Rachel Jacoff
Biographic Data
| ID | 691597 |
|---|---|
| NAME | Rachel Jacoff |
| GIVEN NAMES | Rachel |
| FAMILY NAME | Jacoff |
| SIGNATURE | JACOFF R |
| AFFILIATIONS | Wellesley College |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Circulating melody in the key of sapphire: Paradiso 23
Paradiso 23 is intensely lyrical. Everything in it is part of a coherent construct both readable in relation to itself alone and also as part of a larger set of themes, images, and narrative strategies. Even by the standards of the Paradiso, it takes place in an atmosphere of exalted rarification and intense dependence on metaphor. Until the final lines there is no hint of earthly troubles, nor are we given the cosmological or theological discour…
How we became dantisti
Reflections on a Career
Che cosa e l’amicizia femminile per le donne nate intorno alla seconda meta del Novecento? Qual e la sua relazione col lavoro di ricerca in ambito storico e letterario? Qualcosa di profondamente nu
The Gospel According to Shakespeare
Boitani, Piero. The Gospel According to Shakespeare. Trans. Vittorio Montemaggi and Rachel Jacoff. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 38, Number 2, Spring 2015, pp. 5-201), on Érudit
The Gospel according to Shakespeare
Vergil in Dante
This chapter contains sections titled: Limbo Inventions Refiguring the Aeneid Rome Further Reading
Diligite iustitiam: Loving Justice in Siena and Dante's Paradiso
"Diligite iustitiam":Loving Justice in Siena and Dante's Paradiso Rachel Jacoff (bio) I have never been to Johns Hopkins before today, but the university has long played a large role in my imagination because of the way John Freccero spoke about his years there. His wonderful anecdotes about the great figures who had been his teachers made them presences in our heady Yale classroom at a time that he himself was quickly becoming a legendary teache…
Danteworlds: A Reader's Guide to the "Inferno" . Guy P. Raffa
Illustrations to Dante's "Inferno." . Eugene Paul Nassar
The Poetry of Allusion: Virgil and Ovid in Dante's 'Commedia
The Poetry of Allusion: Virgil and Ovid in Dante’s ‘Commedia’
Guinizelli in Dante . Vincent Moleta
"The Symbolic Rose in Dante's "Paradiso
Dante. The Poetics of Conversion
No prominent works on this page.
Guinizelli in Dante . Vincent Moleta
"The Symbolic Rose in Dante's "Paradiso
Dante. The Poetics of Conversion
The Poetry of Allusion: Virgil and Ovid in Dante’s ‘Commedia’
The Poetry of Allusion: Virgil and Ovid in Dante's 'Commedia
Illustrations to Dante's "Inferno." . Eugene Paul Nassar
Danteworlds: A Reader's Guide to the "Inferno" . Guy P. Raffa
Diligite iustitiam: Loving Justice in Siena and Dante's Paradiso
"Diligite iustitiam":Loving Justice in Siena and Dante's Paradiso Rachel Jacoff (bio) I have never been to Johns Hopkins before today, but the university has long played a large role in my imagination because of the way John Freccero spoke about his years there. His wonderful anecdotes about the great figures who had been his teachers made them presences in our heady Yale classroom at a time that he himself was quickly becoming a legendary teache…
Vergil in Dante
This chapter contains sections titled: Limbo Inventions Refiguring the Aeneid Rome Further Reading
The Gospel according to Shakespeare
The Gospel According to Shakespeare
Boitani, Piero. The Gospel According to Shakespeare. Trans. Vittorio Montemaggi and Rachel Jacoff. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 38, Number 2, Spring 2015, pp. 5-201), on Érudit
Reflections on a Career
Che cosa e l’amicizia femminile per le donne nate intorno alla seconda meta del Novecento? Qual e la sua relazione col lavoro di ricerca in ambito storico e letterario? Qualcosa di profondamente nu
Circulating melody in the key of sapphire: Paradiso 23
Paradiso 23 is intensely lyrical. Everything in it is part of a coherent construct both readable in relation to itself alone and also as part of a larger set of themes, images, and narrative strategies. Even by the standards of the Paradiso, it takes place in an atmosphere of exalted rarification and intense dependence on metaphor. Until the final lines there is no hint of earthly troubles, nor are we given the cosmological or theological discour…
How we became dantisti
Art (13 works) · Literature (10 works) · Renaissance and Early Modern Studies (9 works) · Philosophy (7 works) · History (5 works) · Poetry (5 works) · Art history (4 works) · History (4 works) · Comparative Literary Analysis and Criticism (3 works) · Humanities (3 works)