Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Antonio Gámiz-Gordo

Biographic Data

ID6940297
NAMEAntonio Gámiz-Gordo
GIVEN NAMESAntonio
FAMILY NAMEGámiz-Gordo
SIGNATUREGÁMIZ-GORDO A
AFFILIATIONSUniversidad de Sevilla
ORCID0000-0001-6188-3167
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS3
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Graphic reconstruction of a vanished architectural heritage

    Open Access•Antonio Gámiz-Gordo, Daniel Antón et al.•ARTICLE•Virtual Archaeology Review•2025

    Seville was at the height of its commercial prosperity in the 16th century. It was then decided to renovate the gates of its walled enclosure using a Renaissance architectural language, following a report by the architect Hernán Ruiz II from 1560. The Puerta de la Carne was located near the Judería district and close to the city’s slaughterhouse. Asencio de Maeda directed the work execution around 1577. After being deemed an urban obstacle, the g…

  • The Lost Golden Room Courtyard Gallery in the Alhambra

    Open Access•Antonio Gámiz-Gordo, Keelan P Kaiser et al.•ARTICLE•Heritage•2025

    The palatial architecture of the Nasrid Alhambra in Granada was organized around courtyards that have been restored or transformed over the centuries. This research analyzes and graphically recreates a wooden gallery that was built in the Patio del Cuarto Dorado (Courtyard of the Golden Room) by the Catholic Monarchs, which disappeared around 1872. The methodology is based on the compilation of documentary sources and graphic analysis as the basi…

  • A Deformed Muqarnas Dome at the Sala de los Reyes in the Alhambra

    Open Access•Antonio Gámiz-Gordo, Ignacio Ferrer Pérez-Blanco et al.•ARTICLE•Heritage•2023•Cited by: 2•References: 1

    The muqarnas are small pieces grouped together, adopting surprising three-dimensional forms. They are a symbol of identity of the 14th century Nasrid architecture at Alhambra in Granada. This research’s aim is to graphically analyze the plaster muqarnas dome located to the south of the Sala de los Reyes, in the Palacio de los Leones. The methodology followed combines historical images analysis and modern digital graphic techniques. First, a compi…

  • Urban Environment of Disappeared Heritage

    Open Access•Antonio Gámiz-Gordo, Daniel Antón et al.•ARTICLE•Heritage•2023•Cited by: 1•References: 1

    The city of Seville experienced a remarkable rise in the 16th century thanks to trade with America. Based on a report by the architect Hernán Ruiz, it was decided to renovate the gates of the walled city. The Puerta Real, also called Puerta de Goles, was remodelled between 1560 and 1566, and King Philip II entered through it in 1570. However, it was demolished around 1864, and only the remains of the adjacent wall stand today. This research aims …

  • El Alcázar de Córdoba. Imágenes, historia y arquitectura hasta 1850

    Open Access•Antonio Gámiz-Gordo•ARTICLE•Arte individuo y sociedad•2022

    El Alcázar de Córdoba, un edificio con diversos usos y transformaciones a lo largo de su historia, ha aparecido en imágenes que conforman un valioso y poco conocido legado gráfico. En esta investigación son analizadas atendiendo a su contexto y a su entorno paisajístico y arquitectónico, considerando sus puntos de vista, las técnicas usadas y valorando su precisión e interés artístico. Además se consideran otras fuentes históricas, arqueológicas …

  • Bibliotheca Geométrica. Bibliografía histórica para la Geometría Descriptiva y el Dibujo Arquitectónico hasta 2001

    Open Access•Antonio Gámiz-Gordo•ARTICLE•Arte individuo y sociedad•2022

    Reseña de la obra Bibliotheca Geométrica. Bibliografía histórica para la Geometría Descriptiva y el Dibujo Arquitectónico hasta 2001 de Gentil Baldrich, José María. Universidad de Sevilla, HUM976. Expregráfica. Lugar,Arquitectura y Dibujo, 2021, 2.075 Pp., I.S.B.N.: 978-84-09-36137 https://hdl.handle.net/11441/128665

  • Digital Graphic Documentation and Architectural Heritage

    Open Access•Juan Francisco Reinoso-Gordo, Antonio Gámiz-Gordo et al.•ARTICLE•ISPRS International Journal of…•2021

    Suitable graphic documentation is essential to ascertain and conserve architectural heritage. For the first time, accurate digital images are provided of a 16th-century wooden ceiling, composed of geometric interlacing patterns, in the Pinelo Palace in Seville. Today, this ceiling suffers from significant deformation. Although there are many publications on the digital documentation of architectural heritage, no graphic studies on this type of de…

  • The Mosque-Cathedral of Cordoba

    Open Access•Antonio Gámiz-Gordo, Juan Cantizani-Oliva et al.•ARTICLE•ISPRS International Journal of…•2021

