Claudia S Quiñones Vilá
Biographic Data
| ID | 6926173 |
|---|---|
| NAME | Claudia S Quiñones Vilá |
| GIVEN NAMES | Claudia S Quiñones |
| FAMILY NAME | Vilá |
| SIGNATURE | VILÁ C S Q |
| AFFILIATIONS | DMH Associates (United States) |
| ORCID | 0000-0001-9238-6227 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
The Role of Ethical Codes in the Art Market – Examining Updates to the Unesco International Code of Ethics for Dealers in Cultural Property
This paper examines the role of ethical codes in the art market as a means of strengthening its integrity, with particular focus on UNESCO’s ongoing revision of the International Code of Ethics for Dealers in Cultural Property. It argues that such codes should be grounded in broad consensus and set high standards of conduct, with adherence serving as a mark of professional excellence. The trade in cultural property is shaped by fragmented nationa…
A Brave New World
The digital revolution has launched myriad new technologies in the field of art and cultural heritage law, including digital art, NFTs (non-fungible tokens), artificial intelligence (AI)-generated art, virtual reality and reality augmentation, online viewing rooms and auctions, holograms, immersive experiences, and more. As a $67.8 billion industry, the art market is a global driver of innovation, international collaboration, and national economi…
On the Borderline – Using National and International Legal Frameworks to Address the Traffic of Pre-Columbian Antiquities between Mexico and the United States
This article examines legal provisions and remedies for illicitly trafficked pre-Columbian antiquities, focusing on Mexico and the United States of America (USA), to determine gaps and areas for improvement. These two countries provide an interesting contrast, as they are contiguous neighbours but have different legal systems and approaches to the protection of cultural property. Nonetheless, Mexico and the USA have a history of fruitful cooperat…
What’s in a Name? Museums in the Post-Digital Age
This article examines the recently proposed ICOM museum definition and its detractors in order to trace the history of museums and their social purpose as they move from a traditional past into a tumultuous present and uncertain future. As countries begin to reframe the role of arts and culture in shaping a world affected by a global pandemic, museums will need to address not only practical measures – such as social distancing guidelines and limi…
The Role of Unidroit in Global Efforts to Protect Cultural Heritage
Santander Art and Culture Law Review » 2019 » 2/2019 (5) » The Role of UNIDROIT in Global Efforts to Protect Cultural Heritage A A A
What’s in a Name? Museums in the Post-Digital Age
This article examines the recently proposed ICOM museum definition and its detractors in order to trace the history of museums and their social purpose as they move from a traditional past into a tumultuous present and uncertain future. As countries begin to reframe the role of arts and culture in shaping a world affected by a global pandemic, museums will need to address not only practical measures – such as social distancing guidelines and limi…
On the Borderline – Using National and International Legal Frameworks to Address the Traffic of Pre-Columbian Antiquities between Mexico and the United States
This article examines legal provisions and remedies for illicitly trafficked pre-Columbian antiquities, focusing on Mexico and the United States of America (USA), to determine gaps and areas for improvement. These two countries provide an interesting contrast, as they are contiguous neighbours but have different legal systems and approaches to the protection of cultural property. Nonetheless, Mexico and the USA have a history of fruitful cooperat…
The Role of Unidroit in Global Efforts to Protect Cultural Heritage
Santander Art and Culture Law Review » 2019 » 2/2019 (5) » The Role of UNIDROIT in Global Efforts to Protect Cultural Heritage A A A
What’s in a Name? Museums in the Post-Digital Age
This article examines the recently proposed ICOM museum definition and its detractors in order to trace the history of museums and their social purpose as they move from a traditional past into a tumultuous present and uncertain future. As countries begin to reframe the role of arts and culture in shaping a world affected by a global pandemic, museums will need to address not only practical measures – such as social distancing guidelines and limi…
On the Borderline – Using National and International Legal Frameworks to Address the Traffic of Pre-Columbian Antiquities between Mexico and the United States
This article examines legal provisions and remedies for illicitly trafficked pre-Columbian antiquities, focusing on Mexico and the United States of America (USA), to determine gaps and areas for improvement. These two countries provide an interesting contrast, as they are contiguous neighbours but have different legal systems and approaches to the protection of cultural property. Nonetheless, Mexico and the USA have a history of fruitful cooperat…
A Brave New World
The digital revolution has launched myriad new technologies in the field of art and cultural heritage law, including digital art, NFTs (non-fungible tokens), artificial intelligence (AI)-generated art, virtual reality and reality augmentation, online viewing rooms and auctions, holograms, immersive experiences, and more. As a $67.8 billion industry, the art market is a global driver of innovation, international collaboration, and national economi…
The Role of Ethical Codes in the Art Market – Examining Updates to the Unesco International Code of Ethics for Dealers in Cultural Property
This paper examines the role of ethical codes in the art market as a means of strengthening its integrity, with particular focus on UNESCO’s ongoing revision of the International Code of Ethics for Dealers in Cultural Property. It argues that such codes should be grounded in broad consensus and set high standards of conduct, with adherence serving as a mark of professional excellence. The trade in cultural property is shaped by fragmented nationa…
Political science (4 works) · Archaeological Research and Protection (3 works) · Cultural heritage (3 works) · Cultural Heritage Management and Preservation (3 works) · Intellectual property (3 works) · Law (3 works) · Art History and Market Analysis (2 works) · Computer Science (2 works) · Cultural property (2 works) · Law (2 works)