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Ralph Pite

Biographic Data

ID693303
NAMERalph Pite
GIVEN NAMESRalph
FAMILY NAMEPite
SIGNATUREPITE R
AFFILIATIONSUniversity of Wales Institute Cardiff
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS10
AUTHOR COUNT7
EDITOR COUNT2
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Coleridge

    John Mullan, Fiona Robertson et al.•BOOK•Lives of the Great Romantics,…•2020

  • Lord Byron and Some of His Contemporaries

    Fiona Robertson, Leigh Hunt et al.•BOOK•Lives of the Great Romantics,…•2020•Cited by: 1

    According Lord Bryon, Mr. Charles Lamb’s friend, Mr. Samuel Taylor Coleridge, is as little fitted for action as he, but on a different account. His person is of a good height, but as sluggish and solid as the other’s is light and fragile. He has, perhaps, suffered it to look old before its time, for want of exercise. Mr. Coleridge is fat, and begins to lament, in very delightful verses, that he is getting infirm. There is no old age in his verses…

  • Romans and Romantics

    Timothy Saunders, Charles Martindale et al.•BOOK•Romans and Romantics Classical…•2012

    This book provides discussion of the relationship between Romanticism and Roman antiquity. Encompassing literature, music, sculpture, film, history, politics, and scholarship, it assesses the influence that ancient Roman culture has had upon Romanticism, and that Romanticism has had upon the understanding of the ancient Romans up to the present day. Part One takes a selection of general themes and motifs — republicanism, time, originality, and lo…

  • Recent Hardy Criticism

    Open Access•Ralph Pite•ARTICLE•Literature Compass•2006•References: 2

    This article offers a survey of recent Hardy criticism (focussing on books by Jo Devereux, David Musselwhite, Edward Neill, Andrew Radford and T. R. Wright and a collection of essays edited by Tim Dolin and Peter Widdowson). It sets these in the context of how Hardy studies have developed over the last twenty years or so and suggests a number of directions that future research might take

  • The Circle of Our Vision: Dante's Presence in English Romantic Poetry

    Carmine Di Biase, Ralph Pite•ARTICLE•Italica•1996

  • How Green Were the Romantics

    Ralph Pite•ARTICLE•Studies in Romanticism•1996•Cited by: 9

  • The Circle of Our Vision

    Ralph Pite•BOOK•The circle of our vision•1994

    The sudden and spectacular growth in Dante's popularity in England at the end of the 18th century was immensely influential for English writers of the period. But the impact of Dante on English writers has rarely been analysed and its history has been little understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote and painted while Dante's work — its style, project, and achievement — commanded their attention and provoked the…

  • The circle of our vision: Dante's presence in English romantic poetry

    Ralph Pite•BOOK•The circle of our vision•1994

    The sudden and spectacular growth in Dante's popularity in England at the end of the eighteenth century was immensely influential for English writers of the period. But the impact of Dante on English writers has rarely been analysed and its history has been little understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote or painted while Dante's work - its style, project, and achievement commanded their attention and provoked …

  • Byron Turning to Stone

    Ralph Pite•CHAPTER•The circle of our vision•1994

    As Byron asserts how Don Juan should be perceived as ‘the sublime of that there sort of writing’ among other things, he emphasizes ‘that there’ despite the grammatical error since it focuses on actual fact and how Don Juan consistently made use of a tactic that lowers the tone to make ‘life’ attainable. The candour towards actuality expressed in this poem attempts to differentiate it from the moralized poetry of other writers. Byron claims, howev…

  • How Green Were the Romantics

    Ralph Pite•ARTICLE•Studies in Romanticism•1996•Cited by: 9

  • Lord Byron and Some of His Contemporaries

    Fiona Robertson, Leigh Hunt et al.•BOOK•Lives of the Great Romantics,…•2020•Cited by: 1

    According Lord Bryon, Mr. Charles Lamb’s friend, Mr. Samuel Taylor Coleridge, is as little fitted for action as he, but on a different account. His person is of a good height, but as sluggish and solid as the other’s is light and fragile. He has, perhaps, suffered it to look old before its time, for want of exercise. Mr. Coleridge is fat, and begins to lament, in very delightful verses, that he is getting infirm. There is no old age in his verses…

  • The Circle of Our Vision

    Ralph Pite•BOOK•The circle of our vision•1994

    The sudden and spectacular growth in Dante's popularity in England at the end of the 18th century was immensely influential for English writers of the period. But the impact of Dante on English writers has rarely been analysed and its history has been little understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote and painted while Dante's work — its style, project, and achievement — commanded their attention and provoked the…

  • The circle of our vision: Dante's presence in English romantic poetry

    Ralph Pite•BOOK•The circle of our vision•1994

    The sudden and spectacular growth in Dante's popularity in England at the end of the eighteenth century was immensely influential for English writers of the period. But the impact of Dante on English writers has rarely been analysed and its history has been little understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote or painted while Dante's work - its style, project, and achievement commanded their attention and provoked …

  • Byron Turning to Stone

    Ralph Pite•CHAPTER•The circle of our vision•1994

    As Byron asserts how Don Juan should be perceived as ‘the sublime of that there sort of writing’ among other things, he emphasizes ‘that there’ despite the grammatical error since it focuses on actual fact and how Don Juan consistently made use of a tactic that lowers the tone to make ‘life’ attainable. The candour towards actuality expressed in this poem attempts to differentiate it from the moralized poetry of other writers. Byron claims, howev…

  • The Circle of Our Vision: Dante's Presence in English Romantic Poetry

    Carmine Di Biase, Ralph Pite•ARTICLE•Italica•1996

  • How Green Were the Romantics

    Ralph Pite•ARTICLE•Studies in Romanticism•1996•Cited by: 9

  • Recent Hardy Criticism

    Open Access•Ralph Pite•ARTICLE•Literature Compass•2006•References: 2

    This article offers a survey of recent Hardy criticism (focussing on books by Jo Devereux, David Musselwhite, Edward Neill, Andrew Radford and T. R. Wright and a collection of essays edited by Tim Dolin and Peter Widdowson). It sets these in the context of how Hardy studies have developed over the last twenty years or so and suggests a number of directions that future research might take

  • Romans and Romantics

    Timothy Saunders, Charles Martindale et al.•BOOK•Romans and Romantics Classical…•2012

    This book provides discussion of the relationship between Romanticism and Roman antiquity. Encompassing literature, music, sculpture, film, history, politics, and scholarship, it assesses the influence that ancient Roman culture has had upon Romanticism, and that Romanticism has had upon the understanding of the ancient Romans up to the present day. Part One takes a selection of general themes and motifs — republicanism, time, originality, and lo…

  • Coleridge

    John Mullan, Fiona Robertson et al.•BOOK•Lives of the Great Romantics,…•2020

  • Lord Byron and Some of His Contemporaries

    Fiona Robertson, Leigh Hunt et al.•BOOK•Lives of the Great Romantics,…•2020•Cited by: 1

    According Lord Bryon, Mr. Charles Lamb’s friend, Mr. Samuel Taylor Coleridge, is as little fitted for action as he, but on a different account. His person is of a good height, but as sluggish and solid as the other’s is light and fragile. He has, perhaps, suffered it to look old before its time, for want of exercise. Mr. Coleridge is fat, and begins to lament, in very delightful verses, that he is getting infirm. There is no old age in his verses…

Art (7 works) · Literature (7 works) · History (4 works) · Literature: history, themes, analysis (3 works) · Philosophy (3 works) · Poetry (3 works) · Psychology (3 works) · Aesthetics (2 works) · Borges, Kipling, and Jewish Identity (2 works) · History (2 works)

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