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Barbara Spackman

Biographic Data

ID690973
NAMEBarbara Spackman
GIVEN NAMESBarbara
FAMILY NAMESpackman
SIGNATURESPACKMAN B
AFFILIATIONSUniversity of California, Berkeley
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS25
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Decadent Genealogies

    Open Access•Barbara Spackman•BOOK•Decadent Genealogies•2018

    of anarchism draws freely from other revolutionary discourses.The distinguish ing feature of anarchism, for Lombroso, is its "prematurity": "E qui appare la distinzione fra le rivoluzioni propriamente dette che sono un effetto lento, preparato, necessario, tutt'al piu precipitato da qualche genio nevrotico o da qualche accidence storico, e le rivolte o sedizioni, frutti di un'incubazione artificiale a temperatura esagerata, di embrioni predestina…

  • Decadent Genealogies: The Rhetoric of Sickness from Baudelaire to D'Annunzio

    Open Access•Barbara Spackman•BOOK•Decadent Genealogies•2018•Cited by: 23

    of anarchism draws freely from other revolutionary discourses.The distinguish ing feature of anarchism, for Lombroso, is its "prematurity": "E qui appare la distinzione fra le rivoluzioni propriamente dette che sono un effetto lento, preparato, necessario, tutt'al piu precipitato da qualche genio nevrotico o da qualche accidence storico, e le rivolte o sedizioni, frutti di un'incubazione artificiale a temperatura esagerata, di embrioni predestina…

  • Hygiene in the Harem: The Orientalism of Cristina di Belgioioso

    Barbara Spackman•ARTICLE•Modern Language Notes•2009

    Hygiene in the Harem:The Orientalism of Cristina di Belgioioso Barbara Spackman If Edward Said wrote little about Italian Orientalism (with the exception of asides to Marco Polo and Dante), it is likely in large part because Italy has no Flaubert, no Gautier, no Nerval; no Lane, no Burton, no George Eliot; no major canonical writers who traveled to, imagined, researched, and wrote about the Orient in the nineteenth century. Italian Orientalism ha…

  • Puntini, Puntini, Puntini: Motherliness as Masquerade in Sibilla Aleramo's Una donna

    Barbara Spackman•ARTICLE•Modern Language Notes•2009

    Puntini, Puntini, Puntini:Motherliness as Masquerade in Sibilla Aleramo's Una donna Barbara Spackman (bio) As the first avowedly feminist novel in the Italian tradition, Sibilla Aleramo's 1906 Una donna occupies the space that Virginia Woolf's A Room of One's Own occupies for the Anglo-American tradition, and has been the object of similar veneration. After all, Aleramo's autobiographical protagonist commits the cultural crime of leaving her chil…

  • A Review of: “Art, Culture, and Media Under the Third Reich / The Unmaking of Fascist Aesthetics”

    Barbara Spackman•ARTICLE•Political Communication•2006

  • Detourism: Orienting Italy in Amalia Nizzoli'sMemorie sull'Egitto

    Barbara Spackman•ARTICLE•The Italianist•2005•Cited by: 1

  • On "Cultural Studies": A Response to Remo Ceserani

    Barbara Spackman•ARTICLE•Italica•2004

  • L'incarnazione del macaronico: Percorsi nel comico folenghiano

    Open Access•Barbara Spackman•ARTICLE•Renaissance Quarterly•2004

  • Fascist Puerility

    Barbara Spackman•ARTICLE•Qui Parle•2001

    Research Article| June 01 2001 Fascist Puerility Barbara Spackman Barbara Spackman Search for other works by this author on: This Site Google Qui Parle (2001) 13 (1): 13–28. https://doi.org/10.1215/quiparle.13.1.13 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Barbara Spackman; Fascist Puerility. Qui Parle 1 June 2001; 13 (1): 13–28. doi: https://doi.org/10.1215/quiparle.13.1.13 Download citation file: Zotero Reference …

  • Fascist virilities: Rhetoric, ideology, and social fantasy in Italy

    Barbara Spackman•BOOK•Fascist virilities•1996

  • Figures of Ill Repute: Representing Prostitution in Nineteenth-Century France

    Thaïs E Morgan, Charles Bernheimer et al.•ARTICLE•Tulsa Studies in Women s Literature•1992

  • Decadent Genealogies: The Rhetoric of Sickness from Baudelaire to D' Annunzio

    Angela Dalle Vacche, Barbara Spackman•ARTICLE•SubStance•1992

    Barbara Spackman here examines the ways in which decadent writers adopted the language of physiological illness and alteration as a figure for psychic otherness. By means of an ideological and rhetorical analysis of scientific as well as literary texts, she shows how the rhetoric of sickness provided the male decadent writer with an alibi for the occupation and appropriation of the female body

  • Machiavelli and Maxims

    Barbara Spackman•ARTICLE•Yale French Studies•1990•Cited by: 1

  • Gabriele D'Annunzio

    Barbara Spackman, Charles Klopp•ARTICLE•Italica•1990

  • Decadent Genealogies: The Rhetoric of Sickness from Baudelaire to D'Annunzio

    Open Access•Barbara Spackman•BOOK•Decadent Genealogies•2018•Cited by: 23

    of anarchism draws freely from other revolutionary discourses.The distinguish ing feature of anarchism, for Lombroso, is its "prematurity": "E qui appare la distinzione fra le rivoluzioni propriamente dette che sono un effetto lento, preparato, necessario, tutt'al piu precipitato da qualche genio nevrotico o da qualche accidence storico, e le rivolte o sedizioni, frutti di un'incubazione artificiale a temperatura esagerata, di embrioni predestina…

