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Pier Paolo Pasolini

Biographic Data

ID693794
NAMEPier Paolo Pasolini
GIVEN NAMESPier Paolo
FAMILY NAMEPasolini
SIGNATUREPASOLINI P P
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS4
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1958
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Nouvelles questions linguistiques

    Pier Paolo Pasolini, Martin Rueff•ARTICLE•Critique•2024

  • O genocídio

    Open Access•Pier Paolo Pasolini, Anita Helena Schlesener•ARTICLE•Germinal Marxismo e Educação em…•2022

    O texto de Pier Paolo Pasolini traduzido a seguir, neste momento de reaparecimento da extrema-direita em vários cantos do mundo, é de uma atualidade estarrecedora. O autor analisa o processo de formação do consenso a partir da utilização dos meios de comunicação de massa e denuncia a forma como estes instrumentos atuam para construir uma hegemonia cultural homogênea sufocando as culturas autóctones. Para as classes populares, a partir da leitura …

  • Déjà le titre est crétin

    Pier Paolo Pasolini•ARTICLE•Agone•2005

  • La forme d'une ville (introduction de Philippe Duboÿ)

    Pier Paolo Pasolini, Philippe Duboÿ et al.•ARTICLE•Chimères•2002

    Pasolini Pier Paolo, Duboÿ Philippe, Van de Sandt Audrey. La forme d’une ville (introduction de Philippe Duboÿ). In: Chimères. Revue des schizoanalyses, N°47, automne 2002. Apocalypse, nevermore. pp. 53-61

  • La forme d'une ville

    Pier Paolo Pasolini, Philippe Duboÿ et al.•ARTICLE•Chimères•2002

  • Saggi sulla politica e sulla società

    Pier Paolo Pasolini, Walter Siti et al.•BOOK•Saggi sulla politica e sulla…•1999

  • Heretical Empiricism

    John P Welle, Pier Paolo Pasolini et al.•ARTICLE•Italica•1990

  • Domenica al Collina Volpi

    Pier Paolo Pasolini•ARTICLE•The Italianist•1985

  • L'accelerato Venezia-Udine

    Pier Paolo Pasolini•ARTICLE•The Italianist•1985

  • Rital" and "Raton

    Pier Paolo Pasolini, John Shepley•ARTICLE•October•1984

    He said: J'aifa'. In a country voice rather shrill: for an Arab, to learn French means to repeat a rustic condition with thoughts of the city in a house crumbling in the sun, the fetid sheep, the hens on the roost, the neighbors dressed in rags, their shrewd old ideas, the dreamlike gestures at the end of the cultivated horizon, the destiny that combines sex and death: and since the peasant universe is petit-bourgeois, an Arab's French has that s…

  • What Is Neo-Zhdanovism and What Is Not

    Pier Paolo Pasolini, Norman Macafee et al.•ARTICLE•October•1980

  • Observations on the Long Take

    Pier Paolo Pasolini, Norman Macafee et al.•ARTICLE•October•1980•Cited by: 4

    and nonnaturalistic point of view, it becomes realistic and ultimately naturalistic as soon as we place a camera and tape recorder there: the result will be seen and heard as if by a flesh-and-blood subject (that is, one with eyes and ears). Reality seen and heard as it happens is always in the present tense. The long take, the schematic and primordial element of cinema, is thus in the present tense. Cinema therefore reproduces the Live televisio…

  • Le ceneri di Gramsci

    Umberto Liberatore, Pier Paolo Pasolini•ARTICLE•Books Abroad•1958

  • Observations on the Long Take

    Pier Paolo Pasolini, Norman Macafee et al.•ARTICLE•October•1980•Cited by: 4

    and nonnaturalistic point of view, it becomes realistic and ultimately naturalistic as soon as we place a camera and tape recorder there: the result will be seen and heard as if by a flesh-and-blood subject (that is, one with eyes and ears). Reality seen and heard as it happens is always in the present tense. The long take, the schematic and primordial element of cinema, is thus in the present tense. Cinema therefore reproduces the Live televisio…

  • Le ceneri di Gramsci

    Umberto Liberatore, Pier Paolo Pasolini•ARTICLE•Books Abroad•1958

  • What Is Neo-Zhdanovism and What Is Not

    Pier Paolo Pasolini, Norman Macafee et al.•ARTICLE•October•1980

  • Observations on the Long Take

    Pier Paolo Pasolini, Norman Macafee et al.•ARTICLE•October•1980•Cited by: 4

    and nonnaturalistic point of view, it becomes realistic and ultimately naturalistic as soon as we place a camera and tape recorder there: the result will be seen and heard as if by a flesh-and-blood subject (that is, one with eyes and ears). Reality seen and heard as it happens is always in the present tense. The long take, the schematic and primordial element of cinema, is thus in the present tense. Cinema therefore reproduces the Live televisio…

  • Rital" and "Raton

    Pier Paolo Pasolini, John Shepley•ARTICLE•October•1984

    He said: J'aifa'. In a country voice rather shrill: for an Arab, to learn French means to repeat a rustic condition with thoughts of the city in a house crumbling in the sun, the fetid sheep, the hens on the roost, the neighbors dressed in rags, their shrewd old ideas, the dreamlike gestures at the end of the cultivated horizon, the destiny that combines sex and death: and since the peasant universe is petit-bourgeois, an Arab's French has that s…

  • Domenica al Collina Volpi

    Pier Paolo Pasolini•ARTICLE•The Italianist•1985

  • L'accelerato Venezia-Udine

    Pier Paolo Pasolini•ARTICLE•The Italianist•1985

  • Heretical Empiricism

    John P Welle, Pier Paolo Pasolini et al.•ARTICLE•Italica•1990

  • Saggi sulla politica e sulla società

    Pier Paolo Pasolini, Walter Siti et al.•BOOK•Saggi sulla politica e sulla…•1999

  • La forme d'une ville (introduction de Philippe Duboÿ)

    Pier Paolo Pasolini, Philippe Duboÿ et al.•ARTICLE•Chimères•2002

    Pasolini Pier Paolo, Duboÿ Philippe, Van de Sandt Audrey. La forme d’une ville (introduction de Philippe Duboÿ). In: Chimères. Revue des schizoanalyses, N°47, automne 2002. Apocalypse, nevermore. pp. 53-61

  • La forme d'une ville

    Pier Paolo Pasolini, Philippe Duboÿ et al.•ARTICLE•Chimères•2002

  • Déjà le titre est crétin

    Pier Paolo Pasolini•ARTICLE•Agone•2005

  • O genocídio

    Open Access•Pier Paolo Pasolini, Anita Helena Schlesener•ARTICLE•Germinal Marxismo e Educação em…•2022

    O texto de Pier Paolo Pasolini traduzido a seguir, neste momento de reaparecimento da extrema-direita em vários cantos do mundo, é de uma atualidade estarrecedora. O autor analisa o processo de formação do consenso a partir da utilização dos meios de comunicação de massa e denuncia a forma como estes instrumentos atuam para construir uma hegemonia cultural homogênea sufocando as culturas autóctones. Para as classes populares, a partir da leitura …

  • Nouvelles questions linguistiques

    Pier Paolo Pasolini, Martin Rueff•ARTICLE•Critique•2024

Art (6 works) · Humanities (4 works) · Philosophy (4 works) · Sociology (4 works) · Political science (3 works) · Educational and Social Studies (2 works) · French Urban and Social Studies (2 works) · Geography (2 works) · Italian Fascism and Post-war Society (2 works) · Linguistics and Discourse Analysis (2 works)

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