Jirawat Vongphantuset
Biographic Data
| ID | 6944205 |
|---|---|
| NAME | Jirawat Vongphantuset |
| GIVEN NAMES | Jirawat |
| FAMILY NAME | Vongphantuset |
| SIGNATURE | VONGPHANTUSET J |
| AFFILIATIONS | Silpakorn University |
| ORCID | 0009-0005-1809-0061 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Ecological ambiguity and environmental visuality: A theoretical framework for atmospheric perception in contemporary ecological art
This article develops ecological ambiguity as a theoretical framework for analysing environmental visuality that does not operate through transparent representation, direct ecological messaging, or stable visual legibility. Drawing on environmental communication, visual culture, atmosphere studies, ecological art, phenomenology, semiotics, and design theory, it argues that contemporary ecological art can make environmental relation perceptible th…
Technology as cultural translator: Artificial intelligence adaptation and reconstruction in Global South fashion design
Ecological Wisdom and Cultural Memory: Contemporary Interpretation and Construction of Traditional Western-Sichuan Residential Wall Decoration
China’s rapid urbanization has led to a homogenization of architectural styles and a critical loss of regional cultural identity. This paper addresses this crisis by retrospectively studying the traditional architectural wisdom embodied in the wall decorations of Western-Sichuan residences. The objective is to establish a path for reconstructing regional character in contemporary design. Focusing on the Liu’s Manor in Dayi as a key case study, th…
Integrating Tradition with Modernity: A Study of Feminine Figure in Tang Dynasty on Dunhuang Mural Paintings
This study focuses on exploring the aesthetic elements embodied in the feminine figures of Tang Dynasty Dunhuang murals and their transformation and inheritance in contemporary fashion design. It examines how Tang Dynasty aesthetics can engage in an ongoing dialogue with modern fashion elements within the framework of contemporary costume design, with an emphasis on feminist expression in clothing. The study also aims to address issues such as al…
Textile Art as Psychocultural Therapy: Exploring Body–Mind Connections and Cultural Expression through Chinese Grass Cloth
Natural forms serve as an important source of inspiration, profoundly influencing the design language and spiritual essence of textile art as a medium of psychocultural reflection and therapeutic expression. This study aims to explore the innovative application potential of Chinese grass cloth in textile art based on natural forms within a psychosomatic and cultural context. Objectives: (1) To understand public perception of grass cloth and texti…
An Experiment in the Expressive of The Material Language of Contemporary Sculpture-The Example of the Spiritual Plight of the Elderly Living Alone in China
This study aims to address the psychological state of the elderly who are now living without other family members in contemporary China and attempts to depict their mental burdens through artistic means through exploring the expressive possibilities and applications of sculptural material language. This thesis presents an attempt to exhibit the spiritual issues of China's solitary seniors through a public exhibition and collect feedback from the …
Creative application of Yao ethnic festival portraits in Souvenir design
The purpose of this article is to explore the method and practice of designing cultural tourism souvenirs based on Yao festival elements, take Yao festival-themed tourism souvenir design as a design case to summarize the application method of festival image resources in tourism souvenir design. The main framework follows “collect and analyzing data-summarizing and synthesizing-designing practice”.Conclusion: (a)the principles of traditional festi…
Innovation of Batik Textile Works Using Wax Printing Techniques: Insights from Indonesia
Batik is a type of decoratively patterned cloth made by applying hot wax to the surface of the cloth with a canting or stamp tool, a process that takes a long time. One batik maker in one week only produces 1 sheet of cloth (115cm x 250cm). Therefore, there is a question as to what is the right technique to speed up the batik production process. This research examines the wax printing technique including the steps for making it, the equipment use…
“Mamuli” Pattern in East Sumba Woven Fabric as Inspiration For “Kandunnu” Standing Lamp Using the Imoe Method
Inspiration is a crucial factor in the conception and development of innovative design products. In the contemporary creative world, an innovative product transcends mere aesthetic factors, encompassing intrinsic values. This study investigates a framework for transforming Mamuli pattern, found in East Sumba woven fabric, into a contemporary and innovative product, in the form of a standing lamp. This effort aimed to guide designers and design st…
