Rona Goffen
Biographic Data
| ID | 691263 |
|---|---|
| NAME | Rona Goffen |
| GIVEN NAMES | Rona |
| FAMILY NAME | Goffen |
| SIGNATURE | GOFFEN R |
| AFFILIATIONS | Rutgers Sexual and Reproductive Health and Rights |
| VERIFIED | No |
| TOTAL WORKS | 22 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 22 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1969 |
| LATEST PUBLICATION YEAR | 1999 |
| H-INDEX | 1 |
Lotto's Lucretia
Lotto's Lucretia is posed in a way that Renaissance viewers would have recognized as masculine and therefore inappropriate for a lady. Moreover, Lucretia holds a fictive drawing, representing the suicide of her Roman namesake. The depiction of a fictive drawing was quite exceptional in the 1530s. Lottos reasons for posing his Lucretia in such an unexpected, masculine way, and his representation of her predecessor's death as a fictive drawing are …
Balancing Acts
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Italian Panel Painting of the Early Renaissance in the Collection of the Los Angeles County Museum of Art
Only Connect…Art and the Spectator in the Italian Renaissance
John Shearman. Only Connect. . . Art and the Spectator in the Italian Renaissance. (The A. W. Mellon Lectures in the Fine Arts, 1988. The National Gallery of Art, Washington, DC. Bollingen Series XXXV.37.) Princeton: Princeton University Press, 1992. 25 color pls. + 201 b&w figs. 4- xvii + 281 pp. $49.50. - Volume 48 Issue 1
The Altarpiece in the Renaissance. Peter Humfrey , Martin Kemp
Mantegna and Painting as Historical Narrative
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Art of Renaissance Venice
Norbert Huse and Wolfgang Wolters. The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590. Trans. Edmund Jephcott. Chicago and London: The University of Chicago Press, 1990. 33 color plates+ 303 figs.+ v + 384 pp. $59.95. - Volume 46 Issue 1
The Genius of Jacopo Bellini
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Communications
Pietro Testa 1612-1650
Elizabeth Cropper, with Charles Dempsey, Francesco Solinas and Anna Nicolò, and Francesca Consagra. Pietro Testa 1612-1650: Prints and Drawings. Philadelphia Museum of Art: University of Pennsylvania Press, 1988. 1 color pl. + 128 pls. + 139 illus. + civ + 298 pp. $44.95. - Volume 44 Issue 4
Simone Martini
Andrew Martindale. Sitnone Martini: Complete Edition. New York: New York University Press, 1988. x + 228pp. + 16 color pis. + 152 figs. + diagrams. $165. - Keith Christiansen, Laurence B. Kanter, and Carl Brandon Strehlke. Painting in Renaissance Siena: 1420-1500. New York: Harry N. Abrams, Inc., 1988. xii + 385 pp.+ 100 color pls.+215 figs. $60. - Volume 44 Issue 1
Life and Death in Fifteenth-Century Florence
Patronage and Public in the Trecento
Life and Death in Fifteenth-Century Florence
Lives of the Courtesans
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Piety and Patronage in Renaissance Venice
Renaissance Dreams
Family, marriage, and sex—although it seems to me that the sequence is uncertain—are naturally interrelated in life but not always so in art or, for that matter, in art history. While family and marriage have been much discussed in recent years by historians, they have received very little attention indeed from art historians. Sex, on the other hand, we have always had with us. And while all of one's work is self-referential to some extent, wheth…
Friar Sixtus IV and the Sistine Chapel
The Sistine Chapel (Fig. I) has been seen by millions and has been the subject of much scholarly attention. The most important and sustained study of The Sistine Chapel before Michelangelo is L. D. Ettlinger's learned volume of that title. In this book, Ettlinger demonstrated that the typology of the murals, in which Moses is juxtaposed with Christ, represents the doctrine of papal primacy. There is still more to be learned about the Chapel, howe…
The Man of Sorrows
Taddeo Gaddi
The Mural Painters of Tuscany from Cimabue to Andrea del Sarto
Eve Borsook. The Mural Painters of Tuscany from Cimabue to Andrea del Sarto. (Second Edition, Revised and Enlarged.) New York–Oxford: Clarendon Press, 1980. 156 pls. +26 figs. + lvii+158 pp. $150. - Eve Borsook and Johannes Offerhaus. Francesco Sassetti and Ghirlandaio at Santa Trinità, Florence: History and Legend in a Renaissance Chapel. Doornspijk: Davaco Publishers, 1981. 67 pls. + 23 figs. + 1 color pl. + 93 pp. Dfl.75. - Volume 36 Issue 3
Piety and Patronage in Renaissance Venice. Bellini, Titan, and the Francisans
archives, more from printed sources, supports her conclusions.The studies of the women of Leiden and Cologne are firmly set within these cities' wider economic history.A short comparative section, which treats Lier, Douai and Frankfurt am Main, further indicates the usefulness of Howell's model under a variety of economic systems
Friar Sixtus IV and the Sistine Chapel
The Sistine Chapel (Fig. I) has been seen by millions and has been the subject of much scholarly attention. The most important and sustained study of The Sistine Chapel before Michelangelo is L. D. Ettlinger's learned volume of that title. In this book, Ettlinger demonstrated that the typology of the murals, in which Moses is juxtaposed with Christ, represents the doctrine of papal primacy. There is still more to be learned about the Chapel, howe…
Lotto's Lucretia
Lotto's Lucretia is posed in a way that Renaissance viewers would have recognized as masculine and therefore inappropriate for a lady. Moreover, Lucretia holds a fictive drawing, representing the suicide of her Roman namesake. The depiction of a fictive drawing was quite exceptional in the 1530s. Lottos reasons for posing his Lucretia in such an unexpected, masculine way, and his representation of her predecessor's death as a fictive drawing are …
Renaissance Dreams
Family, marriage, and sex—although it seems to me that the sequence is uncertain—are naturally interrelated in life but not always so in art or, for that matter, in art history. While family and marriage have been much discussed in recent years by historians, they have received very little attention indeed from art historians. Sex, on the other hand, we have always had with us. And while all of one's work is self-referential to some extent, wheth…
Piety and Patronage in Renaissance Venice. Bellini, Titan, and the Francisans
archives, more from printed sources, supports her conclusions.The studies of the women of Leiden and Cologne are firmly set within these cities' wider economic history.A short comparative section, which treats Lier, Douai and Frankfurt am Main, further indicates the usefulness of Howell's model under a variety of economic systems
The Mural Painters of Tuscany from Cimabue to Andrea del Sarto
Eve Borsook. The Mural Painters of Tuscany from Cimabue to Andrea del Sarto. (Second Edition, Revised and Enlarged.) New York–Oxford: Clarendon Press, 1980. 156 pls. +26 figs. + lvii+158 pp. $150. - Eve Borsook and Johannes Offerhaus. Francesco Sassetti and Ghirlandaio at Santa Trinità, Florence: History and Legend in a Renaissance Chapel. Doornspijk: Davaco Publishers, 1981. 67 pls. + 23 figs. + 1 color pl. + 93 pp. Dfl.75. - Volume 36 Issue 3
Taddeo Gaddi
The Man of Sorrows
Friar Sixtus IV and the Sistine Chapel
The Sistine Chapel (Fig. I) has been seen by millions and has been the subject of much scholarly attention. The most important and sustained study of The Sistine Chapel before Michelangelo is L. D. Ettlinger's learned volume of that title. In this book, Ettlinger demonstrated that the typology of the murals, in which Moses is juxtaposed with Christ, represents the doctrine of papal primacy. There is still more to be learned about the Chapel, howe…
Renaissance Dreams
Family, marriage, and sex—although it seems to me that the sequence is uncertain—are naturally interrelated in life but not always so in art or, for that matter, in art history. While family and marriage have been much discussed in recent years by historians, they have received very little attention indeed from art historians. Sex, on the other hand, we have always had with us. And while all of one's work is self-referential to some extent, wheth…
Lives of the Courtesans
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Piety and Patronage in Renaissance Venice
Patronage and Public in the Trecento
Life and Death in Fifteenth-Century Florence
Pietro Testa 1612-1650
Elizabeth Cropper, with Charles Dempsey, Francesco Solinas and Anna Nicolò, and Francesca Consagra. Pietro Testa 1612-1650: Prints and Drawings. Philadelphia Museum of Art: University of Pennsylvania Press, 1988. 1 color pl. + 128 pls. + 139 illus. + civ + 298 pp. $44.95. - Volume 44 Issue 4
Simone Martini
Andrew Martindale. Sitnone Martini: Complete Edition. New York: New York University Press, 1988. x + 228pp. + 16 color pis. + 152 figs. + diagrams. $165. - Keith Christiansen, Laurence B. Kanter, and Carl Brandon Strehlke. Painting in Renaissance Siena: 1420-1500. New York: Harry N. Abrams, Inc., 1988. xii + 385 pp.+ 100 color pls.+215 figs. $60. - Volume 44 Issue 1
Life and Death in Fifteenth-Century Florence
Communications
The Art of Renaissance Venice
Norbert Huse and Wolfgang Wolters. The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590. Trans. Edmund Jephcott. Chicago and London: The University of Chicago Press, 1990. 33 color plates+ 303 figs.+ v + 384 pp. $59.95. - Volume 46 Issue 1
The Genius of Jacopo Bellini
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Altarpiece in the Renaissance. Peter Humfrey , Martin Kemp
Mantegna and Painting as Historical Narrative
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Only Connect…Art and the Spectator in the Italian Renaissance
John Shearman. Only Connect. . . Art and the Spectator in the Italian Renaissance. (The A. W. Mellon Lectures in the Fine Arts, 1988. The National Gallery of Art, Washington, DC. Bollingen Series XXXV.37.) Princeton: Princeton University Press, 1992. 25 color pls. + 201 b&w figs. 4- xvii + 281 pp. $49.50. - Volume 48 Issue 1
Italian Panel Painting of the Early Renaissance in the Collection of the Los Angeles County Museum of Art
Lotto's Lucretia
Lotto's Lucretia is posed in a way that Renaissance viewers would have recognized as masculine and therefore inappropriate for a lady. Moreover, Lucretia holds a fictive drawing, representing the suicide of her Roman namesake. The depiction of a fictive drawing was quite exceptional in the 1530s. Lottos reasons for posing his Lucretia in such an unexpected, masculine way, and his representation of her predecessor's death as a fictive drawing are …
Balancing Acts
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Art (20 works) · Art history (16 works) · History (12 works) · Renaissance and Early Modern Studies (12 works) · The Renaissance (12 works) · History (9 works) · Painting (8 works) · Historical and Religious Studies of Rome (7 works) · Historical Art and Architecture Studies (7 works) · Computer Science (5 works)