Laura Maccarelli
Biographic Data
| ID | 6941262 |
|---|---|
| NAME | Laura Maccarelli |
| GIVEN NAMES | Laura |
| FAMILY NAME | Maccarelli |
| SIGNATURE | MACCARELLI L |
| AFFILIATIONS | Los Angeles County Museum of Art |
| ORCID | 0000-0001-7373-445X |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Deciphering Ageing Effects in Green-Dyed English Wool Carpet Yarns from the 1840s
In 1842, carpet manufacturer W.H. Worth of Kidderminster, England, began assembling a sample book of wool yarns dyed with natural dyestuffs. This paper reports on a study of the “Greens” section, which contains sixteen yarn samples—six still green and ten now ranging from tan to dark brown. The accompanying recipes list similar ingredients: old fustic and either “mixture” or extracet of indigo. To verify whether Worth’s recipes were followed, the…
Blues from Tikuna/Magüta Masks and a Still Unknown Blue Colorant in Technical Art History and Conservation Science
Blue is one of the most challenging colors for humans to produce and one of the most important colors in art history. Literature from the Tikuna/Magüta culture, from the Amazon Forest, suggests the use of chemical reactions between the juice of the naīcü fruit and iron to produce a blue colorant still unknown among technical art historians and conservation scientists. Additionally, the coloring materials from the Tikuna/Magüta people were never c…
Components of Mid-Nineteenth- and Mid-Twentieth-Century Cudbears
Analysis of purple dyestuff from a tin labeled “1 oz. Cudbear, No. 1 N. F. Powdered”, marketed by the American business S. B. Penick & Company, “Manufacturers of fine drugs and chemicals”, confirmed that the material was indeed a lichen dyestuff. It contains the same major orcein components identified in several other lichen dyes and dyed samples dating from the mid-19th century to today. These dyestuffs were analyzed using several analytical tec…
Paint and Coloring Materials from the Brazilian Amazon Forest
The Brazilian Legal Amazon region is divided into at least 155 ethnic groups and has the largest concentration of Indigenous people globally. It represents one of the most extraordinary levels of human, cultural, and artistic diversity, but its material culture is one of the least well-studied. This is especially true in technical art history and conservation science, largely due to (1) the limited international awareness of the richness of mater…
Pollution Monitoring for Sea Salt Aerosols and Other Anionic Species at Hagar Qim Temples, Malta
The damaging effects of sea salt aerosols on Globigerina Limestone are well known, and various professionals have studied and reported on the often complex underlying deterioration mechanisms. Following a preventive conservation project, undertaken to shelter and protect the UNESCO World Heritage Neolithic temple sites of Hagar Qim and Mnajdra, the Preventive Conservation Unit within the Diagnostic Science Laboratory at Heritage Malta embarked on…
Paint and Coloring Materials from the Brazilian Amazon Forest
The Brazilian Legal Amazon region is divided into at least 155 ethnic groups and has the largest concentration of Indigenous people globally. It represents one of the most extraordinary levels of human, cultural, and artistic diversity, but its material culture is one of the least well-studied. This is especially true in technical art history and conservation science, largely due to (1) the limited international awareness of the richness of mater…
Components of Mid-Nineteenth- and Mid-Twentieth-Century Cudbears
Analysis of purple dyestuff from a tin labeled “1 oz. Cudbear, No. 1 N. F. Powdered”, marketed by the American business S. B. Penick & Company, “Manufacturers of fine drugs and chemicals”, confirmed that the material was indeed a lichen dyestuff. It contains the same major orcein components identified in several other lichen dyes and dyed samples dating from the mid-19th century to today. These dyestuffs were analyzed using several analytical tec…
Pollution Monitoring for Sea Salt Aerosols and Other Anionic Species at Hagar Qim Temples, Malta
The damaging effects of sea salt aerosols on Globigerina Limestone are well known, and various professionals have studied and reported on the often complex underlying deterioration mechanisms. Following a preventive conservation project, undertaken to shelter and protect the UNESCO World Heritage Neolithic temple sites of Hagar Qim and Mnajdra, the Preventive Conservation Unit within the Diagnostic Science Laboratory at Heritage Malta embarked on…
Paint and Coloring Materials from the Brazilian Amazon Forest
The Brazilian Legal Amazon region is divided into at least 155 ethnic groups and has the largest concentration of Indigenous people globally. It represents one of the most extraordinary levels of human, cultural, and artistic diversity, but its material culture is one of the least well-studied. This is especially true in technical art history and conservation science, largely due to (1) the limited international awareness of the richness of mater…
Blues from Tikuna/Magüta Masks and a Still Unknown Blue Colorant in Technical Art History and Conservation Science
Blue is one of the most challenging colors for humans to produce and one of the most important colors in art history. Literature from the Tikuna/Magüta culture, from the Amazon Forest, suggests the use of chemical reactions between the juice of the naīcü fruit and iron to produce a blue colorant still unknown among technical art historians and conservation scientists. Additionally, the coloring materials from the Tikuna/Magüta people were never c…
Components of Mid-Nineteenth- and Mid-Twentieth-Century Cudbears
Analysis of purple dyestuff from a tin labeled “1 oz. Cudbear, No. 1 N. F. Powdered”, marketed by the American business S. B. Penick & Company, “Manufacturers of fine drugs and chemicals”, confirmed that the material was indeed a lichen dyestuff. It contains the same major orcein components identified in several other lichen dyes and dyed samples dating from the mid-19th century to today. These dyestuffs were analyzed using several analytical tec…
Deciphering Ageing Effects in Green-Dyed English Wool Carpet Yarns from the 1840s
In 1842, carpet manufacturer W.H. Worth of Kidderminster, England, began assembling a sample book of wool yarns dyed with natural dyestuffs. This paper reports on a study of the “Greens” section, which contains sixteen yarn samples—six still green and ten now ranging from tan to dark brown. The accompanying recipes list similar ingredients: old fustic and either “mixture” or extracet of indigo. To verify whether Worth’s recipes were followed, the…
Conservation Techniques and Studies (3 works) · Cultural Heritage Materials Analysis (3 works) · Art (2 works) · Building materials and conservation (2 works) · Chemistry (2 works) · Ecology (2 works) · Geography (2 works) · Visual arts (2 works) · Aerosol (1 work) · Ageing (1 work)