France Grenaudier‐Klijn
Biographic Data
| ID | 6943391 |
|---|---|
| NAME | France Grenaudier‐Klijn |
| GIVEN NAMES | France |
| FAMILY NAME | Grenaudier‐Klijn |
| SIGNATURE | KLIJN F G |
| AFFILIATIONS | Massey University |
| ORCID | 0000-0003-2976-6993 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Deportation, The Maternal Abject, and the Impossibility of Selfhood
In 1954, Jacqueline Saveria Huré, a non-Jew resistant deported to Ravensbrück in 1942, published Ni sains ni saufs [Neither Safe nor Sound] a work of fiction drawing in large part from her experience. Divided into four parts, the novel follows the lives of a group of female inmates, from their last days in the fictional camp of Graffenburg, to their liberation and ensuing return. In a pattern similar to other deportation novels by women, the narr…
Esthétiques sans esthétique
The following paper highlights the way in which contemporary analytic or Anglo-American aesthetics neglects the topic of aesthetic experience. The paper briefly examines the historical background to this situation. It also looks at how analytic aesthetics’ preoccupation with the topic of art is largely responsible for this neglect. It concludes by arguing that most of the fundamental problems in aesthetics, including those that contemporary analy…
L'esthétique recontextualisée
In general, the theme of this paper is future possibilities for aesthetics as a discipline. Critically developing in the future several merely inchoative types of aesthetic reflection today could have important consequences for developing possible new orientations for aesthetics itself tomorrow.In particular, the paper is about future possibilities for aesthetics that may arise from developing rather new kinds of aesthetic reflection in connectio…
Le sublime (bio)technologique
The notion of the sublime, which since the nineteenth century is one of the dominant aesthetic categories, is strongly connected with (the artistic representation of) overwhelming nature. In this article it is argued that in the course of the 20th century the sublime increasingly becomes entangled with the experience of technology. However, in the age of biotechnologies, such as genetic modification and synthetic biology, the sublime regains a na…
Esthétique et Bildung
The article approaches the educational potential of aesthetics and the arts by reviving the notion of Bildung and suggesting an interpretation that emphasizes both its social character and the role of artworks and other aesthetic expressions. Bildung is a dialogic process where human relationships are crucial both for the exchange and the birth of insights. Artworks are described as images (Bilde), which act as intermediaries and points of refere…
Deportation, The Maternal Abject, and the Impossibility of Selfhood
In 1954, Jacqueline Saveria Huré, a non-Jew resistant deported to Ravensbrück in 1942, published Ni sains ni saufs [Neither Safe nor Sound] a work of fiction drawing in large part from her experience. Divided into four parts, the novel follows the lives of a group of female inmates, from their last days in the fictional camp of Graffenburg, to their liberation and ensuing return. In a pattern similar to other deportation novels by women, the narr…
Esthétiques sans esthétique
The following paper highlights the way in which contemporary analytic or Anglo-American aesthetics neglects the topic of aesthetic experience. The paper briefly examines the historical background to this situation. It also looks at how analytic aesthetics’ preoccupation with the topic of art is largely responsible for this neglect. It concludes by arguing that most of the fundamental problems in aesthetics, including those that contemporary analy…
L'esthétique recontextualisée
In general, the theme of this paper is future possibilities for aesthetics as a discipline. Critically developing in the future several merely inchoative types of aesthetic reflection today could have important consequences for developing possible new orientations for aesthetics itself tomorrow.In particular, the paper is about future possibilities for aesthetics that may arise from developing rather new kinds of aesthetic reflection in connectio…
Le sublime (bio)technologique
The notion of the sublime, which since the nineteenth century is one of the dominant aesthetic categories, is strongly connected with (the artistic representation of) overwhelming nature. In this article it is argued that in the course of the 20th century the sublime increasingly becomes entangled with the experience of technology. However, in the age of biotechnologies, such as genetic modification and synthetic biology, the sublime regains a na…
Esthétique et Bildung
The article approaches the educational potential of aesthetics and the arts by reviving the notion of Bildung and suggesting an interpretation that emphasizes both its social character and the role of artworks and other aesthetic expressions. Bildung is a dialogic process where human relationships are crucial both for the exchange and the birth of insights. Artworks are described as images (Bilde), which act as intermediaries and points of refere…
Deportation, The Maternal Abject, and the Impossibility of Selfhood
In 1954, Jacqueline Saveria Huré, a non-Jew resistant deported to Ravensbrück in 1942, published Ni sains ni saufs [Neither Safe nor Sound] a work of fiction drawing in large part from her experience. Divided into four parts, the novel follows the lives of a group of female inmates, from their last days in the fictional camp of Graffenburg, to their liberation and ensuing return. In a pattern similar to other deportation novels by women, the narr…
Aesthetics (4 works) · Philosophy (3 works) · Political science (3 works) · Sociology (3 works) · Art (2 works) · Epistemology (2 works) · Law (2 works) · Mathematics (2 works) · Psychology (2 works) · Visual Culture and Art Theory (2 works)