Wilma Newberry
Biographic Data
| ID | 694603 |
|---|---|
| NAME | Wilma Newberry |
| GIVEN NAMES | Wilma |
| FAMILY NAME | Newberry |
| SIGNATURE | NEWBERRY W |
| AFFILIATIONS | State University of New York, Buffalo |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1965 |
| LATEST PUBLICATION YEAR | 1987 |
| H-INDEX | 0 |
Antonio Gala's El cementerio de los pajaros and the Problem of Freedom
Gregorio and Maria Martinez Sierra
"Patterns of Negation in "La Casa de Bernarda Alba
N La casa de Bernarda Alba, subtitled Drama de mujeres en los pueblos de Espaiia, there emerge patterns of systematic, repetitive negation which reinforce Lorca's overt portrayal of overwhelmingly vacant female lives. The play is very well integrated-the setting, the vocabulary, the details of every episode and the realistic or symbolic meaning of every action contribute to the unity of the negative impact. The totality of this negative impact ca…
The Pirandellian Mode in Spanish Literature from Cervantes to Sastre
"The New Spanish "Tartuffe
Esta noche es la vispera
Aesthetic Distance in Garcia Lorca's El Publico: Pirandello and Ortega
Pirandello and Azorin
Luca de Tena, Pirandello, and the Spanish Tradition
A Pirandellian Trilogy by Jacinto Grau
The Influence of Pirandello in two Plays of Manuel and Antonio Machado
dello's influence has gone without notice. Manuel and Antonio Machado, in one of their seven original plays, Las adelfas, written in 1928, give critics in search of influences an invaluable starting point by actually mentioning Pirandelismo twice, and when doing so indirectly refer to the two levels of Pirandello's chief contributions: the technique of fantasy of the theatre as opposed to reality of life, and the theme of ambiguity of personality…
No prominent works on this page.
The Influence of Pirandello in two Plays of Manuel and Antonio Machado
dello's influence has gone without notice. Manuel and Antonio Machado, in one of their seven original plays, Las adelfas, written in 1928, give critics in search of influences an invaluable starting point by actually mentioning Pirandelismo twice, and when doing so indirectly refer to the two levels of Pirandello's chief contributions: the technique of fantasy of the theatre as opposed to reality of life, and the theme of ambiguity of personality…
Pirandello and Azorin
Luca de Tena, Pirandello, and the Spanish Tradition
A Pirandellian Trilogy by Jacinto Grau
Esta noche es la vispera
Aesthetic Distance in Garcia Lorca's El Publico: Pirandello and Ortega
"The New Spanish "Tartuffe
The Pirandellian Mode in Spanish Literature from Cervantes to Sastre
"Patterns of Negation in "La Casa de Bernarda Alba
N La casa de Bernarda Alba, subtitled Drama de mujeres en los pueblos de Espaiia, there emerge patterns of systematic, repetitive negation which reinforce Lorca's overt portrayal of overwhelmingly vacant female lives. The play is very well integrated-the setting, the vocabulary, the details of every episode and the realistic or symbolic meaning of every action contribute to the unity of the negative impact. The totality of this negative impact ca…
Gregorio and Maria Martinez Sierra
Antonio Gala's El cementerio de los pajaros and the Problem of Freedom
Art (8 works) · Humanities (5 works) · Spanish Literature and Culture Studies (5 works) · Early Modern Spanish Literature (4 works) · History (4 works) · Philosophy (4 works) · Historical and Modern Theater Studies (2 works) · History (2 works) · Linguistics (2 works) · Spanish Culture and Identity (2 works)