    The work of Philibert Girault de Prangey, who was a draughtsman, pioneering photographer and an Islamic architecture scholar, has been the subject of recent exhibitions in his hometown (Langres, 2019), at the Metropolitan Museum (New York, 2019) and at the Musée d’Orsay (Paris, 2020). After visiting Andalusia between 1832 and 1833, Prangey completed the publication “Monuments arabes et moresques de Cordoue, Seville et Grenada” in 1839, based on h…

  • La Mezquita-Catedral de Córdoba. Fuentes gráficas hasta 1850

    Open Access•Antonio Gámiz-Gordo•ARTICLE•Al-Qanṭara•2019

    La Mezquita-Catedral de Córdoba cuenta con un rico legado de imágenes hasta la llegada de la fotografía a mediados del XIX que constituyen una destacada fuente documental para la investigación. Tras una amplia labor de rastreo y localización de dichas imágenes, se aportan referencias sobre sus autores, contexto y técnicas, valorando su fiabilidad o precisión gráfica. Las primeras conocidas corresponden a tiempos cristianos, destacando dos panorám…

  • Sobre Arqueología y Arquitectura en Medina Azahara. Entrevista a Rafael Manzano Martos

    Open Access•Julia Manzano Pérez de Guzmán, Pedro Barrero Ortega et al.•ARTICLE•Arqueología de la Arquitectura•2017

    Rafael Manzano Martos, arquitecto y catedrático, dirigió Medina Azahara entre 1975 y 1985. La entrevista, ilustrada con fotos inéditas de su archivo privado, empieza recordando sus inicios en la arqueología y sus maestros Torres Balbás, Chueca Goitia, Gómez Moreno e Íñiguez Almech, con quienes se formó como restaurador de monumentos e historiador. Se comentan los criterios y el lenguaje de su importante intervención en el Salón Rico, tras hablar …

  • A Deformed Muqarnas Dome at the Sala de los Reyes in the Alhambra

    Open Access•Antonio Gámiz-Gordo, Ignacio Ferrer Pérez-Blanco et al.•ARTICLE•Heritage•2023•Cited by: 2•References: 1

    The muqarnas are small pieces grouped together, adopting surprising three-dimensional forms. They are a symbol of identity of the 14th century Nasrid architecture at Alhambra in Granada. This research’s aim is to graphically analyze the plaster muqarnas dome located to the south of the Sala de los Reyes, in the Palacio de los Leones. The methodology followed combines historical images analysis and modern digital graphic techniques. First, a compi…

  • Urban Environment of Disappeared Heritage

    Open Access•Antonio Gámiz-Gordo, Daniel Antón et al.•ARTICLE•Heritage•2023•Cited by: 1•References: 1

    The city of Seville experienced a remarkable rise in the 16th century thanks to trade with America. Based on a report by the architect Hernán Ruiz, it was decided to renovate the gates of the walled city. The Puerta Real, also called Puerta de Goles, was remodelled between 1560 and 1566, and King Philip II entered through it in 1570. However, it was demolished around 1864, and only the remains of the adjacent wall stand today. This research aims …

  • Sobre Arqueología y Arquitectura en Medina Azahara. Entrevista a Rafael Manzano Martos

    Open Access•Julia Manzano Pérez de Guzmán, Pedro Barrero Ortega et al.•ARTICLE•Arqueología de la Arquitectura•2017

    Rafael Manzano Martos, arquitecto y catedrático, dirigió Medina Azahara entre 1975 y 1985. La entrevista, ilustrada con fotos inéditas de su archivo privado, empieza recordando sus inicios en la arqueología y sus maestros Torres Balbás, Chueca Goitia, Gómez Moreno e Íñiguez Almech, con quienes se formó como restaurador de monumentos e historiador. Se comentan los criterios y el lenguaje de su importante intervención en el Salón Rico, tras hablar …

  • La Mezquita-Catedral de Córdoba. Fuentes gráficas hasta 1850

    Open Access•Antonio Gámiz-Gordo•ARTICLE•Al-Qanṭara•2019

    La Mezquita-Catedral de Córdoba cuenta con un rico legado de imágenes hasta la llegada de la fotografía a mediados del XIX que constituyen una destacada fuente documental para la investigación. Tras una amplia labor de rastreo y localización de dichas imágenes, se aportan referencias sobre sus autores, contexto y técnicas, valorando su fiabilidad o precisión gráfica. Las primeras conocidas corresponden a tiempos cristianos, destacando dos panorám…

  • Digital Graphic Documentation and Architectural Heritage

    Open Access•Juan Francisco Reinoso-Gordo, Antonio Gámiz-Gordo et al.•ARTICLE•ISPRS International Journal of…•2021

