Robert L Sims
Biographic Data
| ID | 695446 |
|---|---|
| NAME | Robert L Sims |
| GIVEN NAMES | Robert L |
| FAMILY NAME | Sims |
| SIGNATURE | SIMS R L |
| AFFILIATIONS | Virginia Commonwealth University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 1994 |
| H-INDEX | 0 |
Dominant, Residual, and Emergent: Recent Criticism on Colombian Literature and Gabriel García Márquez
focalized the development of culture through the tripartite lens of what he terms the dominant, the residual, and the emergent. He defines the dominant in cultural evolution in the following manner: "In what I have called 'epochal' analysis, a cultural process is seized as a cultural system, with determinate dominant features: feudal culture or bourgeois culture or a transition from one to another. This emphasis on dominant and definitive lineame…
Periodismo, ficcion, espacio carnavalesco y oposiciones binarias: La creacion de la infraestructura novelistica de Gabriel Garcia Marquez
Robert L. Sims, Periodismo, ficción, espacio carnavalesco y oposiciones binarias: La creación de la infraestructura novelística de Gabriel García Márquez, Hispania, Vol. 71, No. 1 (Mar., 1988), pp. 50-60
La serie de La Sierpe de García Márquez: La política de la narración o cómo narrar la política
Cada vez encuentro menos diferencias entre periodismo y literatura. Ambos g?neros se nutren de la misma realidad y exigen la misma experiencia y el mismo manejo del oficio. Creo, adem?s, que lo mejor que tengo como novelista se lo debo a mi vocaci?n de periodista, a mi formaci?n de periodista y a mi experiencia de periodista. Es esto lo que me ha permitido el sentido de la realidad sin el cual ning?n novelista tampoco. Tambi?n del periodismo me v…
Recuerdos sin rumbo
Company
"The Creation of Myth in Garcia Marquez' "Los Funerales de la Mama Grande
IN THE COLLECTION of short stories entitled funerales de la Manui Gabriel Garcia Marquez evolves stylistically and mythically toward Cien afios de soledad. The last story, Los funerales de la Mamai Grande, which gives the title to the collection, represents the final transition from the somewhat fragmented, experimental nature of the previous works to the cohesive unity of Cien aiios de soledad, a unity Garcia Mairquez sought for twelve years to …
"Garcia Marquez' "La Hojarasca: Paradigm of Time and Search for Myth
tt A HOJARASCA was first published L in 1955. However, critics began to focus more attention on it after the publication of Cien afios de soledad in 1967.1 We must constantly bear in mind that hojarasca represents the first step in an evolution of the novelist's writings which would culminate twelve years later in Cien aios de soledad. Garcia Mairquez pointed out the relationship between hojarasca and Cien ahos de soledad in a conversation with V…
No prominent works on this page.
"Garcia Marquez' "La Hojarasca: Paradigm of Time and Search for Myth
tt A HOJARASCA was first published L in 1955. However, critics began to focus more attention on it after the publication of Cien afios de soledad in 1967.1 We must constantly bear in mind that hojarasca represents the first step in an evolution of the novelist's writings which would culminate twelve years later in Cien aios de soledad. Garcia Mairquez pointed out the relationship between hojarasca and Cien ahos de soledad in a conversation with V…
"The Creation of Myth in Garcia Marquez' "Los Funerales de la Mama Grande
IN THE COLLECTION of short stories entitled funerales de la Manui Gabriel Garcia Marquez evolves stylistically and mythically toward Cien afios de soledad. The last story, Los funerales de la Mamai Grande, which gives the title to the collection, represents the final transition from the somewhat fragmented, experimental nature of the previous works to the cohesive unity of Cien aiios de soledad, a unity Garcia Mairquez sought for twelve years to …
Recuerdos sin rumbo
Company
La serie de La Sierpe de García Márquez: La política de la narración o cómo narrar la política
Cada vez encuentro menos diferencias entre periodismo y literatura. Ambos g?neros se nutren de la misma realidad y exigen la misma experiencia y el mismo manejo del oficio. Creo, adem?s, que lo mejor que tengo como novelista se lo debo a mi vocaci?n de periodista, a mi formaci?n de periodista y a mi experiencia de periodista. Es esto lo que me ha permitido el sentido de la realidad sin el cual ning?n novelista tampoco. Tambi?n del periodismo me v…
Periodismo, ficcion, espacio carnavalesco y oposiciones binarias: La creacion de la infraestructura novelistica de Gabriel Garcia Marquez
Robert L. Sims, Periodismo, ficción, espacio carnavalesco y oposiciones binarias: La creación de la infraestructura novelística de Gabriel García Márquez, Hispania, Vol. 71, No. 1 (Mar., 1988), pp. 50-60
Dominant, Residual, and Emergent: Recent Criticism on Colombian Literature and Gabriel García Márquez
focalized the development of culture through the tripartite lens of what he terms the dominant, the residual, and the emergent. He defines the dominant in cultural evolution in the following manner: "In what I have called 'epochal' analysis, a cultural process is seized as a cultural system, with determinate dominant features: feudal culture or bourgeois culture or a transition from one to another. This emphasis on dominant and definitive lineame…
Humanities (5 works) · Art (3 works) · Garcia (3 works) · Cinema History and Criticism (2 works) · Comparative Literary Analysis and Criticism (2 works) · Latin American Literature Analysis (2 works) · Latin American Literature Studies (2 works) · Literature (2 works) · Literature, Magical Realism, García Márquez (2 works) · Mythology (2 works)