Christopher M B Nugent
Biographic Data
| ID | 6916218 |
|---|---|
| NAME | Christopher M B Nugent |
| GIVEN NAMES | Christopher M B |
| FAMILY NAME | Nugent |
| SIGNATURE | NUGENT C M B |
| AFFILIATIONS | Williams College |
| ORCID | 0009-0002-3620-4024 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Mouvance in Medieval Chinese Textual Culture
This essay applies the approaches of the “new medievalism,” mouvance or “mutability” in particular, to medieval textual materials purporting to contain parts of the classics, focusing on Lunyu 論語 (Analects), Shangshu 尚書 (Documents), and Xiaojing 孝經 (Classic of Filial Piety). Using Dunhuang manuscripts of the florilegium titled Xinji wenci jiujing chao 新集文詞九經抄 (New Compilation of Phrases Excerpted from the Nine Classics), the essay shows that the …
How to Read Chinese Poetry in Context
Manifest in Words, Written on Paper
This study aims to engage the textual realities of medieval literature by shedding light on the material lives of poems during the Tang, from their initial oral or written instantiation through their often lengthy and twisted paths of circulation. Tang poems exist today in stable written forms assumed to reflect their creators' original intent. Yet Tang poetic culture was based on hand-copied manuscripts and oral performance. We have almost no ac…
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Manifest in Words, Written on Paper
This study aims to engage the textual realities of medieval literature by shedding light on the material lives of poems during the Tang, from their initial oral or written instantiation through their often lengthy and twisted paths of circulation. Tang poems exist today in stable written forms assumed to reflect their creators' original intent. Yet Tang poetic culture was based on hand-copied manuscripts and oral performance. We have almost no ac…
How to Read Chinese Poetry in Context
Mouvance in Medieval Chinese Textual Culture
This essay applies the approaches of the “new medievalism,” mouvance or “mutability” in particular, to medieval textual materials purporting to contain parts of the classics, focusing on Lunyu 論語 (Analects), Shangshu 尚書 (Documents), and Xiaojing 孝經 (Classic of Filial Piety). Using Dunhuang manuscripts of the florilegium titled Xinji wenci jiujing chao 新集文詞九經抄 (New Compilation of Phrases Excerpted from the Nine Classics), the essay shows that the …
Chinese history and philosophy (3 works) · History (3 works) · Art (2 works) · History (2 works) · Literature (2 works) · American Sports and Literature (1 works) · Ancient history (1 works) · Archaeology (1 works) · Artistic and Creative Research (1 works) · Classics (1 works)