Yun Lei
Biographic Data
| ID | 6954108 |
|---|---|
| NAME | Yun Lei |
| GIVEN NAMES | Yun |
| FAMILY NAME | Lei |
| SIGNATURE | LEI Y |
| AFFILIATIONS | Shinawatra University |
| ORCID | 0000-0002-0425-2470 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Expansion of Higher Education Scale in Northeast China and the Pursuit of Common Prosperity
Based on panel data from 36 cities in Northeast China spanning the years 2012 to 2021, this study employs the dual dimensions of “commonality” and “prosperity” to holistically assess the level of common prosperity. By developing a bidirectional panel fixed-effect model, this research conducts an empirical examination of the positive influence exerted by the expansion of higher education in Northeast China on achieving common prosperity. The findi…
Silence as Meaning
In Chinese ink painting, the unpainted surface is never truly empty. What may appear to Western eyes as mere negative space—the untouched paper surrounding a spray of plum blossoms or the void between a bird’s wings—functions in Huang Binhong’s (1865–1955) flower-and-bird paintings as a sophisticated visual language. This paper explores how Huang transformed the traditional practice of liubai (留白, “reserved blankness”) from a compositional device…
No prominent works on this page.
The Expansion of Higher Education Scale in Northeast China and the Pursuit of Common Prosperity
Based on panel data from 36 cities in Northeast China spanning the years 2012 to 2021, this study employs the dual dimensions of “commonality” and “prosperity” to holistically assess the level of common prosperity. By developing a bidirectional panel fixed-effect model, this research conducts an empirical examination of the positive influence exerted by the expansion of higher education in Northeast China on achieving common prosperity. The findi…
Silence as Meaning
In Chinese ink painting, the unpainted surface is never truly empty. What may appear to Western eyes as mere negative space—the untouched paper surrounding a spray of plum blossoms or the void between a bird’s wings—functions in Huang Binhong’s (1865–1955) flower-and-bird paintings as a sophisticated visual language. This paper explores how Huang transformed the traditional practice of liubai (留白, “reserved blankness”) from a compositional device…
Aesthetics (1 work) · Art (1 work) · Art history (1 work) · China (1 work) · Chinese history and philosophy (1 work) · Epistemology (1 work) · Global Educational Reforms and Inequalities (1 work) · Higher education (1 work) · Higher Education Governance and Development (1 work) · Higher Education Learning Practices (1 work)