Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Milene Gil

Biographic Data

ID6940703
NAMEMilene Gil
GIVEN NAMESMilene
FAMILY NAMEGil
SIGNATUREGIL M
AFFILIATIONSUniversity of Évora
ORCID0000-0002-5779-2630
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Modern Muralists in the Spotlight: Technical and Material Characteristics of the 1946–1949 Mural Paintings by Almada Negreiros in Lisbon (Part1)

    Open Access•Milene Gil, Irene Cardoso et al.•ARTICLE•Heritage•2024

    This paper presents the first insight into how Almada Negreiros, a key artist of the first generation of modernism in Portugal, created his mural painting masterpiece in the maritime station of Rocha do Conde de Óbidos in Lisbon. This set of six monumental mural paintings dates from 1946 to 1949 and is considered Almada’s artistic epitome. As part of the ALMADA project: Unveiling the mural painting art of Almada Negreiros, the murals are being an…

  • On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments

    Open Access•Milene Gil, Mafalda Costa et al.•ARTICLE•Heritage•2021•References: 1

    This paper reports the first analytical approach carried out on two working palettes by Portuguese modernist master Almada Negreiros, found in 1991 behind old wood cabinets at the DN building in Lisbon. This is the only known occasion Almada left behind the color experiments done before starting to paint in the nearby walls and as such, it is a unique opportunity to analyze the materials and painting techniques that were originally used. The anal…

  • Preliminary Studies of the Effects of Nanoconsolidants on Mural Paint Layers with a Lack of Cohesion

    Open Access•Berenice Baiza, Milene Gil et al.•ARTICLE•Heritage•2021•References: 3

    This paper reports the preliminary results of a comparative analysis of the effects of three consolidants on the color appearance of fresco paint layers affected by lack of cohesion. In vitro assays were performed with a laboratory-synthesized nanolime, a commercial nanolime (CaLoSiL® IP25), and a commercial acrylic resin (PrimalTM SF-016 ER®) applied by nebulization over two sets of replicas of buon and lime fresco painted with red and yellow oc…

No prominent works on this page.

  • On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments

    Open Access•Milene Gil, Mafalda Costa et al.•ARTICLE•Heritage•2021•References: 1

    This paper reports the first analytical approach carried out on two working palettes by Portuguese modernist master Almada Negreiros, found in 1991 behind old wood cabinets at the DN building in Lisbon. This is the only known occasion Almada left behind the color experiments done before starting to paint in the nearby walls and as such, it is a unique opportunity to analyze the materials and painting techniques that were originally used. The anal…

  • Preliminary Studies of the Effects of Nanoconsolidants on Mural Paint Layers with a Lack of Cohesion

    Open Access•Berenice Baiza, Milene Gil et al.•ARTICLE•Heritage•2021•References: 3

    This paper reports the preliminary results of a comparative analysis of the effects of three consolidants on the color appearance of fresco paint layers affected by lack of cohesion. In vitro assays were performed with a laboratory-synthesized nanolime, a commercial nanolime (CaLoSiL® IP25), and a commercial acrylic resin (PrimalTM SF-016 ER®) applied by nebulization over two sets of replicas of buon and lime fresco painted with red and yellow oc…

  • Modern Muralists in the Spotlight: Technical and Material Characteristics of the 1946–1949 Mural Paintings by Almada Negreiros in Lisbon (Part1)

    Open Access•Milene Gil, Irene Cardoso et al.•ARTICLE•Heritage•2024

    This paper presents the first insight into how Almada Negreiros, a key artist of the first generation of modernism in Portugal, created his mural painting masterpiece in the maritime station of Rocha do Conde de Óbidos in Lisbon. This set of six monumental mural paintings dates from 1946 to 1949 and is considered Almada’s artistic epitome. As part of the ALMADA project: Unveiling the mural painting art of Almada Negreiros, the murals are being an…

Cultural Heritage Materials Analysis (3 works) · Art (2 works) · Building materials and conservation (2 works) · Chemistry (2 works) · Materials Science (2 works) · Mineralogy (2 works) · Optics (2 works) · Painting (2 works) · Physics (2 works) · Visual arts (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae