Nikola Novaković
Biographic Data
| ID | 6912811 |
|---|---|
| NAME | Nikola Novaković |
| GIVEN NAMES | Nikola |
| FAMILY NAME | Novaković |
| SIGNATURE | NOVAKOVIĆ N |
| AFFILIATIONS | University of Applied Health Sciences |
| ORCID | 0000-0002-7214-7832 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
From Fantômas to The Black Doll
American author and illustrator Edward Gorey (1925–2000) was open in interviews about the importance of silent cinema for his work, and in particular the films of the prolific French film director Louis Feuillade (1873–1925). Focusing on this underexplored aspect of Gorey’s work, the paper examines how Gorey employs visual, compositional, and narrative elements from Feuillade’s films, as well as their development of uncertainty within the areas o…
E is for Ernest who choked on a peach”
In Edward Gorey’s numerous scenes of breakfasts, lunches, dinners, and afternoon teas, food and drink often feature with more or less prominence and are sometimes even found in the titles of his books, such as in The Fatal Lozenge (1960) or The Unknown Vegetable (1995). Their seemingly innocent appearance is often tied to violence or death: a head is discovered in a breadbox, a woman murders her husband by lacing his tea with atropine, a boy dies…
No prominent works on this page.
E is for Ernest who choked on a peach”
In Edward Gorey’s numerous scenes of breakfasts, lunches, dinners, and afternoon teas, food and drink often feature with more or less prominence and are sometimes even found in the titles of his books, such as in The Fatal Lozenge (1960) or The Unknown Vegetable (1995). Their seemingly innocent appearance is often tied to violence or death: a head is discovered in a breadbox, a woman murders her husband by lacing his tea with atropine, a boy dies…
From Fantômas to The Black Doll
American author and illustrator Edward Gorey (1925–2000) was open in interviews about the importance of silent cinema for his work, and in particular the films of the prolific French film director Louis Feuillade (1873–1925). Focusing on this underexplored aspect of Gorey’s work, the paper examines how Gorey employs visual, compositional, and narrative elements from Feuillade’s films, as well as their development of uncertainty within the areas o…
Aesthetics (2 works) · Art (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Art history (1 work) · Character (mathematics (1 work) · Confusion (1 work) · Creatures (1 work) · Folklore, Mythology, and Literature Studies (1 work)