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Anna Schober

Biographic Data

ID6912889
NAMEAnna Schober
GIVEN NAMESAnna
FAMILY NAMESchober
SIGNATURESCHOBER A
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS2
AUTHOR COUNT7
EDITOR COUNT1
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Mediators of Public Resonance

    Open Access•Anna Schober•ARTICLE•Redescriptions Political Thought…•2021•Cited by: 2•References: 3

    This article analyses how the medium of film stages and reflects on populist political practices and on the main figures and ways of appearing, acting and relating they involve to create public resonance. In analysing two sample films – one (Meet John Doe, Frank Capra 1941) released in the United States in the early 1940s and the other (Chez Nous,Lucas Belvaux 2016) made in Europe in the 2010s – it shows in detail how populist leaders embody the …

  • Popularisation and Populism in the Visual Arts

    Anna Schober•BOOK•Popularisation and Populism in…•2019

  • Particular Faces with Universal Appeal

    Anna Schober•CHAPTER•Popularisation and Populism in…•2019

    This chapter presents a theoretical and historical exploration of pictorial figuration of “everybodies”, i.e. general persons that are used in order to generate a public presence for one’s own position in public spaces and to address an audience. By drawing on the work of Michel de Certeau and Carlo Ginzburg, among others, it explores the genealogy of these figures by tracing them back to older forms of attraction figures that create public autho…

  • Das Fest der Bilder

    Open Access•Anna Schober•CHAPTER•Innen - Außen - Anders•2017

  • Irony, Montage, Alienation

    Anna Schober•ARTICLE•Afterimage•2010

    Research Article| January 01 2010 Irony, Montage, Alienation: Political Tactics and the Invention of an Avant-Garde Tradition Anna Schober Anna Schober ANNA SCHOBER received her PhD in History and Art History at Vienna University in 2001 and is currently a visiting professor in the Philosophy Department of Verona University, Italy, financed by the EU Seventh Framework Programme, Marie Curie Actions. Search for other works by this author on: This …

  • Irony, Montage, Alienation

    Anna Schober•ARTICLE•Afterimage•2009

    Research Article| November 01 2009 Irony, Montage, Alienation: Political Tactics and the Invention of an Avant-Garde Tradition Anna Schober Anna Schober ANNA SCHOBER received her PhD in history and art history at Vienna University in 2001 and is currently a visiting professor in the philosophy department of Verona University, Italy, financed by the EU Seventh Framework Programme, Marie Curie Actions. Search for other works by this author on: This…

  • Rudolfine Lackner Hg., Names Are Shaping Up Nicely! Gendered Nomenclature in Art, Language, Law, and Philosophy

    Anna Schober•ARTICLE•L Homme•2009

  • Ironie, Montage, Verfremdung

    Anna Schober•BOOK•Ironie, Montage, Verfremdung•2008

    Das Buch zeichnet die 'Erfindung' einer Tradition der Avantgarde quer durch verschiedene historische und regionale Milieus der Moderne und Postmoderne nach. Der Schwerpunkt liegt auf Beispielen im 20. Jahrhundert: Der Berliner Dadaismus um 1920 oder die Bewegungen des europäischen Expanded Cinema und der brasilianischen New Objectivity der 1960er Jahre finden ebenso Berücksichtigung wie neoavantgardistische Praktiken in den Ländern des ehemaligen…

  • Mediators of Public Resonance

    Open Access•Anna Schober•ARTICLE•Redescriptions Political Thought…•2021•Cited by: 2•References: 3

    This article analyses how the medium of film stages and reflects on populist political practices and on the main figures and ways of appearing, acting and relating they involve to create public resonance. In analysing two sample films – one (Meet John Doe, Frank Capra 1941) released in the United States in the early 1940s and the other (Chez Nous,Lucas Belvaux 2016) made in Europe in the 2010s – it shows in detail how populist leaders embody the …

  • Ironie, Montage, Verfremdung

    Anna Schober•BOOK•Ironie, Montage, Verfremdung•2008

    Das Buch zeichnet die 'Erfindung' einer Tradition der Avantgarde quer durch verschiedene historische und regionale Milieus der Moderne und Postmoderne nach. Der Schwerpunkt liegt auf Beispielen im 20. Jahrhundert: Der Berliner Dadaismus um 1920 oder die Bewegungen des europäischen Expanded Cinema und der brasilianischen New Objectivity der 1960er Jahre finden ebenso Berücksichtigung wie neoavantgardistische Praktiken in den Ländern des ehemaligen…

  • Irony, Montage, Alienation

    Anna Schober•ARTICLE•Afterimage•2009

    Research Article| November 01 2009 Irony, Montage, Alienation: Political Tactics and the Invention of an Avant-Garde Tradition Anna Schober Anna Schober ANNA SCHOBER received her PhD in history and art history at Vienna University in 2001 and is currently a visiting professor in the philosophy department of Verona University, Italy, financed by the EU Seventh Framework Programme, Marie Curie Actions. Search for other works by this author on: This…

  • Rudolfine Lackner Hg., Names Are Shaping Up Nicely! Gendered Nomenclature in Art, Language, Law, and Philosophy

    Anna Schober•ARTICLE•L Homme•2009

  • Irony, Montage, Alienation

    Anna Schober•ARTICLE•Afterimage•2010

    Research Article| January 01 2010 Irony, Montage, Alienation: Political Tactics and the Invention of an Avant-Garde Tradition Anna Schober Anna Schober ANNA SCHOBER received her PhD in History and Art History at Vienna University in 2001 and is currently a visiting professor in the Philosophy Department of Verona University, Italy, financed by the EU Seventh Framework Programme, Marie Curie Actions. Search for other works by this author on: This …

  • Das Fest der Bilder

    Open Access•Anna Schober•CHAPTER•Innen - Außen - Anders•2017

  • Popularisation and Populism in the Visual Arts

    Anna Schober•BOOK•Popularisation and Populism in…•2019

  • Particular Faces with Universal Appeal

    Anna Schober•CHAPTER•Popularisation and Populism in…•2019

    This chapter presents a theoretical and historical exploration of pictorial figuration of “everybodies”, i.e. general persons that are used in order to generate a public presence for one’s own position in public spaces and to address an audience. By drawing on the work of Michel de Certeau and Carlo Ginzburg, among others, it explores the genealogy of these figures by tracing them back to older forms of attraction figures that create public autho…

  • Mediators of Public Resonance

    Open Access•Anna Schober•ARTICLE•Redescriptions Political Thought…•2021•Cited by: 2•References: 3

    This article analyses how the medium of film stages and reflects on populist political practices and on the main figures and ways of appearing, acting and relating they involve to create public resonance. In analysing two sample films – one (Meet John Doe, Frank Capra 1941) released in the United States in the early 1940s and the other (Chez Nous,Lucas Belvaux 2016) made in Europe in the 2010s – it shows in detail how populist leaders embody the …

Art (6 works) · Law (6 works) · Political science (6 works) · Computer Science (4 works) · Politics (4 works) · Sociology (4 works) · Art history (3 works) · Art, Politics, and Modernism (3 works) · Media studies (3 works) · Visual arts (3 works)

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