples of the director?s experimental artistic poetics based on the interweaving of local and global cultural feat…
Ideological aspects of erotic capital and patriarchal power relations in the visual interpretations of Lola Astanova
Lola Astanova is a professional Uzbek-American pianist who resorts to controversial performance practices in line with neo-globalist trends. Thus, her extravagant musico-visual "spectacles" are recognisable by an excessive emphasis on female sexuality and the absence of a highly aestheticised, contemplative piano sound. This paper aims to explore how the ideological and interpretive strategies of this un-conventional artist are imbued with the er…
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Ideological aspects of erotic capital and patriarchal power relations in the visual interpretations of Lola Astanova
Lola Astanova is a professional Uzbek-American pianist who resorts to controversial performance practices in line with neo-globalist trends. Thus, her extravagant musico-visual "spectacles" are recognisable by an excessive emphasis on female sexuality and the absence of a highly aestheticised, contemplative piano sound. This paper aims to explore how the ideological and interpretive strategies of this un-conventional artist are imbued with the er…
Between tradition and subversion. Treatment of folklorised musical references in the early feature films of Pedro Almodóvar
The subject of this paper is the unconventional and highly subversive treatment of musical material of folkloric origin in the films of Pedro Almod?var: Pepi, Luci, Bom and Other Girls on the Heap (Pepi, Luci, Bom y otras chicas del mont?n, 1980) and Labyrinth of Passion (Laberinto de pasiones, 1982). These films are representative examples of the director?s experimental artistic poetics based on the interweaving of local and global cultural feat…
Neo-liberal Transgressions in the Contemporary Film Industry
The aim of this paper is to examine what I call “dehumanised musical bodies” in the psychological horror films The Perfection and Nocturne. These multi-deficient neo-liberal bodies are exposed to the stereotypical, strikingly negative image of the sophisticated world of art. Particular attention is paid to the provocative treatment of classical music, focusing on the non-normative institutional practices and ethical reconfiguration of their repre…
Musical echoes of a trauma
This article examines how music in the film Pan?s Labyrinth [El laberinto del fauno] conceptually generates opposing phantasms. Reflecting the trauma of early Francoism, specifically the Spanish Civil War, the soundtrack oscillates between the disquieting chronological reality and the fascinating yet terrifying fairytale world. A special space is devoted to the musical redistribution of the sensible, mirroring the strong affective, aesthetic, ema…
Art (4 works) · Literature (4 works) · Musical (3 works) · Aesthetics (2 works) · Music History and Culture (2 works) · Politics (2 works) · Sociology (2 works) · Active listening (1 work) · Art history (1 work) · Asian Culture and Media Studies (1 work)