    Suitable graphic documentation is essential to ascertain and conserve architectural heritage. For the first time, accurate digital images are provided of a 16th-century wooden ceiling, composed of geometric interlacing patterns, in the Pinelo Palace in Seville. Today, this ceiling suffers from significant deformation. Although there are many publications on the digital documentation of architectural heritage, no graphic studies on this type of de…

  • The Mosque-Cathedral of Cordoba

    Open Access•Antonio Gámiz-Gordo, Juan Cantizani-Oliva et al.•ARTICLE•ISPRS International Journal of…•2021

    The work of Philibert Girault de Prangey, who was a draughtsman, pioneering photographer and an Islamic architecture scholar, has been the subject of recent exhibitions in his hometown (Langres, 2019), at the Metropolitan Museum (New York, 2019) and at the Musée d’Orsay (Paris, 2020). After visiting Andalusia between 1832 and 1833, Prangey completed the publication “Monuments arabes et moresques de Cordoue, Seville et Grenada” in 1839, based on h…

  • El Alcázar de Córdoba. Imágenes, historia y arquitectura hasta 1850

    Open Access•Antonio Gámiz-Gordo•ARTICLE•Arte individuo y sociedad•2022

    El Alcázar de Córdoba, un edificio con diversos usos y transformaciones a lo largo de su historia, ha aparecido en imágenes que conforman un valioso y poco conocido legado gráfico. En esta investigación son analizadas atendiendo a su contexto y a su entorno paisajístico y arquitectónico, considerando sus puntos de vista, las técnicas usadas y valorando su precisión e interés artístico. Además se consideran otras fuentes históricas, arqueológicas …

  • Bibliotheca Geométrica. Bibliografía histórica para la Geometría Descriptiva y el Dibujo Arquitectónico hasta 2001

    Open Access•Antonio Gámiz-Gordo•ARTICLE•Arte individuo y sociedad•2022

    Reseña de la obra Bibliotheca Geométrica. Bibliografía histórica para la Geometría Descriptiva y el Dibujo Arquitectónico hasta 2001 de Gentil Baldrich, José María. Universidad de Sevilla, HUM976. Expregráfica. Lugar,Arquitectura y Dibujo, 2021, 2.075 Pp., I.S.B.N.: 978-84-09-36137 https://hdl.handle.net/11441/128665

  • A Deformed Muqarnas Dome at the Sala de los Reyes in the Alhambra

    Open Access•Antonio Gámiz-Gordo, Ignacio Ferrer Pérez-Blanco et al.•ARTICLE•Heritage•2023•Cited by: 2•References: 1

    The muqarnas are small pieces grouped together, adopting surprising three-dimensional forms. They are a symbol of identity of the 14th century Nasrid architecture at Alhambra in Granada. This research’s aim is to graphically analyze the plaster muqarnas dome located to the south of the Sala de los Reyes, in the Palacio de los Leones. The methodology followed combines historical images analysis and modern digital graphic techniques. First, a compi…

  • Urban Environment of Disappeared Heritage

    Open Access•Antonio Gámiz-Gordo, Daniel Antón et al.•ARTICLE•Heritage•2023•Cited by: 1•References: 1

    The city of Seville experienced a remarkable rise in the 16th century thanks to trade with America. Based on a report by the architect Hernán Ruiz, it was decided to renovate the gates of the walled city. The Puerta Real, also called Puerta de Goles, was remodelled between 1560 and 1566, and King Philip II entered through it in 1570. However, it was demolished around 1864, and only the remains of the adjacent wall stand today. This research aims …

  • Graphic reconstruction of a vanished architectural heritage

    Open Access•Antonio Gámiz-Gordo, Daniel Antón et al.•ARTICLE•Virtual Archaeology Review•2025

    Seville was at the height of its commercial prosperity in the 16th century. It was then decided to renovate the gates of its walled enclosure using a Renaissance architectural language, following a report by the architect Hernán Ruiz II from 1560. The Puerta de la Carne was located near the Judería district and close to the city’s slaughterhouse. Asencio de Maeda directed the work execution around 1577. After being deemed an urban obstacle, the g…

  • The Lost Golden Room Courtyard Gallery in the Alhambra

    Open Access•Antonio Gámiz-Gordo, Keelan P Kaiser et al.•ARTICLE•Heritage•2025

    The palatial architecture of the Nasrid Alhambra in Granada was organized around courtyards that have been restored or transformed over the centuries. This research analyzes and graphically recreates a wooden gallery that was built in the Patio del Cuarto Dorado (Courtyard of the Golden Room) by the Catholic Monarchs, which disappeared around 1872. The methodology is based on the compilation of documentary sources and graphic analysis as the basi…

Art (9 works) · Historical Studies of Medieval Iberia (6 works) · Humanities (6 works) · Archaeology (5 works) · Architecture (5 works) · Computer Science (5 works) · Historical Art and Architecture Studies (5 works) · History (5 works) · Visual arts (5 works) · 3D Surveying and Cultural Heritage (4 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae