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J Moreno-Soto

Biographic Data

ID6921633
NAMEJ Moreno-Soto
GIVEN NAMESJ
FAMILY NAMEMoreno-Soto
SIGNATUREMORENO-SOTO J
AFFILIATIONSUniversidad de Sevilla
ORCID0000-0003-1646-737X
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS2
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Unveiling the Artistry of Juan Martínez Montañés

    Open Access•J Moreno-Soto, Anabelle Križnar et al.•ARTICLE•Heritage•2024

    Juan Martínez Montañés was one of the most important sculptors and altarpiece architects of the Spanish Golden Age. The restoration of the Santa Clara church in Seville has presented a unique opportunity to study the main altarpiece, crafted by Montañés between 1621 and 1623. He was also in charge of the polychromy and gilding, believing that delegating these procedures to others would diminish the quality of his work. This conviction led to a we…

  • Development of a Hyperspectral Imaging Protocol for Painting Applications at the University of Seville

    Open Access•Giovanna Vasco, Hélène Aureli et al.•ARTICLE•Heritage•2024•Cited by: 1•References: 5

    In the last decade, the hyperspectral imaging (HSI) method allowed performing non-invasive analysis in the field of cultural heritage. However, a considerable limitation was given by redundant and time-consuming features, with the necessary application of statistical algorithms and image-processing tools to extract relevant information. In this study, the Centro Nacional de Aceleradores (CNA) and the Group of Interdisciplinary Physics (GFI) of th…

  • Material and Imaging Analysis Procedure for the Investigation of Paintings in the Archbishop’s Palace of Seville

    Open Access•J Moreno-Soto, Anabelle Križnar et al.•ARTICLE•Heritage•2023

    The Archbishop’s Palace of Seville harbours an important art collection with mostly works by great Renaissance and Baroque artists. However, the authorship of some paintings is unknown, and, in a few cases, there is an interest in discovering the painter due to the quality of the artwork. As a first step for this purpose, a systematic analysis procedure has been established using non-destructive techniques, such as UV photography and IR reflectog…

  • An approach to the metallic composition of the Carthage mint coins from the tetrarchic hoard of Tomares (CA. 312 CE)

    Open Access•S Scrivano, Ruth Pliego et al.•ARTICLE•Journal of Archaeological Science…•2022•Cited by: 1•References: 2

    A group of 533 nummi from to the Tomares hoard, found in Seville in 2016, has been studied to characterize their metallic composition. The coins selected were struck in the mint of Carthage between AD 297 and 307. The statistical analysis of the non-destructive XRF data increase our understanding of a mint which has been paid less attention that others to date, in both material and historical terms. No differences in the composition of the coins …

  • Development of a Hyperspectral Imaging Protocol for Painting Applications at the University of Seville

    Open Access•Giovanna Vasco, Hélène Aureli et al.•ARTICLE•Heritage•2024•Cited by: 1•References: 5

    In the last decade, the hyperspectral imaging (HSI) method allowed performing non-invasive analysis in the field of cultural heritage. However, a considerable limitation was given by redundant and time-consuming features, with the necessary application of statistical algorithms and image-processing tools to extract relevant information. In this study, the Centro Nacional de Aceleradores (CNA) and the Group of Interdisciplinary Physics (GFI) of th…

  • An approach to the metallic composition of the Carthage mint coins from the tetrarchic hoard of Tomares (CA. 312 CE)

    Open Access•S Scrivano, Ruth Pliego et al.•ARTICLE•Journal of Archaeological Science…•2022•Cited by: 1•References: 2

    A group of 533 nummi from to the Tomares hoard, found in Seville in 2016, has been studied to characterize their metallic composition. The coins selected were struck in the mint of Carthage between AD 297 and 307. The statistical analysis of the non-destructive XRF data increase our understanding of a mint which has been paid less attention that others to date, in both material and historical terms. No differences in the composition of the coins …

  • An approach to the metallic composition of the Carthage mint coins from the tetrarchic hoard of Tomares (CA. 312 CE)

    Open Access•S Scrivano, Ruth Pliego et al.•ARTICLE•Journal of Archaeological Science…•2022•Cited by: 1•References: 2

    A group of 533 nummi from to the Tomares hoard, found in Seville in 2016, has been studied to characterize their metallic composition. The coins selected were struck in the mint of Carthage between AD 297 and 307. The statistical analysis of the non-destructive XRF data increase our understanding of a mint which has been paid less attention that others to date, in both material and historical terms. No differences in the composition of the coins …

  • Material and Imaging Analysis Procedure for the Investigation of Paintings in the Archbishop’s Palace of Seville

    Open Access•J Moreno-Soto, Anabelle Križnar et al.•ARTICLE•Heritage•2023

    The Archbishop’s Palace of Seville harbours an important art collection with mostly works by great Renaissance and Baroque artists. However, the authorship of some paintings is unknown, and, in a few cases, there is an interest in discovering the painter due to the quality of the artwork. As a first step for this purpose, a systematic analysis procedure has been established using non-destructive techniques, such as UV photography and IR reflectog…

  • Unveiling the Artistry of Juan Martínez Montañés

    Open Access•J Moreno-Soto, Anabelle Križnar et al.•ARTICLE•Heritage•2024

    Juan Martínez Montañés was one of the most important sculptors and altarpiece architects of the Spanish Golden Age. The restoration of the Santa Clara church in Seville has presented a unique opportunity to study the main altarpiece, crafted by Montañés between 1621 and 1623. He was also in charge of the polychromy and gilding, believing that delegating these procedures to others would diminish the quality of his work. This conviction led to a we…

  • Development of a Hyperspectral Imaging Protocol for Painting Applications at the University of Seville

    Open Access•Giovanna Vasco, Hélène Aureli et al.•ARTICLE•Heritage•2024•Cited by: 1•References: 5

    In the last decade, the hyperspectral imaging (HSI) method allowed performing non-invasive analysis in the field of cultural heritage. However, a considerable limitation was given by redundant and time-consuming features, with the necessary application of statistical algorithms and image-processing tools to extract relevant information. In this study, the Centro Nacional de Aceleradores (CNA) and the Group of Interdisciplinary Physics (GFI) of th…

Art (4 works) · Cultural Heritage Materials Analysis (4 works) · Painting (3 works) · Visual arts (3 works) · Art history (2 works) · Building materials and conservation (2 works) · Conservation Techniques and Studies (2 works) · Geology (2 works) · X-ray Spectroscopy and Fluorescence Analysis (2 works) · Altarpiece (1 works)

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