Rob Haskins
Biographic Data
| ID | 6937901 |
|---|---|
| NAME | Rob Haskins |
| GIVEN NAMES | Rob |
| FAMILY NAME | Haskins |
| SIGNATURE | HASKINS R |
| AFFILIATIONS | University of New Hampshire |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 0 |
Aspects of Zen Buddhism as an Analytical Context for John Cage's Chance Music
The writings of Cage's acknowledged mentor in Zen Buddhism, D.T. Suzuki, reveal a more complex picture of Zen than Cage himself tended to describe. This essay considers several of these writings in order to articulate an approach to listening and analysis based in Zen, which is then used to explore two compositions with very different sonic profiles, Music for Piano 21 (1955) and One5 (1990). My findings suggest a wide range of audible relationsh…
Buffy, Ballads, and Bad Guys Who Sing
Book Review| April 01 2013 Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Edited by Kendra Preston Leonard. Lanham, MD: Scarecrow Press, 2011. ISBN-13 978-0-8108-6945-5. Hardcover. Pp. xxii, 308. $39.95. Rob Haskins Rob Haskins Search for other works by this author on: This Site Google American Music (2013) 31 (1): 106–109. https://doi.org/10.540…
Twelve-Tone Music in America
"On John Cage’s Late Music, Analysis, and the Model of Renga in "Two
Research Article| October 01 2009 On John Cage’s Late Music, Analysis, and the Model of Renga in "Two" Rob Haskins Rob Haskins Search for other works by this author on: This Site Google American Music (2009) 27 (3): 327–355. https://doi.org/10.2307/25602281 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Rob Haskins; On John Cage’s Late Music, Analysis, and the Model of Renga in "Two". American Mu…
Notes on Cage, Harmony, and Analysis
1-'After I had been studying with him for two years, Schoenberg said, "In order to write music, you must have a feeling for harmony."I explained to him that I had no feeling for harmony.He then said that I would always encounter an obstacle, that it would be as though I came to a wall through which I could not pass.I said, "In that case I shall devote my life to beating my head against that wall."' 2 Of all the well-known quotations by John Cage,…
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Notes on Cage, Harmony, and Analysis
1-'After I had been studying with him for two years, Schoenberg said, "In order to write music, you must have a feeling for harmony."I explained to him that I had no feeling for harmony.He then said that I would always encounter an obstacle, that it would be as though I came to a wall through which I could not pass.I said, "In that case I shall devote my life to beating my head against that wall."' 2 Of all the well-known quotations by John Cage,…
"On John Cage’s Late Music, Analysis, and the Model of Renga in "Two
Research Article| October 01 2009 On John Cage’s Late Music, Analysis, and the Model of Renga in "Two" Rob Haskins Rob Haskins Search for other works by this author on: This Site Google American Music (2009) 27 (3): 327–355. https://doi.org/10.2307/25602281 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Rob Haskins; On John Cage’s Late Music, Analysis, and the Model of Renga in "Two". American Mu…
Twelve-Tone Music in America
Buffy, Ballads, and Bad Guys Who Sing
Book Review| April 01 2013 Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Edited by Kendra Preston Leonard. Lanham, MD: Scarecrow Press, 2011. ISBN-13 978-0-8108-6945-5. Hardcover. Pp. xxii, 308. $39.95. Rob Haskins Rob Haskins Search for other works by this author on: This Site Google American Music (2013) 31 (1): 106–109. https://doi.org/10.540…
Aspects of Zen Buddhism as an Analytical Context for John Cage's Chance Music
The writings of Cage's acknowledged mentor in Zen Buddhism, D.T. Suzuki, reveal a more complex picture of Zen than Cage himself tended to describe. This essay considers several of these writings in order to articulate an approach to listening and analysis based in Zen, which is then used to explore two compositions with very different sonic profiles, Music for Piano 21 (1955) and One5 (1990). My findings suggest a wide range of audible relationsh…
Art (5 works) · Musicology and Musical Analysis (4 works) · Art history (3 works) · Literature (3 works) · Visual arts (3 works) · Cage (2 works) · Citation (2 works) · Computer Science (2 works) · History (2 works) · Icon (2 works)