Gulnara Saitova
Biographic Data
| ID | 6943702 |
|---|---|
| NAME | Gulnara Saitova |
| GIVEN NAMES | Gulnara |
| FAMILY NAME | Saitova |
| SIGNATURE | SAITOVA G |
| AFFILIATIONS | National Academy of Sciences of the Republic of Kazakhstan |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Metaphor as a marker of creativity in digital visual art
This article investigates metaphor as a key element of creative digital visual art within the context of Kazakhstan’s contemporary art scene. The authors analyse the role of metaphor in shaping the aesthetic and communicative potential of works by Kazakhstani digital artists, focusing on materials shared on social media platforms. Special attention is given to metaphors rooted in national cultural codes, such as the yurt, camel, traditional Kazak…
Embodied Identity in Kazakh Male Dances
This article investigates the features of contemporary Kazakh male dance through an embodied and choreological analysis of three authorial works: Zholbarys Zhürek, Asan & Üsen, and Tas Tülek. Drawing on somatic and anthropological approaches, it explores how movement encodes culturally situated masculinities, post-nomadic identity, and intergenerational memory. The analysis integrates fieldwork, visual documentation, and theoretical frameworks fr…
Creativity of Kazakh People in the Context of Kara Jorga Dance
This research is devoted to the study of the examples of the early Kazakh folk dance kara jorga, also referred to as the dance of joints, preserved on the territory of Kazakhstan, China, Mongolia, and the Altai Region (Western Siberia, Russia). Research based on a generalized art history analysis, the characteristics of the performance of Kazakh dances on the territory of China, Mongolia, the Altai Region, and Kazakhstan are presented. The result…
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Creativity of Kazakh People in the Context of Kara Jorga Dance
This research is devoted to the study of the examples of the early Kazakh folk dance kara jorga, also referred to as the dance of joints, preserved on the territory of Kazakhstan, China, Mongolia, and the Altai Region (Western Siberia, Russia). Research based on a generalized art history analysis, the characteristics of the performance of Kazakh dances on the territory of China, Mongolia, the Altai Region, and Kazakhstan are presented. The result…
Embodied Identity in Kazakh Male Dances
This article investigates the features of contemporary Kazakh male dance through an embodied and choreological analysis of three authorial works: Zholbarys Zhürek, Asan & Üsen, and Tas Tülek. Drawing on somatic and anthropological approaches, it explores how movement encodes culturally situated masculinities, post-nomadic identity, and intergenerational memory. The analysis integrates fieldwork, visual documentation, and theoretical frameworks fr…
Metaphor as a marker of creativity in digital visual art
This article investigates metaphor as a key element of creative digital visual art within the context of Kazakhstan’s contemporary art scene. The authors analyse the role of metaphor in shaping the aesthetic and communicative potential of works by Kazakhstani digital artists, focusing on materials shared on social media platforms. Special attention is given to metaphors rooted in national cultural codes, such as the yurt, camel, traditional Kazak…
Kazakh (3 works) · Art Education and Development (2 works) · Creativity (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Archaeology (1 work) · Art (1 work) · China (1 work) · Context (archaeology) (1 work) · Cultural and Sociopolitical Studies (1 work)