  • Detourism: Orienting Italy in Amalia Nizzoli'sMemorie sull'Egitto

    Barbara Spackman•ARTICLE•The Italianist•2005•Cited by: 1

  • Machiavelli and Maxims

    Barbara Spackman•ARTICLE•Yale French Studies•1990•Cited by: 1

  • Machiavelli and Maxims

    Barbara Spackman•ARTICLE•Yale French Studies•1990•Cited by: 1

  • Gabriele D'Annunzio

    Barbara Spackman, Charles Klopp•ARTICLE•Italica•1990

  • Figures of Ill Repute: Representing Prostitution in Nineteenth-Century France

    Thaïs E Morgan, Charles Bernheimer et al.•ARTICLE•Tulsa Studies in Women s Literature•1992

  • Decadent Genealogies: The Rhetoric of Sickness from Baudelaire to D' Annunzio

    Angela Dalle Vacche, Barbara Spackman•ARTICLE•SubStance•1992

    Barbara Spackman here examines the ways in which decadent writers adopted the language of physiological illness and alteration as a figure for psychic otherness. By means of an ideological and rhetorical analysis of scientific as well as literary texts, she shows how the rhetoric of sickness provided the male decadent writer with an alibi for the occupation and appropriation of the female body

  • Fascist virilities: Rhetoric, ideology, and social fantasy in Italy

    Barbara Spackman•BOOK•Fascist virilities•1996

  • Fascist Puerility

    Barbara Spackman•ARTICLE•Qui Parle•2001

    Research Article| June 01 2001 Fascist Puerility Barbara Spackman Barbara Spackman Search for other works by this author on: This Site Google Qui Parle (2001) 13 (1): 13–28. https://doi.org/10.1215/quiparle.13.1.13 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Barbara Spackman; Fascist Puerility. Qui Parle 1 June 2001; 13 (1): 13–28. doi: https://doi.org/10.1215/quiparle.13.1.13 Download citation file: Zotero Reference …

  • On "Cultural Studies": A Response to Remo Ceserani

    Barbara Spackman•ARTICLE•Italica•2004

  • L'incarnazione del macaronico: Percorsi nel comico folenghiano

    Open Access•Barbara Spackman•ARTICLE•Renaissance Quarterly•2004

  • Detourism: Orienting Italy in Amalia Nizzoli'sMemorie sull'Egitto

    Barbara Spackman•ARTICLE•The Italianist•2005•Cited by: 1

  • A Review of: “Art, Culture, and Media Under the Third Reich / The Unmaking of Fascist Aesthetics”

    Barbara Spackman•ARTICLE•Political Communication•2006

  • Hygiene in the Harem: The Orientalism of Cristina di Belgioioso

    Barbara Spackman•ARTICLE•Modern Language Notes•2009

    Hygiene in the Harem:The Orientalism of Cristina di Belgioioso Barbara Spackman If Edward Said wrote little about Italian Orientalism (with the exception of asides to Marco Polo and Dante), it is likely in large part because Italy has no Flaubert, no Gautier, no Nerval; no Lane, no Burton, no George Eliot; no major canonical writers who traveled to, imagined, researched, and wrote about the Orient in the nineteenth century. Italian Orientalism ha…

  • Puntini, Puntini, Puntini: Motherliness as Masquerade in Sibilla Aleramo's Una donna

    Barbara Spackman•ARTICLE•Modern Language Notes•2009

    Puntini, Puntini, Puntini:Motherliness as Masquerade in Sibilla Aleramo's Una donna Barbara Spackman (bio) As the first avowedly feminist novel in the Italian tradition, Sibilla Aleramo's 1906 Una donna occupies the space that Virginia Woolf's A Room of One's Own occupies for the Anglo-American tradition, and has been the object of similar veneration. After all, Aleramo's autobiographical protagonist commits the cultural crime of leaving her chil…

  • Decadent Genealogies

    Open Access•Barbara Spackman•BOOK•Decadent Genealogies•2018

    of anarchism draws freely from other revolutionary discourses.The distinguish ing feature of anarchism, for Lombroso, is its "prematurity": "E qui appare la distinzione fra le rivoluzioni propriamente dette che sono un effetto lento, preparato, necessario, tutt'al piu precipitato da qualche genio nevrotico o da qualche accidence storico, e le rivolte o sedizioni, frutti di un'incubazione artificiale a temperatura esagerata, di embrioni predestina…

  • Decadent Genealogies: The Rhetoric of Sickness from Baudelaire to D'Annunzio

    Open Access•Barbara Spackman•BOOK•Decadent Genealogies•2018•Cited by: 23

    of anarchism draws freely from other revolutionary discourses.The distinguish ing feature of anarchism, for Lombroso, is its "prematurity": "E qui appare la distinzione fra le rivoluzioni propriamente dette che sono un effetto lento, preparato, necessario, tutt'al piu precipitato da qualche genio nevrotico o da qualche accidence storico, e le rivolte o sedizioni, frutti di un'incubazione artificiale a temperatura esagerata, di embrioni predestina…

Art (7 works) · History (4 works) · Italian Fascism and Post-war Society (4 works) · Philosophy (4 works) · Italian Literature and Culture (3 works) · Literature (3 works) · Art history (2 works) · Colonialism, slavery, and trade (2 works) · Diverse academic and cultural studies (2 works) · History (2 works)

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