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Creative application of Yao ethnic festival portraits in Souvenir design
The purpose of this article is to explore the method and practice of designing cultural tourism souvenirs based on Yao festival elements, take Yao festival-themed tourism souvenir design as a design case to summarize the application method of festival image resources in tourism souvenir design. The main framework follows “collect and analyzing data-summarizing and synthesizing-designing practice”.Conclusion: (a)the principles of traditional festi…
Innovation of Batik Textile Works Using Wax Printing Techniques: Insights from Indonesia
Batik is a type of decoratively patterned cloth made by applying hot wax to the surface of the cloth with a canting or stamp tool, a process that takes a long time. One batik maker in one week only produces 1 sheet of cloth (115cm x 250cm). Therefore, there is a question as to what is the right technique to speed up the batik production process. This research examines the wax printing technique including the steps for making it, the equipment use…
“Mamuli” Pattern in East Sumba Woven Fabric as Inspiration For “Kandunnu” Standing Lamp Using the Imoe Method
Inspiration is a crucial factor in the conception and development of innovative design products. In the contemporary creative world, an innovative product transcends mere aesthetic factors, encompassing intrinsic values. This study investigates a framework for transforming Mamuli pattern, found in East Sumba woven fabric, into a contemporary and innovative product, in the form of a standing lamp. This effort aimed to guide designers and design st…
An Experiment in the Expressive of The Material Language of Contemporary Sculpture-The Example of the Spiritual Plight of the Elderly Living Alone in China
This study aims to address the psychological state of the elderly who are now living without other family members in contemporary China and attempts to depict their mental burdens through artistic means through exploring the expressive possibilities and applications of sculptural material language. This thesis presents an attempt to exhibit the spiritual issues of China's solitary seniors through a public exhibition and collect feedback from the …
Ecological Wisdom and Cultural Memory: Contemporary Interpretation and Construction of Traditional Western-Sichuan Residential Wall Decoration
China’s rapid urbanization has led to a homogenization of architectural styles and a critical loss of regional cultural identity. This paper addresses this crisis by retrospectively studying the traditional architectural wisdom embodied in the wall decorations of Western-Sichuan residences. The objective is to establish a path for reconstructing regional character in contemporary design. Focusing on the Liu’s Manor in Dayi as a key case study, th…
Integrating Tradition with Modernity: A Study of Feminine Figure in Tang Dynasty on Dunhuang Mural Paintings
This study focuses on exploring the aesthetic elements embodied in the feminine figures of Tang Dynasty Dunhuang murals and their transformation and inheritance in contemporary fashion design. It examines how Tang Dynasty aesthetics can engage in an ongoing dialogue with modern fashion elements within the framework of contemporary costume design, with an emphasis on feminist expression in clothing. The study also aims to address issues such as al…
Textile Art as Psychocultural Therapy: Exploring Body–Mind Connections and Cultural Expression through Chinese Grass Cloth
Natural forms serve as an important source of inspiration, profoundly influencing the design language and spiritual essence of textile art as a medium of psychocultural reflection and therapeutic expression. This study aims to explore the innovative application potential of Chinese grass cloth in textile art based on natural forms within a psychosomatic and cultural context. Objectives: (1) To understand public perception of grass cloth and texti…
Ecological ambiguity and environmental visuality: A theoretical framework for atmospheric perception in contemporary ecological art
This article develops ecological ambiguity as a theoretical framework for analysing environmental visuality that does not operate through transparent representation, direct ecological messaging, or stable visual legibility. Drawing on environmental communication, visual culture, atmosphere studies, ecological art, phenomenology, semiotics, and design theory, it argues that contemporary ecological art can make environmental relation perceptible th…
Technology as cultural translator: Artificial intelligence adaptation and reconstruction in Global South fashion design
Art (5 works) · Crafts, Textile, and Design (4 works) · Aesthetics (3 works) · Digital Media and Visual Art (3 works) · Visual arts (3 works) · Archaeology (2 works) · Architectural engineering (2 works) · Embodied cognition (2 works) · Engineering (2 works) · Fashion and Cultural Textiles (2 works)