Beth Snyder
Biographic Data
| ID | 6923487 |
|---|---|
| NAME | Beth Snyder |
| GIVEN NAMES | Beth |
| FAMILY NAME | Snyder |
| SIGNATURE | SNYDER B |
| AFFILIATIONS | University of North Texas |
| ORCID | 0000-0002-8888-0131 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Mapping Musical Mobilities
This article asserts that classical music has been viewed in some quarters as a product of particular national cultures, with little regard paid to the ways in which mobile phenomena can contribute to its production, whether in the form of mobile people, objects, or concepts. This paper turns to notions of mobility as a means of exploring how musical cultures can be animated. It explores, too, the possibilities of particular forms of “mapping” as…
“An Impulse to Transfigure and Render New”—The Anglo-Austrian Music Society in Wartime and Early Post-War Britain
The Anglo-Austrian Music Society was founded in London in 1942 by Ferdinand Rauter—an Austrian-born musician who had made his name arranging and performing songs from various folk traditions with soprano Engel Lund. Rauter spent much of 1940 interned on the Isle of Man as an ‘enemy alien,’ a designation visited upon some 70,000 refugees and other foreign-born residents in the United Kingdom during the Second World War. In the wake of that internm…
No prominent works on this page.
“An Impulse to Transfigure and Render New”—The Anglo-Austrian Music Society in Wartime and Early Post-War Britain
The Anglo-Austrian Music Society was founded in London in 1942 by Ferdinand Rauter—an Austrian-born musician who had made his name arranging and performing songs from various folk traditions with soprano Engel Lund. Rauter spent much of 1940 interned on the Isle of Man as an ‘enemy alien,’ a designation visited upon some 70,000 refugees and other foreign-born residents in the United Kingdom during the Second World War. In the wake of that internm…
Mapping Musical Mobilities
This article asserts that classical music has been viewed in some quarters as a product of particular national cultures, with little regard paid to the ways in which mobile phenomena can contribute to its production, whether in the form of mobile people, objects, or concepts. This paper turns to notions of mobility as a means of exploring how musical cultures can be animated. It explores, too, the possibilities of particular forms of “mapping” as…
Art (2 works) · History (2 works) · Law (2 works) · Musical (2 works) · Political science (2 works) · Sociology (2 works) · Visual arts (2 works) · Adversary (1 works) · Aesthetics (1 works) · Alien (1 works)