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Theodore Ganetsos

Biographic Data

ID6941856
NAMETheodore Ganetsos
GIVEN NAMESTheodore
FAMILY NAMEGanetsos
SIGNATUREGANETSOS T
AFFILIATIONSUniversity of West Attica
ORCID0000-0003-2081-4960
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2025
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Study of Pigments of The Icon of Saint John (1674)” Work of The Painter Agorastos in Skopelos

    Open Access•Theodore Ganetsos, Stavroula Nakou et al.•ARTICLE•Global Journal of Archaeology &…•2026

    The present study focuses on the analysis of the pigments of the icon of Saint John with scenes from his life (1674). The icon is a work of the Cretan hagiographer Antonios Agorastos and is housed in the Church of Saint John in Skopelos. The analysis of the pigments was carried out using non-destructive Raman and XRF spectroscopy techniques. Using the Thunder Optics - Gem Raman System and the Niton XLp 818 spectrometer, inorganic pigments such as…

  • Heritage 4.0

    Open Access•Antreas Kantaros, Theodore Ganetsos et al.•ARTICLE•Heritage•2026•References: 9

    This work examines how digital technologies, particularly 3D imaging, additive man-ufacturing, and digital twins, contribute to a more interactive and process-oriented understanding of cultural preservation. Building on practical experience with museum scanning and 3D reproduction, the study introduces the Heritage 4.0 Cycle, a conceptual framework that structures digital heritage management into four iterative phases: Capture, Curate, Connect, a…

  • D Imaging and Additive Manufacturing for Original Artifact Preservation Purposes

    Open Access•Antreas Kantaros, Panagiotis Douros et al.•ARTICLE•Heritage•2025•Cited by: 2

    This study explores the use of advanced 3D imaging and printing technologies to digitally document and physically replicate cultural artifacts from the Archaeological Museum of Alexandroupolis. By employing structured light scanning and additive manufacturing techniques, detailed digital models and precise physical replicas of two significant artifacts were created—a humanoid ceramic vessel and a glass cup. A handheld 3D scanner was utilized for …

  • D Imaging and Additive Manufacturing for Original Artifact Preservation Purposes

    Open Access•Antreas Kantaros, Panagiotis Douros et al.•ARTICLE•Heritage•2025•Cited by: 2

    This study explores the use of advanced 3D imaging and printing technologies to digitally document and physically replicate cultural artifacts from the Archaeological Museum of Alexandroupolis. By employing structured light scanning and additive manufacturing techniques, detailed digital models and precise physical replicas of two significant artifacts were created—a humanoid ceramic vessel and a glass cup. A handheld 3D scanner was utilized for …

  • D Imaging and Additive Manufacturing for Original Artifact Preservation Purposes

    Open Access•Antreas Kantaros, Panagiotis Douros et al.•ARTICLE•Heritage•2025•Cited by: 2

    This study explores the use of advanced 3D imaging and printing technologies to digitally document and physically replicate cultural artifacts from the Archaeological Museum of Alexandroupolis. By employing structured light scanning and additive manufacturing techniques, detailed digital models and precise physical replicas of two significant artifacts were created—a humanoid ceramic vessel and a glass cup. A handheld 3D scanner was utilized for …

  • Study of Pigments of The Icon of Saint John (1674)” Work of The Painter Agorastos in Skopelos

    Open Access•Theodore Ganetsos, Stavroula Nakou et al.•ARTICLE•Global Journal of Archaeology &…•2026

    The present study focuses on the analysis of the pigments of the icon of Saint John with scenes from his life (1674). The icon is a work of the Cretan hagiographer Antonios Agorastos and is housed in the Church of Saint John in Skopelos. The analysis of the pigments was carried out using non-destructive Raman and XRF spectroscopy techniques. Using the Thunder Optics - Gem Raman System and the Niton XLp 818 spectrometer, inorganic pigments such as…

  • Heritage 4.0

    Open Access•Antreas Kantaros, Theodore Ganetsos et al.•ARTICLE•Heritage•2026•References: 9

    This work examines how digital technologies, particularly 3D imaging, additive man-ufacturing, and digital twins, contribute to a more interactive and process-oriented understanding of cultural preservation. Building on practical experience with museum scanning and 3D reproduction, the study introduces the Heritage 4.0 Cycle, a conceptual framework that structures digital heritage management into four iterative phases: Capture, Curate, Connect, a…

3D Surveying and Cultural Heritage (2 works) · Building materials and conservation (2 works) · Archaeology (1 work) · Art (1 work) · Artifact (error (1 work) · Artificial Intelligence (1 work) · Christian ministry (1 work) · Cinnabar (1 work) · Citizen journalism (1 work) · Computer Science (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae