Stavroula Nakou
Biographic Data
| ID | 6942604 |
|---|---|
| NAME | Stavroula Nakou |
| GIVEN NAMES | Stavroula |
| FAMILY NAME | Nakou |
| SIGNATURE | NAKOU S |
| AFFILIATIONS | University of West Attica |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2026 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Study of Pigments of The Icon of Saint John (1674)” Work of The Painter Agorastos in Skopelos
The present study focuses on the analysis of the pigments of the icon of Saint John with scenes from his life (1674). The icon is a work of the Cretan hagiographer Antonios Agorastos and is housed in the Church of Saint John in Skopelos. The analysis of the pigments was carried out using non-destructive Raman and XRF spectroscopy techniques. Using the Thunder Optics - Gem Raman System and the Niton XLp 818 spectrometer, inorganic pigments such as…
Heritage 4.0
This work examines how digital technologies, particularly 3D imaging, additive man-ufacturing, and digital twins, contribute to a more interactive and process-oriented understanding of cultural preservation. Building on practical experience with museum scanning and 3D reproduction, the study introduces the Heritage 4.0 Cycle, a conceptual framework that structures digital heritage management into four iterative phases: Capture, Curate, Connect, a…
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Study of Pigments of The Icon of Saint John (1674)” Work of The Painter Agorastos in Skopelos
The present study focuses on the analysis of the pigments of the icon of Saint John with scenes from his life (1674). The icon is a work of the Cretan hagiographer Antonios Agorastos and is housed in the Church of Saint John in Skopelos. The analysis of the pigments was carried out using non-destructive Raman and XRF spectroscopy techniques. Using the Thunder Optics - Gem Raman System and the Niton XLp 818 spectrometer, inorganic pigments such as…
Heritage 4.0
This work examines how digital technologies, particularly 3D imaging, additive man-ufacturing, and digital twins, contribute to a more interactive and process-oriented understanding of cultural preservation. Building on practical experience with museum scanning and 3D reproduction, the study introduces the Heritage 4.0 Cycle, a conceptual framework that structures digital heritage management into four iterative phases: Capture, Curate, Connect, a…
3D Surveying and Cultural Heritage (1 work) · Building materials and conservation (1 work) · Christian ministry (1 work) · Cinnabar (1 work) · Citizen journalism (1 work) · Conceptual framework (1 work) · Conceptual model (1 work) · Cultural heritage (1 work) · Cultural heritage management (1 work) · Cultural Heritage Management and Preservation (1 work)